"Stephanie Weber, Adrian Djukić, and Karin Althaus—the curators of But Live Here? No Thanks: Surrealism and Anti-fascism, a retrospective marking the movement’s centenary at the Lenbachhaus, Munich—offers Surrealism, again, in present tense." brooklynrail.org/2025/03/arts...
But Live Here? No Thanks: Surrealism and Anti-fascism | The Brooklyn Rail
Rather than narrating the history of the movement from manifesto to schism to journal to excommunication, or by mapping Surrealism as it radiated from Paris outward—strategies deployed by other recent...
brooklynrail.org
March 18, 2025 at 3:50 PM
"Stephanie Weber, Adrian Djukić, and Karin Althaus—the curators of But Live Here? No Thanks: Surrealism and Anti-fascism, a retrospective marking the movement’s centenary at the Lenbachhaus, Munich—offers Surrealism, again, in present tense." brooklynrail.org/2025/03/arts...
"I’m convinced that the German interwar tendency known as die neue Sachlichkeit (The New Objectivity) was a kind of double portrait. ..." Grateful for the opportunity to review this important centenary in Mannheim @artforum.com @artforummag.bsky.social
www.artforum.com/events/new-o...
www.artforum.com/events/new-o...
“The New Objectivity: A Centennial”
"The New Objectivity" revisits interwar German art, revealing contradictions and dualities within the movement at Kunsthalle Mannheim.
www.artforum.com
March 13, 2025 at 2:16 PM
"I’m convinced that the German interwar tendency known as die neue Sachlichkeit (The New Objectivity) was a kind of double portrait. ..." Grateful for the opportunity to review this important centenary in Mannheim @artforum.com @artforummag.bsky.social
www.artforum.com/events/new-o...
www.artforum.com/events/new-o...
Little blurb in Ursula 12 on Arnauld Pierre and Candace Clements's refreshingly new look at Francis Picabia's late career @hauserwirth.bsky.social
shop.hauserwirth.com/products/urs...
shop.hauserwirth.com/products/urs...
Ursula: Issue 12
Issue 12 of Ursula explores the inventive ways artists blur the boundaries between life and art. The cover features a work by Rashid Johnson, who reflects on family, identity and belonging in a conver...
shop.hauserwirth.com
March 13, 2025 at 2:05 PM
Little blurb in Ursula 12 on Arnauld Pierre and Candace Clements's refreshingly new look at Francis Picabia's late career @hauserwirth.bsky.social
shop.hauserwirth.com/products/urs...
shop.hauserwirth.com/products/urs...
"Thus, rather than settle for shooting wide or narrowing the aperture, Compressed Utterances and The Dada Archivist remind us of what collage as art does best: taking the sharpest features from each depth of field and compositing them into a single image." doi.org/10.1353/gsr....
February 26, 2025 at 12:15 AM
"Thus, rather than settle for shooting wide or narrowing the aperture, Compressed Utterances and The Dada Archivist remind us of what collage as art does best: taking the sharpest features from each depth of field and compositing them into a single image." doi.org/10.1353/gsr....
I was excited to highlight Satoshi Kojima's recent paintings as part of this show at Gagosian last fall @artforum.com www.artforum.com/events/the-s...
“The Street”
Such a question haunted “The Street,” an exhibition of twenty-three paintings by eighteen artists, curated by Peter Doig.
www.artforum.com
February 26, 2025 at 12:12 AM
I was excited to highlight Satoshi Kojima's recent paintings as part of this show at Gagosian last fall @artforum.com www.artforum.com/events/the-s...