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Reposted by Jordan Raup
Dan Mecca
@djmecca.bsky.social
· Aug 27
The Film Stage
@thefilmstage.com
· Aug 27
The Quay Brothers on the Two-Decade Journey of Crafting Sanatorium Under the Sign of the Hourglass
One of the most rewarding things about falling in love with a film is then falling in love with all of the things that inspired its creation. What are the books, plays, music, and paintings that fuele...
thefilmstage.com
Jordan Raup
@jpraup.bsky.social
· Aug 26
Reposted by Jordan Raup
Corey Atad
@coreyatad.com
· Jul 8
The Film Stage
@thefilmstage.com
· Jul 8
Locarno 2025 Lineup Includes New Films by Radu Jude, Alexandre Koberidze, Sophy Romvari, Abdellatif Kechiche & More
Set to take place August 6-16, the 78th edition of Locarno Film Festival has now unveiled its promising lineup. Among the highlights are the world premieres of Radu Jude's second feature of 2025, Drac...
thefilmstage.com
Reposted by Jordan Raup
The Film Stage
@thefilmstage.com
· Jun 26
Sorry, Baby Review: Eva Victor’s Debut is a Singular Revelation
Note: This interview was originally published as part of our 2025 Sundance coverage. Sorry, Baby opens in theaters on June 27. Agnes’ (Eva Victor) life is defined by a sense of stagnancy. Four years a...
thefilmstage.com
Jordan Raup
@jpraup.bsky.social
· Jun 25
Reposted by Jordan Raup
Reposted by Jordan Raup
The Film Stage
@thefilmstage.com
· Jun 6
Tribeca Review: Underland Uncovers Subterranean Wonders
As humanity continues mining Earth’s resources with wanton abandon, the concerns of those with the most influence have been towards the skies––the space dreams of inhabiting another planet once we’ve ...
thefilmstage.com
Reposted by Jordan Raup
The Film Stage
@thefilmstage.com
· May 27
Cannes Review: A Poet is a Darkly Humorous Tale of Failed Creative Pursuits
Far removed from the mournful yearnings of A Quiet Passion––much less the quotidian, calming rhythms of Paterson––Simón Mesa Soto’s Medellín-set second feature finds unexpected poetry in the jagged, p...
thefilmstage.com
Reposted by Jordan Raup
The Film Stage
@thefilmstage.com
· May 23
The B-Side Ep. 162 – Clint Eastwood (with Mitchell Beaupre)
Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we discuss Clint Eastwood, the director a...
thefilmstage.com
Reposted by Jordan Raup
The Film Stage
@thefilmstage.com
· May 20
Cannes Review: Peak Everything is a Romantic Dramedy That Finds Levity in the Anxieties of Societal Ills
While there’s the oft-repeated observation that every generation thinks they are living through the end of the world, the maelstrom of anxieties (both quotidian and universal) in today’s age is partic...
thefilmstage.com
Reposted by Jordan Raup
Reposted by Jordan Raup
Dan Mecca
@djmecca.bsky.social
· May 12
The Film Stage
@thefilmstage.com
· May 12
“It is a Kingdom of Conscience or Nothing”: Ridley Scott’s Kingdom of Heaven at 20
20 years ago, 20th Century Fox began the summer-blockbuster season with a sword-and-sandals epic about the Crusades. Kingdom of Heaven's pedigree was impressive, if not bulletproof. Ridley Scott was o...
thefilmstage.com
Jordan Raup
@jpraup.bsky.social
· Apr 28
Reposted by Jordan Raup
Dan Mecca
@djmecca.bsky.social
· Apr 22
The Film Stage
@thefilmstage.com
· Apr 22
“There’s No Nostalgia for Me in This Film”: The Legend of Ochi Director Isaiah Saxon on Making His $10 Million Debut Look Bigger Than Life
Making movies is hard. This is not a revelatory observation, though a film like The Legend of Ochi underlines how much most of us take the art of filmmaking for granted. There is so much impossible sk...
thefilmstage.com
Reposted by Jordan Raup
The Film Stage
@thefilmstage.com
· Apr 21
Sundance Review: Eva Victor’s Debut Sorry, Baby is a Singular Revelation
Agnes’ (Eva Victor) life is defined by a sense of stagnancy. Four years after completing grad school in rural New England, she’s living in the same house and going to the same building, only now as a ...
thefilmstage.com
Reposted by Jordan Raup
The Film Stage
@thefilmstage.com
· Apr 11
“I See Palestine as the Wound That the Whole World is Bleeding Out of Right Now”: Director Farah Nabulsi on The Teacher
“To your people, your son is worth 1,000 of mine." This striking line from Oscar-nominated director Farah Nabulsi's feature debut The Teacher draws inspiration from the 2011 Gilad Shalit prisoner exch...
thefilmstage.com