Juho Rantala
@jttrantala.bsky.social
Doctoral Researcher (TAU); DIG1t0 (Kone) & CIDS (Akatemia) projects | "ex-cinephile" | niin & näin | #philosophy #technology #simondon #algorithms #AI #blockchain #anthropomorphism | X: @jttrantala | https://www.researchgate.net/profile/Juho-Rantala
Revolution des Viaductes (1937)
"Here, the unimaginable happens: heavy bridge arches appear to have set themselves in motion; [they] are like people who have stepped out of the gray mass of the Third Reich, vigorously showed their colors, and ceased to function."
(B. Friedewald, Paul Klee, 2013)
"Here, the unimaginable happens: heavy bridge arches appear to have set themselves in motion; [they] are like people who have stepped out of the gray mass of the Third Reich, vigorously showed their colors, and ceased to function."
(B. Friedewald, Paul Klee, 2013)
September 14, 2025 at 2:29 PM
Revolution des Viaductes (1937)
"Here, the unimaginable happens: heavy bridge arches appear to have set themselves in motion; [they] are like people who have stepped out of the gray mass of the Third Reich, vigorously showed their colors, and ceased to function."
(B. Friedewald, Paul Klee, 2013)
"Here, the unimaginable happens: heavy bridge arches appear to have set themselves in motion; [they] are like people who have stepped out of the gray mass of the Third Reich, vigorously showed their colors, and ceased to function."
(B. Friedewald, Paul Klee, 2013)
Raymond Ruyer, Cybernetics and the Origin of Information (eng. 2024; orig. 1954, but the chapter 10 is from the newer edition pub. in 1967). These things still echo in the modern discussions about learning, education, ML etc. - maybe in a different form.
July 9, 2025 at 12:54 PM
Raymond Ruyer, Cybernetics and the Origin of Information (eng. 2024; orig. 1954, but the chapter 10 is from the newer edition pub. in 1967). These things still echo in the modern discussions about learning, education, ML etc. - maybe in a different form.
Adorno, Jargon of Authenticity, p.5.
February 18, 2025 at 11:43 AM
Adorno, Jargon of Authenticity, p.5.
