Julien Porquet/Posture
@julienposture.bsky.social
270 followers 320 following 44 posts
https://julienposture.com/ https://julienposture.substack.com/ Illustrator & PhD candidate in anthropology, University of Cambridge I study how people and machines look together and against each other. (he/him) Visual culture|semiotics|STS
Posts Media Videos Starter Packs
Pinned
julienposture.bsky.social
After sharing the preprint, here is our officially published #CHI2025 paper:

𝐂𝐨𝐩𝐲𝐢𝐧𝐠 𝐬𝐭𝐲𝐥𝐞, 𝐄𝐱𝐭𝐫𝐚𝐜𝐭𝐢𝐧𝐠 𝐯𝐚𝐥𝐮𝐞: 𝐈𝐥𝐥𝐮𝐬𝐭𝐫𝐚𝐭𝐨𝐫𝐬' 𝐏𝐞𝐫𝐜𝐞𝐩𝐭𝐢𝐨𝐧 𝐨𝐟 𝐀𝐈 𝐒𝐭𝐲𝐥𝐞 𝐓𝐫𝐚𝐧𝐬𝐟𝐞𝐫 𝐚𝐧𝐝 𝐢𝐭𝐬 𝐈𝐦𝐩𝐚𝐜𝐭 𝐨𝐧 𝐂𝐫𝐞𝐚𝐭𝐢𝐯𝐞 𝐋𝐚𝐛𝐨𝐫

with @sitong-wang.bsky.social and Lydia Chilton

dl.acm.org/doi/10.1145/...
Copying style, Extracting value: Illustrators' Perception of AI Style Transfer and its Impact on Creative Labor | Proceedings of the 2025 CHI Conference on Human Factors in Computing Systems
dl.acm.org
julienposture.bsky.social
Great! Im looking forward to it.
julienposture.bsky.social
"Creativity" here stands for value-through-scarcity, its human uniqueness is its market value, and vice versa.

But creativity means many other things, and most of those are not related to market incentives, profit and capitalization.
ambersparks.bsky.social
This is so bizarre because no one who loves film will see this, and anyone who would see an AI generated film would never watch The Magnificent Ambersons - but like I guess so much of AI art, the audience is somehow not the point
AI Is “Possibly The End Of Human Creativity,” Predicts CEO Of Amazon-Backed Firm Helping Rescue Lost ‘Magnificent Ambersons’ Footage
Edward Saatchi, CEO of Amazon-backed startup Fable, sees AI as "possibly the end of human creativity" -- at least as an exclusive phenomenon.
deadline.com
julienposture.bsky.social
"Useful social science theories predict behavior across settings."

No.
emollick.bsky.social
This is a cool paper that suggests that AI agents can indeed be used for social science experiments, but that just using a chatbot isn't good enough, instead prompts developed based on social & game theory makes AI agent actions predictive of real human outcomes. benjaminmanning.io/files/optimi...
julienposture.bsky.social
On the other hand, the paper addresses a theoretical blind spot of Art History which has long focused on style as a normative category to be defined and refined and left under theorized the pragmatics of style, i.e. what people do with the concept to control and regulate the social life of artworks.
julienposture.bsky.social
I argue that this pragmatic history of style sheds light on two blind spots. On the one hand, an ethnographic blind spot was created by the illustrators themselves in their ‘theoretical turn’, leaving style to mere commercialism and framing it as the antithesis of artistry.
julienposture.bsky.social
It analyzes the role of #style at three moments in history, the emergence of copyright laws, the Great Depression, and the rise of generative AI to show how the visible relation between an artist and their work has constantly been debated, reformed and morphed in various contexts.
julienposture.bsky.social
While I'm wary of the "AI is killing –" framing (because it fails to account for the preexisting systemic conditions in which machine learning technologies are presented as optimizing, streamlining, etc.), it would be nice to have some illustrators represented.

Do reach out and share your stories!
bcmerchant.bsky.social
I'm looking for stories about how AI is killing creative work, and I'd love to hear from you—artists, writers, illustrators, actors, designers, editors, voice actors and narrators—if your job or practice has been hit. This is going to be a big one.

[email protected]
Reposted by Julien Porquet/Posture
michelerosenthal.com
It was so wonderful to talk to Julien about @armadillostock.bsky.social, illustration licensing, artist organizing, and more! There's even audio if you prefer listening to reading. Thank you for the opportunity to talk about the things I love!
julienposture.bsky.social
I’m so excited to share this interview with @michelerosenthal.com about her alternative licensing platform @armadillostock.bsky.social!

We discuss:

🖼️ The economy and ecology of stock image platforms
🤖 Their relationship with AI
✊The role of organizing for freelance artists
Licensing platforms: is there no alternative? (Yes, there is.)
An interview with grassroots licensing platform Armadillo's founder, Michele Rosenthal
open.substack.com
julienposture.bsky.social
I’m so excited to share this interview with @michelerosenthal.com about her alternative licensing platform @armadillostock.bsky.social!

We discuss:

🖼️ The economy and ecology of stock image platforms
🤖 Their relationship with AI
✊The role of organizing for freelance artists
Licensing platforms: is there no alternative? (Yes, there is.)
An interview with grassroots licensing platform Armadillo's founder, Michele Rosenthal
open.substack.com
julienposture.bsky.social
This is a very exciting project by and for illustrators and an excellent example of bottom-up organizing among freelance workers!

Go check it out, share and support if you can!
armadillostock.bsky.social
The Armadillo Kickstarter is LIVE!

Help us launch a community-built, free-to-use platform for licensing human-made art directly from illustrators!

Find out more: kickstarter.com/projects/dialmformichele/armadillo-stock
A logo of an armadillo holding a pencil and a screenshot of a portfolio website. The text reads, support our Kickstarter. Armadillo: Licensing for human illustrators. kickstarter.com/projects/dialmformichele/armadillo-stock
julienposture.bsky.social
Oh this is exciting, thanks for sharing!
Reposted by Julien Porquet/Posture
julienposture.bsky.social
Starting my conference marathon this Saturday at the University of Pennsylvania Semiotic Anthropology Conference (online).

"From artists’ hands to clients’ words: Styles, Text-to-Image algorithms and the division of creative labor."

Next stop, Vienna and Paris!

www.upennsemioticslab.com
Home | Semiotic Anthropology
www.upennsemioticslab.com
Reposted by Julien Porquet/Posture
tamigraph.bsky.social
This data center organizing guide from @kairosfellows.bsky.social and @mediajustice.bsky.social is so f’ing good: concise, informative, and beautifully designed. Print it out, make a zine, etc www.kairosfellows.org/fightdatacen...
Organizer guide to fighting data centers — Kairos Fellowship
www.kairosfellows.org
julienposture.bsky.social
I'll be talking about experimental ethnography and HCI over there next week!
easainfo.bsky.social
EASA Media Anthropology Network event
#AI in Media Anthropology: Trajectories, Challenges, Opportunities
📌 University of Vienna, Austria
📅 15-16 May 2025

Find out more >>
easaonline.org/networks/med...
julienposture.bsky.social
Little academic milestone: this week I got my first ever citation in another paper!

And I couldn't be happier that it's about artists, creative labor and machine learning.

🎉📚
julienposture.bsky.social
“The A.I. is huge. A tsunami. But it’s not me. It can’t touch my me-ness. It doesn’t know what it is to be human, to be me.”

Oh good, I'm glad to know students and profs in ivy league universities don't feel that their individual "me-ness" is threatened by "AI".

🙃
hypervisible.blacksky.app
“Historians have long extolled the ‘power of the archive.’ Little did we know that the engineers would come along and plug it in. And it turns out that a huge amount of what we seek from a human person can be simulated through this Frankensteinian reanimation of our collective dead letters.”
Will the Humanities Survive Artificial Intelligence?
Maybe not as we’ve known them. But, in the ruins of the old curriculum, something vital is stirring.
www.newyorker.com