Kanav
@kanav28.bsky.social
Research Fellow, @uniofnottingham.bsky.social
PhD @kingscollegelondon.bsky.social
Hindustani Music, Music History, Colonial history, Indian History, Literature. 🇵🇸 🇮🇳
PhD @kingscollegelondon.bsky.social
Hindustani Music, Music History, Colonial history, Indian History, Literature. 🇵🇸 🇮🇳
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Stop the suspension of undergraduate music courses at The University of Nottingham
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November 6, 2025 at 5:14 PM
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A bit like how “patience” (~patient) and “passion” come from the same Latin root: “pati” (suffering).
December 14, 2024 at 7:00 PM
A bit like how “patience” (~patient) and “passion” come from the same Latin root: “pati” (suffering).
2/2 MNIK also experimented with a new lyricist, not particularly exciting imo. Javed Akhtar is certainly much more adept. I think ZNMD gets my vote! But KHNH is a good case study to see the evolution in both SEL’s music & the films, esp wrt India’s relationship to and imagination of the global.
December 8, 2024 at 2:54 AM
2/2 MNIK also experimented with a new lyricist, not particularly exciting imo. Javed Akhtar is certainly much more adept. I think ZNMD gets my vote! But KHNH is a good case study to see the evolution in both SEL’s music & the films, esp wrt India’s relationship to and imagination of the global.
Interesting to see how from KHNH to ZNMD the soundtrack sounds increasingly transnational. KHNH’s Pretty Woman credits Javed Akhtar as translator, and not lyricist, and thereby hangs a tale. The foreign setting itself becomes more n more like a character from KHNH to ZNMD.
December 8, 2024 at 2:47 AM
Interesting to see how from KHNH to ZNMD the soundtrack sounds increasingly transnational. KHNH’s Pretty Woman credits Javed Akhtar as translator, and not lyricist, and thereby hangs a tale. The foreign setting itself becomes more n more like a character from KHNH to ZNMD.