I’m a sad gay folksinger trying to survive the end of the world.
I also taught the first major university course on Beyoncé and her impact — ran from 2010 to 2016 at Rutgers. Class turned into a book called Ain’t I A Diva? from Feminist Press (2019).
We also need to make them more fun. Bring grills like the French. Bring instruments like it’s Mardi Gras. Give people a reason to spend their weekend in the streets.
We also need to make them more fun. Bring grills like the French. Bring instruments like it’s Mardi Gras. Give people a reason to spend their weekend in the streets.
Things are sad and bleak. We have to start all the way over. That’s the reality.
Things are sad and bleak. We have to start all the way over. That’s the reality.
seriously…where are you? you wanted the revolution, you wanted accelerationism, and i hear NOTHING about next steps. it was all so unserious from the beginning…
seriously…where are you? you wanted the revolution, you wanted accelerationism, and i hear NOTHING about next steps. it was all so unserious from the beginning…
While it’s become the primary way to get your voice out into the world and noticed, every post also lines the fascist pockets of piece of shit billionaires.
I don’t think I can do this anymore.
While it’s become the primary way to get your voice out into the world and noticed, every post also lines the fascist pockets of piece of shit billionaires.
I don’t think I can do this anymore.
Just saying that out loud to remind myself for 2025.
Just saying that out loud to remind myself for 2025.
I’m a sad gay folksinger trying to survive the end of the world.
I also taught the first major university course on Beyoncé and her impact — ran from 2010 to 2016 at Rutgers. Class turned into a book called Ain’t I A Diva? from Feminist Press (2019).
I’m a sad gay folksinger trying to survive the end of the world.
I also taught the first major university course on Beyoncé and her impact — ran from 2010 to 2016 at Rutgers. Class turned into a book called Ain’t I A Diva? from Feminist Press (2019).