Mark Richardson
@markrichardson.bsky.social
3.9K followers 410 following 210 posts
rock and pop music critic, @wsj, freelance elsewhere • former EIC @pitchfork • markrichardson.org • markrichardson.substack.com
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markrichardson.bsky.social
“The Experiment Requires That You Continue” b/w “450 Volts”
markrichardson.bsky.social
It was an awkward title, acted like “breaking training” was an everyday expression
Reposted by Mark Richardson
jeremydlarson.bsky.social
Man, I remember hopping on the phone with Kaleb for this piece and thinking, "Oh you write almost exactly how you talk." He was so thoughtful & cared about his truth, his blue and funny vision of the world. Loved this piece, one of his many great accomplishments in life pitchfork.com/reviews/albu...
Johnny Cash: American Recordings
Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we explore Johnny Cash’s 1994 comeback American Recordings.
pitchfork.com
markrichardson.bsky.social
I think there’s a bit of a “You can’t win if you don’t play” mindset where if one track breaks through it could mean the diff. b/t owning a house & renting. there’s a Grouper track from one of her most obscure records that went viral and revenue from that alone prob. covers her expenses for 5 years
markrichardson.bsky.social
feeling good about the car armrest bin curation
markrichardson.bsky.social
yeah that is a good point - which stood in contrast to earlier REM’s output
markrichardson.bsky.social
he put the drums very high in the mix, as was common then, but he did seem to go easier on the gated snare. “Life’s Rich Pageant” def has the loudest drums of any REM album (also sounds great)
markrichardson.bsky.social
one of my favorite music books of the past few years, doesn’t have the snappiest title but lots of interesting history about how jazz and rock were framed when the genres were in earlier stages
markrichardson.bsky.social
Ah sorry yeah I meant Kelefa
markrichardson.bsky.social
I definitely first heard it on ILM, and when K’s piece hit I thought of it as riffing on an ILM idea
markrichardson.bsky.social
and I think the same goes for pop—it’s expected that if you review pop you care about the genre and are informed about it, where once many dismissed it out of hand
markrichardson.bsky.social
all v interesting points. something important tho under-discussed that @stevenhyden.bsky.social mentioned is how this trend fits with the move from generalist to specialist critics. xgau has viciously panned 100+ metal records because he doesn’t like metal. now, you have a metal fan review those
markrichardson.bsky.social
I'm thinking a sandwich where you put lettuce and tomato on hours before you eat it and wrap it in plastic, and the water soaks into the bread
markrichardson.bsky.social
Amazing! Thanks for sharing.