https://linktr.ee/mathisnitschke
Music, conversations, and a full room showed what this is really about: a real community, a serious engagement with music, and an infrastructure that doesn’t hide complexity.
Here’s the aftershow video
A space that changes through one’s own activity.
A space that changes through one’s own activity.
A new project for anyone who believes the future of music should be shaped with artists — not against them.
@crpsai.bsky.social (1/10)
A new project for anyone who believes the future of music should be shaped with artists — not against them.
@crpsai.bsky.social (1/10)
Newsflash: If your big picture decisions are not grounded in real experience they are gonna end up bullshit.
Newsflash: If your big picture decisions are not grounded in real experience they are gonna end up bullshit.
These images usually emerge at the beginning and the end of a collaboration. The process in between remains mostly invisible. (1/9)
These images usually emerge at the beginning and the end of a collaboration. The process in between remains mostly invisible. (1/9)
Sometimes the truth only hits us when it’s been absent for a while. I vividly remember the feeling after the premiere of “When We Have Sufficiently Tortured Each Other” (Martin Crimp) at Schauspiel Köln, where I provided the musical design. (1/5)
Sometimes the truth only hits us when it’s been absent for a while. I vividly remember the feeling after the premiere of “When We Have Sufficiently Tortured Each Other” (Martin Crimp) at Schauspiel Köln, where I provided the musical design. (1/5)
As an inventor working at the intersection of music, new technologies, and especially AI, I often wonder what “actual truth” in artistic work really is.
As an inventor working at the intersection of music, new technologies, and especially AI, I often wonder what “actual truth” in artistic work really is.