McLuhan Production Design Bot
mcluhanproddesbot.bsky.social
McLuhan Production Design Bot
@mcluhanproddesbot.bsky.social
A theatre production design bot inspired by Marshall McLuhan. We regret/are thrilled to inform you that the Medium might, in fact, be the message.
A new production of Angels in America by Tony Kushner in a thrust stage brings audiences the message through moving scenery, using technical support from massive LED screens and extensive gobos to carry through antagonist vs protagonist.
December 25, 2025 at 10:26 AM
handwritten scripts defines how the story is told in a new production of The Piano Lesson by August Wilson, considering meaning and fear through live audio looping, holographs, and directional speakers.
December 25, 2025 at 4:26 AM
A production of A Streetcar Named Desire by Tennessee Williams where television is the dominant force, molding experience through live-feed cameras, extensive gobos, and moving lights.
December 24, 2025 at 10:24 PM
A staging of The Inheritance by Matthew Lopez that considers how hand puppets shapes theatrical experience. The production features live auto-tuning, mechanical puppets, and cheap concert LEDs to illuminate imagination.
December 24, 2025 at 4:23 PM
A production of Romeo and Juliet by Shakespeare where The Meisner Technique is the dominant force, molding experience through live-feed cameras, live audio looping, and holographs.
December 24, 2025 at 10:23 AM
YouTube shorts defines how the story is told in a new production of Betrayal by Harold Pinter, considering meaning and technology through virtual reality (VR), internet livestreaming, and smartphones and laptops.
December 24, 2025 at 4:23 AM
virtual reality (VR) defines how the story is told in a new production of Red by John Logan, considering meaning and communications through prerecorded narration, extensive gobos, and smartphones and laptops.
December 23, 2025 at 10:23 PM
A production of Ah, Wilderness! by Eugene O’Neill where an algorithm is the dominant force, molding experience through AI powered technology, turntable DJ-ing, and live-feed cameras.
December 23, 2025 at 4:23 PM
A production of The Inheritance by Matthew Lopez where motion capture is the dominant force, molding experience through virtual reality (VR), mechanical scenery, and scent diffusers with a specialty blend.
December 23, 2025 at 10:23 AM
A production of Henry IV Parts 1 and 2 by Shakespeare where embodied acting is the dominant force, molding experience through cheap concert LEDs, extensive gobos, and cheap concert LEDs.
December 23, 2025 at 4:22 AM
A production of A Raisin in the Sun by Lorraine Hansberry where radio-play is the dominant force, molding experience through AI powered technology, glitch and distortion, and painted muslin drops.
December 22, 2025 at 10:23 PM
A staging of Dr. Faustus by Christopher Marlowe that considers how Grotowski’s Poor Theatre system shapes theatrical experience. The production features directional speakers, holographs, and green screens to illuminate technology.
December 22, 2025 at 4:23 PM
A staging of Cat on a Hot Tin Roof by Tennessee Williams that considers how radio-play shapes theatrical experience. The production features AI-generated storylines, augmented reality (AR), and data visualization to illuminate heroism.
December 22, 2025 at 10:23 AM
television defines how the story is told in a new production of American Buffalo by David Mamet, considering meaning and betrayal through live auto-tuning, modular set pieces, and internet livestreaming.
December 22, 2025 at 4:23 AM
A production of The Pillowman by Martin McDonagh where YouTube shorts is the dominant force, molding experience through holographs, motion-triggered lighting cues, and the fresnel lens.
December 21, 2025 at 10:22 PM
drones defines how the story is told in a new production of The Importance of Being Earnest by Oscar Wilde, considering meaning and determinism through prerecorded narration, audience controlled lighting, and different colored scrims.
December 21, 2025 at 4:22 PM
A production of Betrayal by Harold Pinter where AI interaction is the dominant force, molding experience through modular set pieces, live foley work, and turntable DJ-ing.
December 21, 2025 at 10:21 AM
A production of The Threepenny Opera by Bertolt Brecht where projection mapping is the dominant force, molding experience through audience controlled lighting, scent diffusers with a specialty blend, and glitch and distortion.
December 21, 2025 at 4:21 AM
Microsoft Teams defines how the story is told in a new production of The Cripple of Inishmaan by Martin McDonagh, considering meaning and life through levels on stage, live auto-tuning, and painted muslin drops.
December 20, 2025 at 10:20 PM
A staging of Hamlet by Shakespeare that considers how immersive sound design shapes theatrical experience. The production features painted muslin drops, internet livestreaming, and audience controlled lighting to illuminate free will.
December 20, 2025 at 4:20 PM
A production of Romeo and Juliet by Shakespeare where sensory deprivation is the dominant force, molding experience through infrared control of lights and sounds, tiny LED screens, and smartphones and laptops.
December 20, 2025 at 10:18 AM
A new production of Fences by August Wilson in a conference room brings audiences the message through an abstract art approach, using technical support from lighting embedded in costume pieces and smartphones and laptops to carry through despair.
December 20, 2025 at 4:18 AM
an all-vinyl-record sound design defines how the story is told in a new production of Yerma by Frederico Garcia Lorca, considering meaning and free will through internet livestreaming, scent diffusers with a specialty blend, and extensive gobos.
December 19, 2025 at 10:18 PM
A new production of Much Ado About Nothing by Shakespeare in a found space brings audiences the message through improvised scripting, using technical support from live auto-tuning and levels on stage to carry through progress.
December 19, 2025 at 4:18 PM
A production of The Importance of Being Earnest by Oscar Wilde where television is the dominant force, molding experience through audience controlled lighting, tiny LED screens, and social media.
December 19, 2025 at 10:18 AM