by Anne Mason-Hoerter
In this series of herbs, I wish to combine the style of 16th, 17th and 18th Century botanical painting with that of the detail found in scientific illustration. I want to explore positive and negative space.
by Anne Mason-Hoerter
In this series of herbs, I wish to combine the style of 16th, 17th and 18th Century botanical painting with that of the detail found in scientific illustration. I want to explore positive and negative space.
I have a Bird in spring
Which for myself doth sing—
The spring decoys.
And as the summer nears—
And as the Rose appears,
Robin is gone.
Yet do I not repine
Knowing that Bird of mine
Though flown—
Learneth beyond the sea
Melody new for me
And will return.
…
I have a Bird in spring
Which for myself doth sing—
The spring decoys.
And as the summer nears—
And as the Rose appears,
Robin is gone.
Yet do I not repine
Knowing that Bird of mine
Though flown—
Learneth beyond the sea
Melody new for me
And will return.
…
“For the sake of a few lines one must see many cities, men and things. One must know the animals, one must feel how the birds fly and know the gesture with which the small flowers open in the morning.
― Rainer Maria Rilke, The
Notebooks of Malte Laurids Brigge
“For the sake of a few lines one must see many cities, men and things. One must know the animals, one must feel how the birds fly and know the gesture with which the small flowers open in the morning.
― Rainer Maria Rilke, The
Notebooks of Malte Laurids Brigge