Tammy Lai-Ming Ho
@myetcetera.bsky.social
510 followers 210 following 760 posts
Academic, poet, translator, & editor of CHA, Voice & Verse, HK Studies, & The Shanghai Literary Review. Junior Fellow @ HK Academy of the Humanities. Resident @ IWP Fall 2023. Email: [email protected] | Originally from Hong Kong, I'm currently based in Paris.
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myetcetera.bsky.social
Can you think of a Chinese text made entirely of existing materials to present a social or political critique? An example:
docsouth.unc.edu/neh/weld/wel...
myetcetera.bsky.social
𝐂𝐀𝐋𝐋 𝐅𝐎𝐑 𝐏𝐎𝐄𝐌𝐒—Hong Kong's 聲韻詩刊 Voice & Verse Poetry Magazine invites submissions of previously unpublished poems in English and poems newly translated from other languages into English exploring "Apocalypse" in its global, collective dimensions. www.facebook.com/share/p/1HzF...
myetcetera.bsky.social
𝗡𝗘𝗪 @asiancha.bsky.social 𝗥𝗘𝗩𝗜𝗘𝗪—Nazir Wani reviews Mallika Bhaumik’s 𝑊ℎ𝑒𝑛 𝑇𝑖𝑚𝑒 𝑖𝑠 𝑎 𝑀𝑎𝑔𝑖𝑐 𝐽𝑎𝑟 (Red River Press, 2025): "A life worth writing about need not be perfect or prosperous."

⧉ 𝐑𝐞𝐚𝐝: chajournal.blog/2025/10/08/m...
。。。。。
myetcetera.bsky.social
𝑇𝑜𝑔𝑒𝑡ℎ𝑒𝑟 unfurls a nightmarish vision of lovers dissolving into a single body. When it opened in China on 19 September, the film was reshaped: not only were its sex scenes excised, but an AI face-swapping sleight turned a same-sex wedding into a heterosexual union.

www.facebook.com/AsianCha.Jou...
myetcetera.bsky.social
[𝗡𝗘𝗪 @asiancha.bsky.social 𝗥𝗘𝗩𝗜𝗘𝗪—In Charlie Ng’s review of Hon Lai-chu’s 𝑀𝑒𝑛𝑑𝑖𝑛𝑔 𝐵𝑜𝑑𝑖𝑒𝑠 (translated by Jacqueline Leung, Two Lines Press, 2025) and Michael Shanks’s 𝑇𝑜𝑔𝑒𝑡ℎ𝑒𝑟 (2025), the search for one’s “other half” is reimagined as both yearning & undoing.

⧉ 𝐑𝐞𝐚𝐝: chajournal.blog/2025/10/08/b...
myetcetera.bsky.social
[@asiancha.bsky.social 𝗘𝗫𝗖𝗟𝗨𝗦𝗜𝗩𝗘—𝗧𝗜𝗙𝗙 𝟮𝟬𝟮𝟱] We're pleased to present a conversation between our resident film critic, Nirris Nagendrarajah, and director Kalainithan Kalaichelvan. Their exchange explores 𝐾𝑎𝑟𝑢𝑝𝑦's defiant reimagining of the Tamil matriarch.

⧉ 𝐑𝐞𝐚𝐝: chajournal.blog/2025/10/07/k...
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myetcetera.bsky.social
Want to know more. Can you give us some examples?
myetcetera.bsky.social
𝐍𝐄𝐖 @asiancha 𝐈𝐍𝐓𝐄𝐑𝐕𝐈𝐄𝐖—In this conversation with Sadie Kaye, 77-year-old Hong Kong artist George Tang Kwok-wing reflects on his seven decades in art in the lead-up to his participation in Fine Art Asia 2025.

⧉ 𝐑𝐞𝐚𝐝: chajournal.blog/2025/10/07/g...
。。。。。
myetcetera.bsky.social
[​@asiancha.bsky.social 𝗘𝗫𝗖𝗟𝗨𝗦𝗜𝗩𝗘] Our resident critic Nirris Nagendrarajah reviews 𝑁𝑜 𝑂𝑡ℎ𝑒𝑟 𝐶ℎ𝑜𝑖𝑐𝑒 (2025), dir. Park Chan-wook: "... the audience feel like confidants to the director’s vision, which appears to be viewed as almost godlike & beyond reproach."
⧉ 𝐑𝐞𝐚𝐝: chajournal.blog/2025/10/07/n...
myetcetera.bsky.social
Cha @asiancha.bsky.social contributor Maureen Tai @maureentai.com: "I was in Penang and saw this and thought of Cha." 😍🥰😎
Reposted by Tammy Lai-Ming Ho
bokane.org
For the Mid-Autumn Festival, I translated the 17th century failson, epicure, and memoirist Zhang Dai's account of the annual Mid-Autumn singing competition on Tiger Hill in Suzhou. www.burninghou.se/p/mid-autumn...
Mid-Autumn, Tiger Hill, Late Ming
"Everyone was perfectly silent, even the mosquitoes."
www.burninghou.se
Reposted by Tammy Lai-Ming Ho
robinince.bsky.social
I understand people saying - but this may have been taken out of context - but I am arguing with this specific meme circulating on social media
robinince.bsky.social
I think this is dismissive - many people have curiosity removed from them through childhood - leaving school believing science , poetry, art - are not things they are allowed to be part of and terrified that if they try to engage they will be admonished for not understanding things the “right” way
"The only reason people do not know much is because they do not care to know. They are incurious.
Incuriosity is the oddest and most foolish failing there is."
-Stephen Fry
myetcetera.bsky.social
𝐍𝐄𝐖 @asiancha.bsky.social 𝐈𝐍𝐓𝐄𝐑𝐕𝐈𝐄𝐖: Tiffany Troy speaks with Chenxin Jiang about her rendering of Yau Ching's 𝑓𝑜𝑟 𝑛𝑜𝑤 𝐼 𝑎𝑚 𝑠𝑖𝑡𝑡𝑖𝑛𝑔 ℎ𝑒𝑟𝑒 𝑔𝑟𝑜𝑤𝑖𝑛𝑔 𝑡𝑟𝑎𝑛𝑠𝑝𝑎𝑟𝑒𝑛𝑡. Jiang describes Yau Ching’s language as "Cantonese-inflected standard Chinese" because...

⧉ 𝐑𝐞𝐚𝐝: chajournal.blog/2025/10/05/c...
。。。。。
myetcetera.bsky.social
𝐍𝐄𝐖 @asiancha.bsky.social 𝐄𝐗𝐂𝐋𝐔𝐒𝐈𝐕𝐄: In this interview, poet & critic Tiffany Troy speaks with translator Chenxin Jiang abt her recent rendering of 𝑓𝑜𝑟 𝑛𝑜𝑤 𝐼 𝑎𝑚 𝑠𝑖𝑡𝑡𝑖𝑛𝑔 ℎ𝑒𝑟𝑒 𝑔𝑟𝑜𝑤𝑖𝑛𝑔 𝑡𝑟𝑎𝑛𝑠𝑝𝑎𝑟𝑒𝑛𝑡 (Zephyr Press) by Hong Kong poet, filmmaker,& scholar Yau Ching.

⧉ 𝐑𝐞𝐚𝐝: chajournal.blog/2025/10/05/c...
myetcetera.bsky.social
⧉ 𝑩𝒆𝒂𝒖𝒕𝒚 𝑴𝒂𝒕𝒕𝒆𝒓𝒔: 𝑴𝒐𝒅𝒆𝒓𝒏 𝑱𝒂𝒑𝒂𝒏𝒆𝒔𝒆 𝑳𝒊𝒕𝒆𝒓𝒂𝒕𝒖𝒓𝒆 𝒂𝒏𝒅 𝒕𝒉𝒆 𝑸𝒖𝒆𝒔𝒕𝒊𝒐𝒏 𝒐𝒇 𝑨𝒆𝒔𝒕𝒉𝒆𝒕𝒊𝒄𝒔, 1890–1930
𝐁𝐲 𝐀𝐧𝐫𝐢 𝐘𝐚𝐬𝐮𝐝𝐚
"Yasuda shows how thinking about beauty and art enabled these authors to surpass purely “literary” concerns."
𝐋𝐢𝐧𝐤: cup.columbia.edu/book/beauty-...
myetcetera.bsky.social
⧉ 𝑩𝒚 𝒕𝒉𝒆 𝑾𝒂𝒕𝒆𝒓𝒔 𝒐𝒇 𝑩𝒂𝒃𝒚𝒍𝒐𝒏
𝐀𝐫𝐢𝐦𝐚𝐬𝐚 𝐌𝐨𝐫𝐢, 𝐭𝐫𝐚𝐧𝐬 𝐉. 𝐓𝐡𝐨𝐦𝐚𝐬 𝐑𝐢𝐦𝐞𝐫
"Written in an intimate epistolary style, Mori's memoir chronicles his complex response as an outsider to a culture he so admired."
𝐋𝐢𝐧𝐤: www.cornellpress.cornell.edu/book/9781501...
myetcetera.bsky.social
Mori Arimasa’s memoir 𝐵𝑦 𝑡ℎ𝑒 𝑊𝑎𝑡𝑒𝑟𝑠 𝑜𝑓 𝐵𝑎𝑏𝑦𝑙𝑜𝑛 (trans. J. Thomas Rimer) and Anri Yasuda’s study 𝐵𝑒𝑎𝑢𝑡𝑦 𝑀𝑎𝑡𝑡𝑒𝑟𝑠 engage Japan’s relationship to European aesthetics. If you're interested in reading one or both of these books and writing about them for @asiancha.bsky.social, pls email [email protected]
myetcetera.bsky.social
The documentary 𝑶𝒓𝒘𝒆𝒍𝒍: 2+2=5 looks at the last months of George Orwell’s life as he completes his unsettling novel, 1984. The director Raoul Peck, celebrated for 𝐼 𝐴𝑚 𝑁𝑜𝑡 𝑌𝑜𝑢𝑟 𝑁𝑒𝑔𝑟𝑜 and 𝐸𝑥𝑡𝑒𝑟𝑚𝑖𝑛𝑎𝑡𝑒 𝐴𝑙𝑙 𝑡ℎ𝑒 𝐵𝑟𝑢𝑡𝑒𝑠, and more, brings his questioning gaze to Orwell.
More: collider.com/orwell-two-p...
myetcetera.bsky.social
[𝗡𝗘𝗪 @asiancha.bsky.social 𝗥𝗘𝗩𝗜𝗘𝗪] In her reflection on 𝑌𝑎𝑡 𝑌𝑎𝑡 𝐾𝑖𝑛𝑔𝑑𝑜𝑚, dir. Eva Yip Man-lai, Dawna Fung reveals how the work transforms theatre into a sanctuary, where play revives innocence, wounds find voice, & Hong Kong’s tender spirit.

chajournal.blog/2025/10/03/y...
Reposted by Tammy Lai-Ming Ho
jwassers.bsky.social
Looking forward to being back at Stanford on December 2 for this very special event, on a program about Chinese typewriters, Lin Yutang, and all sorts of related issues with @tsmullaney.bsky.social @yangyangcheng.bsky.social & other special people cc @afrawang.bsky.social @koxinga.bsky.social
myetcetera.bsky.social
The legendary 𝐌𝐢𝐧𝐠𝐊𝐰𝐚𝐢 𝐂𝐡𝐢𝐧𝐞𝐬𝐞 𝐓𝐲𝐩𝐞𝐰𝐫𝐢𝐭𝐞𝐫 has been found. On 2 Dec, Stanford will reintroduce it to the world, featuring: Tom Mullaney, Yangyang Cheng, Emma Teng, David Brock, Jeffrey Wasserstrom, Willie Liu, & Martin Wong

www.eventbrite.com/e/mingkwai-r...
。。。
myetcetera.bsky.social
[𝗡𝗘𝗪 @asiancha.bsky.social 𝗥𝗘𝗩𝗜𝗘𝗪] In her reflection on 𝑌𝑎𝑡 𝑌𝑎𝑡 𝐾𝑖𝑛𝑔𝑑𝑜𝑚, dir. Eva Yip Man-lai, Dawna Fung reveals how the work transforms theatre into a sanctuary, where play revives innocence, wounds find voice, & Hong Kong’s tender spirit.

chajournal.blog/2025/10/03/y...
myetcetera.bsky.social
Writing for @asiancha.bsky.social, Michael Londra appraises Thuận’s 𝐸𝑙𝑒𝑣𝑎𝑡𝑜𝑟 𝑖𝑛 𝑆𝑎̀𝑖 𝐺𝑜̀𝑛 (trans. Nguyễn An Lỳ) as a time-skipping detective satire: a daughter investigates her mother’s death while confronting communist & capitalist hypocrisies, diasporic ...

chajournal.blog/2025/10/03/e...
myetcetera.bsky.social
The legendary 𝐌𝐢𝐧𝐠𝐊𝐰𝐚𝐢 𝐂𝐡𝐢𝐧𝐞𝐬𝐞 𝐓𝐲𝐩𝐞𝐰𝐫𝐢𝐭𝐞𝐫 has been found. On 2 Dec, Stanford will reintroduce it to the world, featuring: Tom Mullaney, Yangyang Cheng, Emma Teng, David Brock, Jeffrey Wasserstrom, Willie Liu, & Martin Wong

www.eventbrite.com/e/mingkwai-r...
。。。
myetcetera.bsky.social
𝐾𝑛𝑜𝑤𝑖𝑛𝑔 𝑎𝑛 𝐸𝑚𝑝𝑖𝑟𝑒: 𝐸𝑎𝑟𝑙𝑦 𝑀𝑜𝑑𝑒𝑟𝑛 𝐶ℎ𝑖𝑛𝑒𝑠𝑒 𝑎𝑛𝑑 𝑆𝑝𝑎𝑛𝑖𝑠ℎ 𝑊𝑜𝑟𝑙𝑑𝑠 𝑖𝑛 𝐷𝑖𝑎𝑙𝑜𝑔𝑢𝑒 (eds. Mackenzie Cooley & Huiyi Wu, University of Michigan Press / Liverpool University Press, 2025) places China within global intellectual and imperial conversations, juxtaposing Chinese and Iberian perspectives.
myetcetera.bsky.social
𝑇𝑟𝑎𝑛𝑠𝑙𝑎𝑡𝑖𝑛𝑔 𝐸𝑎𝑟𝑙𝑦 𝑀𝑜𝑑𝑒𝑟𝑛 𝐶ℎ𝑖𝑛𝑎: 𝐼𝑙𝑙𝑒𝑔𝑖𝑏𝑙𝑒 𝐶𝑖𝑡𝑖𝑒𝑠 (Carla Nappi, Oxford University Press, 2021) follows the unpredictable movements of words and concepts across languages and geographies, experimenting with how history itself can be written.
myetcetera.bsky.social
𝑂𝑏𝑠𝑒𝑟𝑣𝑖𝑛𝑔 𝑡ℎ𝑒 𝑈𝑛𝑠𝑒𝑒𝑛: 𝐶𝑢𝑟𝑖𝑜𝑠𝑖𝑡𝑦 𝑎𝑛𝑑 𝐶𝑜𝑚𝑚𝑜𝑛 𝐾𝑛𝑜𝑤𝑙𝑒𝑑𝑔𝑒 𝑖𝑛 𝐸𝑎𝑟𝑙𝑦 𝑀𝑜𝑑𝑒𝑟𝑛 𝐶ℎ𝑖𝑛𝑎 (Andrew Schonebaum, University of Washington Press, 2025) explores how hidden phenomena and everyday wonders informed shared understandings of the world.