Nathan Explosion On Cinema
@nathanlovescinema.bsky.social
Movie's fuckin brutal.
Soderbergh's digital video features are so much fuckin more than formalist experiments. The fake movie within a movie in FULL FRONTAL is throwing down a fuckin gauntlet for 2000s filmmakers who forgot how to light and frame stuff.
And BUBBLE...well, BUBBLE's just fuckin brutal. Fuck yeah.
And BUBBLE...well, BUBBLE's just fuckin brutal. Fuck yeah.
September 13, 2025 at 3:23 AM
Soderbergh's digital video features are so much fuckin more than formalist experiments. The fake movie within a movie in FULL FRONTAL is throwing down a fuckin gauntlet for 2000s filmmakers who forgot how to light and frame stuff.
And BUBBLE...well, BUBBLE's just fuckin brutal. Fuck yeah.
And BUBBLE...well, BUBBLE's just fuckin brutal. Fuck yeah.
Exactly, just like Cannibal Corpse's EVISCERATION PLAGUE record. Fuckin shaggy ingenuity.
Miss you, Pauline.
Miss you, Pauline.
USED CARS is a classic screwball fantasy—a shaggy celebration of American ingenuity. (1980)
September 10, 2025 at 2:01 AM
Exactly, just like Cannibal Corpse's EVISCERATION PLAGUE record. Fuckin shaggy ingenuity.
Miss you, Pauline.
Miss you, Pauline.
Ah fuck, now Toki's going on and on about "Ozu doesn't moves the camera blah blah blah."
YOU DON'T FUCKIN NEED TO MOVE THE CAMERA WHEN YOU HAVE SUCH PAINTERLY FUCKIN COMPOSITION.
YOU DON'T FUCKIN NEED TO MOVE THE CAMERA WHEN YOU HAVE SUCH PAINTERLY FUCKIN COMPOSITION.
I dunno why Ozu cut to that vase. Who cares? Maybe it's just a cool fuckin vase.
Maybe it's, like, a metaphor. For loneliness. Damn.
Nah, it's just a cool fuckin vase. Ozu fuckin rules.
Maybe it's, like, a metaphor. For loneliness. Damn.
Nah, it's just a cool fuckin vase. Ozu fuckin rules.
September 8, 2025 at 2:00 AM
Ah fuck, now Toki's going on and on about "Ozu doesn't moves the camera blah blah blah."
YOU DON'T FUCKIN NEED TO MOVE THE CAMERA WHEN YOU HAVE SUCH PAINTERLY FUCKIN COMPOSITION.
YOU DON'T FUCKIN NEED TO MOVE THE CAMERA WHEN YOU HAVE SUCH PAINTERLY FUCKIN COMPOSITION.
Tried to show Murderface THE 400 BLOWS last night and he just kept saying "This blows WAY more than 400." Fuckin idiot.
Went to my room and watched it. French New Wave always fucks me up. I need to call my Dad.
Went to my room and watched it. French New Wave always fucks me up. I need to call my Dad.
September 7, 2025 at 6:39 PM
Tried to show Murderface THE 400 BLOWS last night and he just kept saying "This blows WAY more than 400." Fuckin idiot.
Went to my room and watched it. French New Wave always fucks me up. I need to call my Dad.
Went to my room and watched it. French New Wave always fucks me up. I need to call my Dad.
I dunno why Ozu cut to that vase. Who cares? Maybe it's just a cool fuckin vase.
Maybe it's, like, a metaphor. For loneliness. Damn.
Nah, it's just a cool fuckin vase. Ozu fuckin rules.
Maybe it's, like, a metaphor. For loneliness. Damn.
Nah, it's just a cool fuckin vase. Ozu fuckin rules.
September 7, 2025 at 3:53 AM
I dunno why Ozu cut to that vase. Who cares? Maybe it's just a cool fuckin vase.
Maybe it's, like, a metaphor. For loneliness. Damn.
Nah, it's just a cool fuckin vase. Ozu fuckin rules.
Maybe it's, like, a metaphor. For loneliness. Damn.
Nah, it's just a cool fuckin vase. Ozu fuckin rules.