@neko1320.bsky.social
So, where's the last two? It feels pretty complete, but you still labeled this as 11/13...
Maybe I'm just being impatient, sorry.
Maybe I'm just being impatient, sorry.
December 20, 2025 at 1:54 PM
So, where's the last two? It feels pretty complete, but you still labeled this as 11/13...
Maybe I'm just being impatient, sorry.
Maybe I'm just being impatient, sorry.
Reposted
this comes up when artists talk about their work but maybe it just didn't make an immediately positive impression? what if it made people think and they need some time to process it even if it doesn't make them happy? it's good if it helps them grow, right?
December 19, 2025 at 7:20 PM
this comes up when artists talk about their work but maybe it just didn't make an immediately positive impression? what if it made people think and they need some time to process it even if it doesn't make them happy? it's good if it helps them grow, right?
Reposted
Charlie‘s biggest redemption project (other than maybe herself, of course) being the sinner who not only enjoys others’ suffering but has emotionally hurt her and betrayed her trust would be very fitting in her character arc
a cartoon character holding a key with a red eye on it
Alt: a cartoon character holding a key with a red eye on it
media.tenor.com
December 20, 2025 at 1:57 AM
Charlie‘s biggest redemption project (other than maybe herself, of course) being the sinner who not only enjoys others’ suffering but has emotionally hurt her and betrayed her trust would be very fitting in her character arc
Reposted
storytelling isn’t meant to be purely formula, or just a mechanical set of tropes arranged in the most efficient way
storytelling is inherently organic, inherently *human*. to be human is to be imperfect. (this is also why i am very much in favour of writing characters as *people*)
storytelling is inherently organic, inherently *human*. to be human is to be imperfect. (this is also why i am very much in favour of writing characters as *people*)
December 17, 2025 at 12:28 PM
storytelling isn’t meant to be purely formula, or just a mechanical set of tropes arranged in the most efficient way
storytelling is inherently organic, inherently *human*. to be human is to be imperfect. (this is also why i am very much in favour of writing characters as *people*)
storytelling is inherently organic, inherently *human*. to be human is to be imperfect. (this is also why i am very much in favour of writing characters as *people*)