Olga Kisseleva
@olga-kisseleva.bsky.social
Art&Science - Université Paris 1 Panthéon-Sorbonne
Stalker Rayogram
40 years after Chernobyl
Jan 28, 2026
University Paris 1Panthéon-Sorbonne
An interdisciplinary study day reflecting on invisible catastrophes, ecological memory, and contemporary art — inspired by Tarkovsky’s Stalker.
🔗 www.pantheonsorbonne.fr/evenements/r...
40 years after Chernobyl
Jan 28, 2026
University Paris 1Panthéon-Sorbonne
An interdisciplinary study day reflecting on invisible catastrophes, ecological memory, and contemporary art — inspired by Tarkovsky’s Stalker.
🔗 www.pantheonsorbonne.fr/evenements/r...
Rayogramme Selon Stalker : à l’approche des 40 ans de la tragédie de Tchernobyl | Université Paris 1 Panthéon-Sorbonne
www.pantheonsorbonne.fr
January 22, 2026 at 11:10 AM
Stalker Rayogram
40 years after Chernobyl
Jan 28, 2026
University Paris 1Panthéon-Sorbonne
An interdisciplinary study day reflecting on invisible catastrophes, ecological memory, and contemporary art — inspired by Tarkovsky’s Stalker.
🔗 www.pantheonsorbonne.fr/evenements/r...
40 years after Chernobyl
Jan 28, 2026
University Paris 1Panthéon-Sorbonne
An interdisciplinary study day reflecting on invisible catastrophes, ecological memory, and contemporary art — inspired by Tarkovsky’s Stalker.
🔗 www.pantheonsorbonne.fr/evenements/r...
We look forward to seeing you tonight at PROXIMA European biennial of AI.
January 16, 2026 at 9:49 AM
We look forward to seeing you tonight at PROXIMA European biennial of AI.
Back to work at theUniversité Paris 1 Panthéon-Sorbonne @sorbonneparis1.bsky.social.
I really shouldn't have left my skis in the Alps...
I really shouldn't have left my skis in the Alps...
January 6, 2026 at 9:33 AM
Back to work at theUniversité Paris 1 Panthéon-Sorbonne @sorbonneparis1.bsky.social.
I really shouldn't have left my skis in the Alps...
I really shouldn't have left my skis in the Alps...
The year 2026 has got off to a strong start.
In the first week, the first AI Biennale is opening in Paris: PROXIMA European biennial of AI, and I am fortunate to have been invited to take part by Alexandra ABK.
www.instagram.com/p/DSzSRRGkQ3...
In the first week, the first AI Biennale is opening in Paris: PROXIMA European biennial of AI, and I am fortunate to have been invited to take part by Alexandra ABK.
www.instagram.com/p/DSzSRRGkQ3...
January 4, 2026 at 9:19 AM
The year 2026 has got off to a strong start.
In the first week, the first AI Biennale is opening in Paris: PROXIMA European biennial of AI, and I am fortunate to have been invited to take part by Alexandra ABK.
www.instagram.com/p/DSzSRRGkQ3...
In the first week, the first AI Biennale is opening in Paris: PROXIMA European biennial of AI, and I am fortunate to have been invited to take part by Alexandra ABK.
www.instagram.com/p/DSzSRRGkQ3...
Dear fiends, Happy New Year, and may the year ahead open a bright horizon for everyone!
January 1, 2026 at 6:49 PM
Dear fiends, Happy New Year, and may the year ahead open a bright horizon for everyone!
2025 reaffirmed my commitment to art at the intersection of ecology and science. Through exhibitions across Europe and beyond, I explored plant intelligence, living systems, and invisible infrastructures—rethinking our relationship to technology and the biosphere as an urgent necessity.
January 1, 2026 at 6:48 PM
2025 reaffirmed my commitment to art at the intersection of ecology and science. Through exhibitions across Europe and beyond, I explored plant intelligence, living systems, and invisible infrastructures—rethinking our relationship to technology and the biosphere as an urgent necessity.
"Drift Wood" at Opéra Garnier, is a powerful and deeply embodied exploration of re:location, displacement, and fluid identities. Through a radical choreographic language, the dancers become drifting bodies shaped by forces beyond their control.
photo by Opéra de Paris
photo by Opéra de Paris
December 24, 2025 at 10:36 AM
"Drift Wood" at Opéra Garnier, is a powerful and deeply embodied exploration of re:location, displacement, and fluid identities. Through a radical choreographic language, the dancers become drifting bodies shaped by forces beyond their control.
photo by Opéra de Paris
photo by Opéra de Paris
A happy semester with my Master’s students at the Panthéon-Sorbonne University.
Watching their creativity, and critical thinking grow has been incredibly rewarding. They made remarkable progress—and surprised me not only with flowers, but with a mysterious portrait of me!
Watching their creativity, and critical thinking grow has been incredibly rewarding. They made remarkable progress—and surprised me not only with flowers, but with a mysterious portrait of me!
December 23, 2025 at 10:46 AM
A happy semester with my Master’s students at the Panthéon-Sorbonne University.
Watching their creativity, and critical thinking grow has been incredibly rewarding. They made remarkable progress—and surprised me not only with flowers, but with a mysterious portrait of me!
Watching their creativity, and critical thinking grow has been incredibly rewarding. They made remarkable progress—and surprised me not only with flowers, but with a mysterious portrait of me!