Editor: The Picador Book of Contemporary Scottish Fiction. Shakespeare for everything & nothing.
(And my Great Aunt Fanny ran The Vegetarian Hotel in the Catskills.)
www.lamaisondesfemmes.fr
www.lamaisondesfemmes.fr
High art
And this from The Threepenny Opera by Bertolt Brecht:
“Food comes first, then morals"
(“Erst kommt das Fressen, dann kommt die Moral")
High art
And this from The Threepenny Opera by Bertolt Brecht:
“Food comes first, then morals"
(“Erst kommt das Fressen, dann kommt die Moral")
And the great Sheffield label
www.anothertimbre.com
are making his music available and accessible like it’s never been.
Happy 100th Morty
www.kingsplace.co.uk/whats-on/cla...
And the great Sheffield label
www.anothertimbre.com
are making his music available and accessible like it’s never been.
Happy 100th Morty
www.kingsplace.co.uk/whats-on/cla...
@agrayarchive.bsky.social
@aowensarchive.bsky.social
@agrayarchive.bsky.social
@aowensarchive.bsky.social
tinyurl.com/dfc5uxjc
‘A friend later told the art critic Pierre Courthion that when he was trying to explain the specific magic of a Rembrandt, “he entered into a state of overexcitement that looked more like an angry outburst”’
tinyurl.com/dfc5uxjc
‘A friend later told the art critic Pierre Courthion that when he was trying to explain the specific magic of a Rembrandt, “he entered into a state of overexcitement that looked more like an angry outburst”’
Those of us in Scotland are lucky to have his building for Maggie’s Cancer Caring Centre in Dundee, which was in part modelled on indigenous but ‘n ben houses.
For his own place in Santa Monica, he “was trying to use the dumb, normal materials of the neighborhood.”
Those of us in Scotland are lucky to have his building for Maggie’s Cancer Caring Centre in Dundee, which was in part modelled on indigenous but ‘n ben houses.
For his own place in Santa Monica, he “was trying to use the dumb, normal materials of the neighborhood.”
www.the-tls.com/regular-feat...
www.the-tls.com/regular-feat...
Edinburgh.
Muriel Spark.
The front page.
Photographed on 25th May 1960.
Edinburgh.
Muriel Spark.
The front page.
Photographed on 25th May 1960.
A cracker of an essay from photographer Johny Pitts on the Tate’s new exhibition: The 80s - Photographing Britain
A cracker of an essay from photographer Johny Pitts on the Tate’s new exhibition: The 80s - Photographing Britain
‘When I begin my first chapter I certainly have no idea where we’d be in the last. Novels arise to me out of reflections on people rather than seeing situations into which I might put people. My ideas go from the people first and get them into the situations. ‘
‘When I begin my first chapter I certainly have no idea where we’d be in the last. Novels arise to me out of reflections on people rather than seeing situations into which I might put people. My ideas go from the people first and get them into the situations. ‘
Helen B. Cruickshank, Agnes Mure Mackenzie…
Helen B. Cruickshank, Agnes Mure Mackenzie…
This is from @becimay.bsky.social ‘s copy of his Collected Poems
This is from @becimay.bsky.social ‘s copy of his Collected Poems