Philip Kennicott
@philipkennicott.bsky.social
5K followers 270 following 71 posts
Senior Art and Architecture Critic at The Washington Post, author of Counterpoint: A Memoir of Bach and Mourning (Norton).🐕🎹 https://www.philipkennicott.com/ https://www.washingtonpost.com/people/philip-kennicott/
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philipkennicott.bsky.social
Don't miss the astonishing cut-paper works of Johanna Koerten at the National Museum of Women in the Arts exhibition, "Women Artists From Antwerp to Amsterdam: 1600-1750." They are miraculous, fragile and rare, with only about 15 surviving. Three are on view. www.washingtonpost.com/entertainmen...
Review | The Dutch Golden Age was women’s work, too
A new show at the National Museum of Women spotlights major talents “from Antwerp to Amsterdam.”
www.washingtonpost.com
Reposted by Philip Kennicott
karlgalle.bsky.social
Review of a new show on "Women Artists From Antwerp to Amsterdam: 1600-1750" at the National Museum of Women in the Arts in Washington DC, by @philipkennicott.bsky.social: wapo.st/4o25hFw [gift link] #earlymodern
Review | The Dutch Golden Age was women’s work, too
A new show at the National Museum of Women spotlights major talents “from Antwerp to Amsterdam.”
wapo.st
Reposted by Philip Kennicott
snelsonus.bsky.social
@philipkennicott.bsky.social's astute observations on the Smithsonian's recently-ended exhibition, “The Shape of Power: Stories of Race and American Sculpture.” This show, singled out by the Trump administration for its ideas on sculpture and race, was an extraordinary success. wapo.st/4nJuDbo
Column | An exemplary survey of race portends trouble for the Smithsonian
President Donald Trump singled out “The Shape of Power” for criticism, but the show was a success.
wapo.st
Reposted by Philip Kennicott
jeffrathke.bsky.social
Resonant essay by @philipkennicott.bsky.social in today’s WaPo. Great opening line:

“Leni Riefenstahl remains a problem to be solved, not because there’s any doubt about who she was, but because we are uncertain as to who we are.”

www.washingtonpost.com/entertainmen...
Column | More than two decades after her death, Leni Riefenstahl is still lying
A new documentary offers bracing lessons about demagogues and the people who serve them.
www.washingtonpost.com
philipkennicott.bsky.social
The Smithsonian's Shape of Power exhibition, about race and American sculpture, was a particular target of the Trump administration. It was also exemplary as public education, history and curation. www.washingtonpost.com/entertainmen...
Column | An exemplary survey of race portends trouble for the Smithsonian
President Donald Trump singled out “The Shape of Power” for criticism, but the show was a success.
www.washingtonpost.com
philipkennicott.bsky.social
The eternal present of political narcissism, the way lies don't matter because there is no past to hold you to account and no future to judge the consequences. Riefenstahl tried to outrun her legacy, and she's running still. www.washingtonpost.com/entertainmen...
Column | More than two decades after her death, Leni Riefenstahl is still lying
A new documentary offers bracing lessons about demagogues and the people who serve them.
www.washingtonpost.com
Reposted by Philip Kennicott
ionarts.bsky.social
Cannot recommend Philip Kennicott's article enough (in today's Style section of the Washington Post) on the history of a chilling, celebrated photograph and the government's possible attempt to remove it from display
philipkennicott.bsky.social
That anyone in the administration could even broach the idea of censoring this image is stunning. Audacious and ignorant. This is extraordinarily worrying when it comes to the "content review" at the Smithsonian and other institutions. www.washingtonpost.com/entertainmen...
Column | Erasing this indelible image of slavery is a terrifying idea
The Trump administration’s reported effort to censor one of the iconic images of American history is a five-alarm fire.
www.washingtonpost.com
philipkennicott.bsky.social
That anyone in the administration could even broach the idea of censoring this image is stunning. Audacious and ignorant. This is extraordinarily worrying when it comes to the "content review" at the Smithsonian and other institutions. www.washingtonpost.com/entertainmen...
Column | Erasing this indelible image of slavery is a terrifying idea
The Trump administration’s reported effort to censor one of the iconic images of American history is a five-alarm fire.
www.washingtonpost.com
philipkennicott.bsky.social
The administration's argument with art, playing out in its campaign against Smithsonian independence, also seems to be an argument with tradition, empathy and the core values of Christianity. www.washingtonpost.com/entertainmen...
Column | His art is inspired by Rubens and Velazquez. Trump says it’s woke.
His art is inspired by Rubens and Valazquez. Trump says it’s woke.
www.washingtonpost.com
philipkennicott.bsky.social
Experts I asked about the Oval Office ornamentation and gilding mostly just laughed. But there are serious issues at stake, not least: What will the new 90,000-square-foot ballroom look like, and will the process be open and transparent? www.washingtonpost.com/entertainmen...
Column | When it comes to gilding the White House, Trump is just getting started
Ostentatious and anachronistic Oval Office changes don’t bode well for a 90,000-square-foot addition to the executive mansion.
www.washingtonpost.com
Reposted by Philip Kennicott
ripnewellstreetery.bsky.social
If people haven't been to the James A Garfield Memorial in Cleveland I highly recommend it. Architect George Keller designed a lavish and frankly bonkers Byzantine castle in the middle of a Cleveland cemetery, all to commemorate a president who's been completely forgotten by modern Americans
Reposted by Philip Kennicott
philipkennicott.bsky.social
So, the supposed financial problems at the Kennedy Center are real, and the result of the new leadership, not the leadership that was fired by Trump. "Mismanagement by the new leadership is becoming a real problem for the health of the organization..." www.washingtonpost.com/entertainmen...
Kennedy Center subscription sales fall 36 percent from previous year
Sales for ticket packages are down about $1.6 million year over year, a window into the arts center’s challenges following President Donald Trump’s takeover.
www.washingtonpost.com