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Taylor Swift’s never been bigger—and her music’s never been less compelling
Taylor Swift: The Life of a Showgirl
Read Anna Gaca’s review of the album.
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pitchfork.com
The standout track from The Life of a Showgirl is Swift’s most straightforward appraisal of her own power

Read our track review of “Father Figure”
Taylor Swift: “Father Figure”
Read Shaad D’Souza’s review of the track
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pitchfork.com
Taylor Swift’s “Actually Romantic” is actually embarrassing.

Read our track review ⬇️
Taylor Swift: “Actually Romantic”
Read Walden Green’s review of the track
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pitchfork.com
It is a sweet time to be Oklou. Pitchfork caught up with her on one of the hottest days of the summer to sip neon citronnade, talk about her debut album and its upcoming deluxe edition, and bask in the softness of new motherhood

Read our cover story: pitchfork.com/features/cov...
oklou cover story
pitchfork.com
The Sunday Review ☀️ Toni Braxton's Secrets

Today, we revisit the R&B diva’s 1996 album, a blend of grown-up pop and sultry quiet storm that reconciled Braxton’s soul roots with a sexier, more youthful edge
Toni Braxton: Secrets
Read Clover Hope’s review of the album.
pitchfork.com
pitchfork.com
The members of U2—Bono, the Edge, Adam Clayton, and Larry Mullen Jr.—have each shared their own individual statements on Israel’s ongoing starvation of the Gaza Strip
U2 Release Statements on Israel and Gaza
We want our audience to know where we each stand,” Bono, the Edge, Adam Clayton, and Larry Mullen Jr. wrote before sharing individual statements
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pitchfork.com
The kind of music you make when the future is uncertain and you want to keep the end at bay for as long as you can
The Black Keys: No Rain, No Flowers
Read Stephen Thomas Erlewine’s review of the album.
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Reposted by Pitchfork
sterlewine.bsky.social
Over at @pitchfork.com, I review No Rain, No Flowers, the album where the Black Keys recover from a tumultuous year by steering toward the middle of the road. pitchfork.com/reviews/albu...
The Black Keys: No Rain, No Flowers
Read Stephen Thomas Erlewine’s review of the album.
pitchfork.com
pitchfork.com
Perhaps the most interesting frictions in the Ethel Cain universe play out in the relationships between the character, her author, and their shared audience
Ethel Cain: Willoughby Tucker, I’ll Always Love You
Read Olivia Horn’s review of the album.
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pitchfork.com
xaviersobased refines his singularly unrefined style on a short, slaphappy new EP featuring a standout song with OsamaSon
Xaviersobased: once more EP
Read Olivier Lafontant’s review of the EP.
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pitchfork.com
“Comafields” is one of the most affecting tracks he’s given us in a while—ambient trance as a weighted blanket for the soul

Our track review
Burial: “Comafields”
The producer re-emerges with a 12-minute mini-suite suggestive of revelation or near-death experience.
pitchfork.com
pitchfork.com
The Armed's sixth album faces down the apocalypse with some of its heaviest music yet: visceral, vital, and filled with desperate, righteous anger
The Armed: THE FUTURE IS HERE AND EVERYTHING NEEDS TO BE DESTROYED
Read Alex Robert Ross’ review of the album.
pitchfork.com