Mercury Music Picks: The Passion of Lori Goldston, Texas Emo, and a Month of Color & Sound at Clinton Street Theater
Nolan Parker by Nolan Parker
Happy new you! Welcome to 2026, you absolute smoke shows! Did we all get home safe after our NYE functions? I barely made it out alive, not because of intoxication, but because the Forty Feet Tall boys and the Nonbinary Girlfriend theys tore it the fuck up at Trouble Bar so deeply it was hard to walk after. And then three days later, Dustbunny almost sold out Mississippi Studios for their record release party (and I mean _party_), with Femme Cell and Pileup. Both gigs went hard—house show style—distilling the renaissance energy that was Portland 2025, imbuing the first few days of 2026 with an incredible hit of dopamine. Massive shouts to all those bands, both those venues, and to everyone who showed up to support any local music during this “slow” time of year. 2026 LFGGGGGGG!
Jabronis do be saying this is the slow part of the year, that there’s not a ton of music happening in Portland (or wherever jabronis live—Spokane? Northern Idaho?). I, and the _Mercury_ , absolutely beg to differ. A few shows I’ve been looking forward to for months are happening later in January (Berlin-based Portlander Colin Self at Mississippi, Cate Le Bon at Rev Hall, and Steve Reich’s _Counterpoints_ at Hopscotch), and this week is no slouch in the sack either with… well, you’ll just have to keep reading if you wanna find out.
Tuesday, January 6 _The Passion of Joan of Arc_ live-scored by Lori Goldston
_For fans of cello drones, silent film, biblical reckoning_
Seattle cello godhead Lori Goldston has been on a Portland tear the last couple months. She cruised down the corridor in October to play several sets at Improvisation Summit of Portland, and live-scored the 1911 Italian silent film _L’Inferno_ with Corey J. Brewer at Tomorrow Theater in December. For this, her first 2026 appearance in the Rose City, Goldston tackles the 81-minute film _The Passion of Joan of Arc_. This is your chance to see a live score for the 1928 French film that _Mercury_ film critic Dom Sinacola is saying “had a prominent influence on _Universal Soldier: Day of Reckoning_ (2012),” and what Minto Press mastermind Meredith Adams is calling “ACAB cannon.” _(Hollywood Theatre, 6:30 pm,more info here, all ages)_
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Friday, January 9 Keeks / Cosmos Dark / Yawa
_For fans of Mykki Blanco, D’Angelo, SassyBlack_
If you haven’t picked up on it yet, there’s a powerful current of both Black and trans musicians flowing through this city, challenging perceptions of the largely white (and cis male) dominated scenes of Portland. R&B doll Keeks dropped her massive album _Gwendolyn_ last year that, if I was more on top of it, would have been included in the _Mercury_ ’s Best Albums of 2025. On the album, Keeks’ silky-smooth vocals disarm and refresh with look-me-in-the-eyes honesty that might draw a blush as your panties hit the floor. On album hard-hitter “The Chillest, Pt. 1,” Keeks lets you know and expects you to remember her rapping ain't a game: “I do not do blow, I am a fucking lady / If I’m in your venue, you gon’ fuckin’ pay me.” Black futurist experimentalists Cosmos Dark and Yawa bring a powerfully nourishing femme energy in the opening slots. _(Swan Dive, 8 pm,more info here, 21+)_
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At First, At First / My Point of You / Swiss Army Wife / ¡Gonzales!
_For fans of Everyone Asked About You, Pretty Girls Make Graves, Rainer Maria_
Eighties and ’90s alternative music changed the game forever. There was grunge, new wave, shoegaze, hip-hop, goth, hardcore, nu metal, and on and on. Most of those genres sank into the background, but have had big resurgences in the last decade. “But what about emo?” *holding gun to back of astronaut’s head* “Emo never left...” Though it has gone through several waves. From the early Rites of Spring days, to the second wave of Braid and Cap’n Jazz, to the Warped Tour 2005 mainstays The Used and From First To Last, emo has continually reinvented itself to remain on the fringes of the underground. Champions of the genre, Portland-based bookers Mallbrawlreds are bringing the Texas emo outfits At First, At First and My Point of You through town—two femme-fronted bands that would’ve been right at home touring the Midwest emo circuit of the ’90s, proving that Texas is, in fact, the reason. Local legends Swiss Army Wife pull up too, shouting one of my favorite lines of all time on their track “Aight, I’mma Head Out”: “It’s a basement, not a gated community.” Setting it off, bringing the brown sound are Portland’s ¡Gonzales! Better get to the gig early. _(Leaven Community Center, 7 pm,more info here, all ages)_
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Friday, January 9 - Saturday, January 31 Color & Sound vol. 4
_For fans of visual and aural stimulation when it’s needed most_
Feeling SAD? Need something to look forward to during January? May we suggest Clinton Street Theater’s fourth installment of Color & Sound. On select Fridays this month, Clinton Street will be screening vivid, loud films to brighten up what some are calling the first month of 2026. The aging flamboyance of _Swan Song_ , the riotous _Zoot Suit_ , a Jeff Buckley documentary, _BLKNWS: Terms & Conditions_’ Portland premiere, a jukebox documentary, and Mira Nair’s _Mississippi Masala_ are the crown jewels of the series. _(Clinton Street Theater, 7 pm,more info here, all ages)_
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Sunday, January 11 Ragana / Drowse / Rhododendron
_For fans of Wolves in the Throne Room, Earth, Bell Witch_
There’s something about the Pacific Northwest that lends itself to the creation of dark, heavy music burning with catharsis. It’s probably all the low skies and cold and wet, huh? Lucky for us, the Olympia Indigi-queers Ragana and the Portland-based drone manipulator Drowse have banded together, releasing _Ash Souvenir_ late last year. As both bands—and black metal in general—are want to do, the album is filled with gorgeous slow-builds that evolve into anthemic shredding and guttural screaming. This is regional music of the highest order, heavy hangs the head that misses this first Portland excavation of the album. _(Mississippi Studios, 8 pm,more info here, 21+)_
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**_Also very worth it…_**
**Isabeau Waia’u Walker & The Noise Boys / Port Velvet** at Mississippi Studios - _Jan 9,more info here_
**theyhungusfrompowerlines / Middling / For You Always For You / Pretending / It’s You! It’s Me! And There’s Dancing!** at Alleyway - _Jan 9,more info here_
**Silicon Radio ft. Batom and Crochet** at Company - _Jan 9,more info here_
**DJ Manny** at Barn Radio - _Jan 10,more info here_
**Dyke Nite ft. Stas Thee Boss and DJ Aspen** at Nova - _Jan 10,more info here_
**Larry Beckett** at Music Millenium - _Jan 10,more info here_
_**Swing Girls**_ at Tomorrow Theater - _Jan 10,more info here_
**Fundamental / Body Shame / Laughing About Nothing / Long Deer** at Wyrd Hut - _Jan 10,more info here_
_**Hedwig and The Angry Inch**_ at Tomorrow Theater - _Jan 11,more info here_
Portland Music News:
Pickathon 2026 may feel like a long way off from early January, but it'll be here before you know it. And, to put a little pep in your step, festival tickets are going on sale for the cheapest you'll find this Wednesday, January 7 at 10 am. As an super special treat, Cole Gann of Forty Feet Tall is featured at the top of Pickathon's ticket portal, and who wouldn't pay to see that? (P.S. Scroll to the bottom of the page and sign up for their newsletter to get an extra $15 off.)