POV Magazine
@povmagazine.bsky.social
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Canada's documentary magazine. povmagazine.com
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“You don’t really see a lot of exhibitions on queer Black people...The legacy is not honoured in the way it should be. I’m hoping this film helps.”

Alison Duke tells us about her new documentary MICHELLE ROSS: UNKNOWN ICON about the late drag artist
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Michelle Ross: Unknown Icon Celebrates a Beloved Drag Queen - POV Magazine
Alison Duke discusses her documentary Michelle Ross: Unknown Icon, which celebrates the life and artistry of Toronto's famed drag performer.
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povmagazine.bsky.social
"I don’t want to put too fine a point on it, but there is grief expressed in the film, and sometimes when somebody expresses grief, I feel like the audience needs a moment."

Alan Zweig discusses his new film LOVE, HAROLD and his foray into the podcasting world.
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Alan Zweig Has a Job for the First Time in 50 Years - POV Magazine
A conversation with Alan Zweig about his documentary Love, Harold and furthering the art of the interview with his foray into podcasting.
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povmagazine.bsky.social
"When you stand on the shoulders of people who fought for democracy and you pretend you’re alone in this world and that it’s all about you? That level of individualism around us today is insulting."

Raoul Peck talks ORWELL and collective action. povmagazine.com/raoul-pecks-...
Raoul Peck’s Orwell:2+2=5 Puts a New Spin on the British Author - POV Magazine
An interview with Raoul Peck about his documentary Orwell: 2+2=5 and the fallacy of hope in the face of authoritarianism.
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povmagazine.bsky.social
New docs include The Road Between Us, Milisuthando, and Orwell!
povmagazine.bsky.social
"When I reread most of Orwell, I rapidly discovered a fundamental relationship with him. I discovered him as a brother. His analysis was much more universal," says ORWELL 2+2=5 director Raoul Peck. povmagazine.com/raoul-pecks-...
Raoul Peck’s Orwell:2+2=5 Puts a New Spin on the British Author - POV Magazine
An interview with Raoul Peck about his documentary Orwell: 2+2=5 and the fallacy of hope in the face of authoritarianism.
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povmagazine.bsky.social
"In history, there is no hope. There is only whether you resist or submit."

ORWELL: 2+2=5 director Raoul Peck tells Susan G. Cole about bringing the author's work to screen what we can learn from it in the present.
povmagazine.com/raoul-pecks-...
Raoul Peck’s Orwell:2+2=5 Puts a New Spin on the British Author - POV Magazine
An interview with Raoul Peck about his documentary Orwell: 2+2=5 and the fallacy of hope in the face of authoritarianism.
povmagazine.com
povmagazine.bsky.social
"While I’m going through the experiences in the film, there’s a pondering of ideas coming from the experience."

Ahead of his retrospective at @tiffnet.bsky.social , Peter Mettler tells Marc Glassman about his latest doc, WHILE THE GREEN GRASS GROWS povmagazine.com/a-travelling...
A Travelling Spirit: The Journeys Within While the Green Grass Grows - POV Magazine
Director Peter Mettler discusses his seven-part documentary epic While the Green Grass Grows and its exploration of life, place, family, and time.
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Amalie Atkins' documentary AGATHA'S AMANAC has a 90-year-old star eager to discuss family, creativity, and the legacy of artistic practices. Now online from our Spring issue, Alex Mooney looks at the Hot Docs winner as it hits the fall circuit. povmagazine.com/the-independ...
The Independent Life of a Stalwart Woman: Appreciating Agatha’s Almanac - POV Magazine
An appreciative essay of Amalie Atkins' documentary Agatha's Alamanac that discusses family, creativity, and the legacy of artistic practices
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povmagazine.bsky.social
Is it time to say goodbye to music docs that feature stars as executive producers?

Andrea Bocelli: Because I Believe, screening in theatres today, is a respectful portrait that is easygoing, but lightweight. povmagazine.com/andrea-bocel...
Andrea Bocelli: Because I Believe Review - Easy Listening - POV Magazine
Andrea Bocelli: Because I Believe review - Is it time to say goodbye to music docs? This respectful portrait is easygoing, but lightweight.
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