you know an age is coming when essays hit with few words, a title, the few first lines. you can even skip the whole thing. the incipit tells everything. actually, the fools who read past the title won't be able to tell it was phishing, they will in turn set more baits of that sort. a title is enough

a perfect social is the one so vast that no language can be identified. a pure grain of sand into the abyss. it's the tear in the rain. the cyborg always knew the nature of language, memory, sense within a proper world. the perfect social craves that world as the cyborg emotions

paintings in caves had to happen after some sort of hyperconnectivity phase in early civilization. connectivity makes clear that human have to uproot their inherent obsolete presence and all the language [and presence] should belong to incorporeality and darkness

funny that christ did not die for wounds but because he has been crucified, that is he has forcibly taken the shape of a cross. Humans are in a sense mimetic animals: to count, to not waste their lives, they have to transform their body shape. no going back from the Figure

"if you gaze long into a face, the face also gazes into you." Giotto

is it even possible to not to stay tuned, countering many suggestion in that sense?

The shift in Western painting from hieratic representation to Giotto’s use of perspective and focus on expressivity prefigures the doomscrolling habit, though in an active form. Being immersed in an environment makes the figure central: its details, words, and poses make figures new, addictive icons

visual knowledge is the only body fluid that suits actual [new?] identities. one presents oneself through images, as always been, but doomscrolling has made it finally clear that identities aren't personal, local nor harmless. every identity is a bait and every body a potential icon.

virtual environments have to certainly be thought as body modifications and likely as evolutionary devices. if anything, they act like a box around the body to isolate the potentialities and activate them, with the result of creating worlds where those potentialities are actual. identity, for exampl

I am always amazed that only the present, in what is new, is considered relevant for thinking. a discourse which highlights the silent transformations which create novelty can only be accessed through an entombment of oneself, or entering into the depths of matter without eyes or senses [science]

this part of Parallel Minds makes me envision the constant, potentially endless labor, of structures and bodies [?], similarly to dissipative structures. the ongoing motor is both a mystery and a clear phenomenon. a phenomenon that counters "shallow phenomenalism"

old text by mellamphy addressing the "vessel of yoking"

thefunambulist.net/editorials/t...

vitruvian [hu]man but instead of geometry, streams of informations. the human shape its still relevant somehow, but most likely, with folded arms, prosthetically augmented and the whole surface, an interface.