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Reem
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"Branch, Bud, Blossom" by Syd Lee. The family tree sculpture is a real-life interpretation of a family tree adorned with photos and frames. It beautifully represents the strength and connections within families.

#ConArtInSitu
June 1, 2024 at 7:05 PM
"What, like it's hard?" by Syd Lee. With its stitched news articles and ads, this fabric laptop offers a powerful critique of fast fashion and consumer culture. It urges us to reflect on our consumption habits.

#ConArtInSitu
June 1, 2024 at 6:26 PM
Syd Lee's "Mother: Giver, Crafter, Documenter" captures the feeling of home, like pieces from the house we grew up in. The recycled fabric evokes nostalgia and warmth.

#ConArtInSitu
June 1, 2024 at 6:10 PM
“Intellectual fission” by Theo Hansen. This black and white art peice with a red heart speaks volumes about our attachment to phones. It reflects how smartphones have become an integral part of us.

#ConArtInSitu
June 1, 2024 at 6:02 PM
Visiting the Victoria Myhren Art Gallery and the Davis Art Gallery at DU's Shwayder Art Building was a beautiful experience. I spent an inspiring afternoon exploring the incredible capstone projects by our talented Studio Art seniors.

#ConArtInSitu
June 1, 2024 at 5:13 PM
This chair by Andrés Reisinger, covered in pink petals, is a stunning blend of art and nature. Its detailed design evokes the tranquility of being surrounded by a meadow, bringing a piece of nature into any space.

#ConArtInSitu
May 26, 2024 at 11:03 PM
This artwork by Jason DeMarte captures the lush and diverse ecosystem of a forest. The vibrant colors and intricate details bring a 3D aspect to life, making the scene seem tangible and immersive.

#ConArtInSitu
May 26, 2024 at 10:52 PM
This piece by Iris van Herpen showcases the flawless balance between nature and design. The gown resembles the unfolding petals of a flower, reflecting the high fashion seen at the Met Gala, especially with this season’s theme.

#ConArtInSitu
May 26, 2024 at 10:51 PM
This stunning installation from the "Biophilia" exhibit includes hanging lights by Studio DRIFT. It transforms fabric into ethereal displays of color and light, reminiscent of Colorado's vibrant meadows.

#ConArtInSitu
May 26, 2024 at 10:47 PM
The Denver Art Museum's "Biophilia: Nature Reimagined" exhibit is beautiful! It explores the lovely connection between art and nature.

#ConArtInSitu
May 26, 2024 at 10:45 PM
Exploring “Beacon” by Chrissy Espinoza at Union Hall, this striking piece features a figure with a glowing orb for a face and hands encased in gloves. It's a reminder of the protective barriers we adopted during the COVID-19 pandemic.

#ConArtInSitu
May 20, 2024 at 5:45 AM
Another captivating piece was City Drain Covers Woven into Plaid by Natalie Thedford.

#ConArtInSitu
May 20, 2024 at 5:36 AM
Exploring another intriguing piece at Union Hall Denver, Kia Kupke, Coming Together by Eseosa Ekiawowo Edebiri.

#ConArtInSitu
May 20, 2024 at 5:21 AM
One of the artworks that caught my eye was “Trust” by Masha Sha.

#ConArtInSitu
May 20, 2024 at 4:58 AM
Exploring “The Obstacle is the Path” at Union Hall Denver. This intimate space brings a unique personal touch to art exhibitions, setting it apart from larger museums like DAM and MCA.

#ConArtInSitu
May 20, 2024 at 4:11 AM
This is amongst my favorite pieces in the MCA, created by Ken Gun Min. Its intricate embroidery captures everyone’s attention, is beautifully detailed, and showcases a masterful blend of color and texture.

#ConArtInSitu
May 13, 2024 at 5:52 AM
This piece, utilizing the natural process of mold growth, challenges traditional notions of beauty in art. While many may find it unsettling, it raises important questions: What defines art? Is there beauty in decay? What are your thoughts on such unconventional mediums?

#ConArtInSitu
May 13, 2024 at 5:14 AM
In "Standing on the Gates of Hell," Verwoert uses the metaphor of hell to critique contemporary life, where endless desires lead to perpetual dissatisfaction.

#ConArtInSitu
May 13, 2024 at 3:13 AM
The painting I chose to sit with was “Interior of the Cathedral, Pisa” by David Roberts, created between 1796 and 1864. 

#ConArtInSitu
May 6, 2024 at 3:45 AM
Exploring the complexity between cultural globalization and physical condensation in contemporary art, as discussed by Medina and Rosler. How do these dynamics shape what we see and whose voices are heard?

#ConArtInSitu
May 6, 2024 at 2:44 AM
Usually, art ignites feelings in viewers, but not always. Thus, I don't think art has to evoke emotions because everyone interprets it differently. Some people may question if it's art at all, and therefore, they don't have strong feelings for the piece.

#ConArtInSitu
April 29, 2024 at 8:51 PM
Cara Romero's 'The Zenith' portrays an astronaut floating with white corn, a symbol of heritage in the vastness of space. The work is an elegant homage to cultural roots that reach as far as our ambitions.

#ConArtInSitu
April 29, 2024 at 4:56 AM
I decided to sit with “The Ten Cent Breakfast,” an 1887 oil painting by Willard Leroy Metcalf. I didn’t peek at the name or description initially, choosing to first interpret it through my own lens.

#ConArtInSitu
April 29, 2024 at 3:37 AM
Contemporary art echoes revolutionary thought and societal shifts. Quotes like "the memory of ambiguous interruptions" invite us to reflect on how art shapes and is shaped by our experiences.

#ConArtInSitu
April 29, 2024 at 1:51 AM
I have felt several emotions looking at art as I believe certain artwork was meant to convey certain feelings whether positive or negative. Thus, I experienced everything from joy to sadness based on the story and colors the art exhibits.

#ConArtInSitu
April 22, 2024 at 8:32 PM