Richard A Carter
@richardacarter.bsky.social
3.8K followers 700 following 1.7K posts
Academic in Digital Culture, University of York, UK. Exploring digital art, literature, and storytelling; ecology, materiality, and the more-than-human. Glider pilot. https://richardacarter.com/
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richardacarter.bsky.social
An introduction for new followers! I am an academic interested in exploring the relationships between digital systems and the environment. My research practice engages a wide variety of technologies, formats, and modes. You can see more, inc. many free books, at my site: richardacarter.com/work/
a screenshot of a yet-to-be-released artwork. A video feed of overhead clouds has a synthetic circular overlay, showing lines and arrows and text that moves with the clouds. a black and white photograph of a moorland tor, overlaid with a constellation of brightly coloured boxes featuring poetic text. a book cover. Black and white overhead photo of a wave. the title waveform by richard a carter, is overlaid in a plain outlined box. a screenshot of a game. it resembles a hand-drawn isometric landscape on artsinal grainy paper. The word "agentia" is overlaid in bright green, semi-transparent letters.
richardacarter.bsky.social
Haha, thank you - that's generous of you to say! A colleague once characterised my work as a form of 'lonely art-making', and I think that's the best description of what I do online 😅
richardacarter.bsky.social
Celebrating the late Harvest moon in the Haiku Garden racarter.itch.io/haiku-garden

#bitsy #pixelart #games #gameDev #indieDev #harvestMoon
A pixel art garden. Spirits dance in the moonlight. A haiku on screen reads "harvest moon: / building up the fire: / autumn foliage".
richardacarter.bsky.social
Irony is that I probably don't appear on there myself as I post quite a lot!Undoubtedly to its benefit! 😅
richardacarter.bsky.social
Officially determined that 'Quiet Posters' feed is my main channel on here. A sudden burst of colour and poetry and art that I worried was vanishing entirely.
richardacarter.bsky.social
It's the "games" week on Digital Methods, which means it's that time of the year where I give my lecture with controller in hand, trying to be all composed and cool as I discuss a game as I play it on the big screen...

(You can imagine how well that works, but I persist nonetheless 🎮)
richardacarter.bsky.social
Almost looks like De Bruijn lambda notation
richardacarter.bsky.social
Best wishes for a great start! I find myself visiting Cambridge on a semi-regular basis these days - would love to say hello if you're ever around.
richardacarter.bsky.social
Departing fires of Storm Amy

#photography #nature #naturePhorography #sky #clouds #storm
Clouds catch the setting sunlight and glow against the darker purple, blues, and aquamarines of clouds behind them
richardacarter.bsky.social
"🧱" <- Bricks <- Lego etc.
richardacarter.bsky.social
Thank you Claire - can't wait to get my own copy.
richardacarter.bsky.social
Really privileged to be included in this new book by Natasha Chuk on post-photography - and in the company of so many fantastic practitioners. I remember Natasha interviewing me not that long after I'd completed Waveform, and am now working on 'v2.0' - full circle. press.uchicago.edu/ucp/books/bo...
Promotional postcard:

Photo Obscura
The Photographic in Post-Photography
Natasha Chuk

Drawing on photo history, media studies, visual studies, art history, and the digital humanities, Photo Obscura (Intellect) argues that the profound transformation of post-photography is not merely a trend but a significant movement that redefines photography by integrating it with emerging technologies and creative practices, resulting in works that may not even resemble photographs but still retain a photographic influence. It is structured around various themes, including Al-generated images, the intersection of digital and physical art forms, and the changing relationship between visual representation and perception with in-depth discussions of artworks by Richard A. Carter, Stephanie Dinkins, Snow Yunxue Fu, Carla Gannis, Pascal Greco, Claudia Hart, Auriea Harvey, Sophie Kahn, Ida Kvetny, Lev Manovich, Maria Mavropoulou, Rosa Menkman, Colette Robbins, Penelope Umbrico, and Diana Velasco.
"... essential reading for anyone interested in the evolving language of images."
-LEV MANOVICH, media theorist + artist
NATASHA CHUK PhD is a New York City-based media theorist, educator, and independent curator whose work is situated at the intersection of art, philosophy, and creative technologies. She is also the author of Vanishing Points: Articulations of Death, Fragmentation, and the Unexperienced Experience of Created Objects (Intellect, 2015).

Part of the investigations in the Lens and Screen Arts series
richardacarter.bsky.social
Keeping cosy indoors on a wild evening

#photography #rain #autumn #storm
A rain covered window, photographed inside, looking out to a dark evening sky with darker vegetation at the bottom of the frame
richardacarter.bsky.social
Trying to put together this very simple budget for an application, and I'm finding it actively upsetting - a bad combination of trying to estimate costs for things I have little experience in, fear that the project is a nonsense, and concern that it doesn't require "enough" money to be worth it!
richardacarter.bsky.social
I'll state the obvious that while short application forms are meant to make applying for research support / funding easier and lower stakes, they actually make it excruciatingly hard to describe all the things you're otherwise still expected to outline in-detail. 500 words today - all day taken! 😅
richardacarter.bsky.social
Student writing tools are now advertising an ability to "humanise" 'AI' generated essays; Microsoft is pushing ChatWord and ChatExcel; Sora will maximise the flood of terrible social media videos, all while ruining the planet. Such things do not have to be - I want to see where else we may go.
richardacarter.bsky.social
Boid Poems is a very speculative effort at realising another imaginary concerning language-driven, generative ‘AI’ - one where its already more-than-human qualities gesture explicitly towards those of the animal world, and so becoming far stranger, quietly unknowable, and resolutely 'unproductive'.
richardacarter.bsky.social
"Boid Poems" has now been published via the @ailiteraryreview.bsky.social - Combining swarming a-life algorithms with language attractors, the words of this interactive piece formate into different visual and semantic structures. Preview below, live link here: ailiteraryreview.co.uk/issue06
Boid Poems - Richard A Carter
YouTube video by AI Lit Review
youtu.be
richardacarter.bsky.social
Second week of teaching and my voice has already collapsed! Now having a tea that's at least 50% honey 🍯
Reposted by Richard A Carter
marianajlopez.bsky.social
Delighted to have been invited to speak as part of the Digital Archaeology/Heritage Lab series of talks at University of York. I'll be presenting some of the work from my book 'Sonic Pasts: acoustical heritage and historical soundscapes'. Thanks @clmorgan.bsky.social for the lovely invitation!
Book cover design that says 'Sonic Pasts: acoustical heritage and historical soundscapes' At the centre we see a circle formed by swirly colour bands and different outlines of people, objects and places, such as a desert landscape, a diver, Stonehenge and Notre Dame. At the bottom it says Mariana J López. The book cover is yellow with dark purple font.
richardacarter.bsky.social
Tender textures on campus this afternoon #photography #foliage #autumn
Tree canopies, lightly bronzed, against the blue sky with clouds Green foliage set against the clouds and blue sky