Roderick Heath
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roderickheath.bsky.social
Roderick Heath
@roderickheath.bsky.social
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"Privilege and Edvard Munch prove engaged with the same essential point of enquiry: the idea of the artist as a barometer of their moment in history..." - I look at two Peter Watkins classics at Film Freedonia:
filmfreedonia.com/2025/06/06/p...
Rewatch. A film that's incredibly cool because it doesn't give the slightest shit whether you think it's cool.
December 3, 2025 at 12:33 PM
The internet started annoying me in record time today.
December 3, 2025 at 5:23 AM
That Mad Men puking shot reminds watching the bluray of Roy Colt & Winchester Jack a few months ago, where two guys who'd been holding the horses for a shot were visible. Don't know if this was missing masking, a joke, or Bava not giving a shit - probably, given the film overall, the latter.
December 2, 2025 at 3:12 PM
Rewatch: Phil Karlson's 99 River Street. One of my favourite Karlsons; gritty and thrilling with witty flashes of meta-theater throughout; absolute haymaker of an climax.
December 2, 2025 at 11:57 AM
The thought that the laboured, witless, imitative Americana of Train Dreams will get more attention than the authentic, droll, original Americana of Eephus truly irritates.
December 2, 2025 at 7:42 AM
Viewing: Yorgos Lanthimos' Bugonia. The upshot of this actually reminded me a little of Peter Fonda's Idaho Transfer, except it sucks.
December 1, 2025 at 12:39 PM
Viewing: Richard Linklater's Blue Moon. Dammit, I was ready to send Linklater back to the minors after the tepid Nouvelle Vague but this was splendid.
November 30, 2025 at 12:04 PM
...Vale Tom Stoppard. First and always a playwright, of course, but also a tremendous screenwriter. In memoriam, my look at the Stoppard-penned, Joe Wright-directed Anna Karenina:
filmfreedonia.com/2012/12/15/a...
Anna Karenina (2012)
Director: Joe Wright By Roderick Heath Joe Wright’s fifth feature film, adapting Leo Tolstoy’s feted 1876 tome, seems on the face of it like a retreat to the safe ground of the period, prestige-lad…
filmfreedonia.com
November 29, 2025 at 7:09 PM
Viewing: Alexey Taranenko's The Dam. Ukrainians vs Soviet zombies in a creepy old psychic research base. It's not sophisticated, but it is as much fun as it sounds.
November 29, 2025 at 11:51 AM
Just reading an article about Thurston Moore's free jazz book and recalled one of the best concerts I ever saw was a free jazz outfit in Chicago. They had an absolutely maniacal tenor sax player.
November 28, 2025 at 7:08 PM
We need to go back to when random guys had their own orchestras and played disco covers of nerdy movie scores...
www.youtube.com/watch?v=K3YF...
Geoff Love and His Orchestra - The Time Machine (1960): Main Theme
YouTube video by Francis
www.youtube.com
November 28, 2025 at 5:46 PM
Viewing: Clint Bentley's Train Dreams. Jeremiah Johnson remade as a public radio audio essay.
November 27, 2025 at 11:59 AM
Viewing: Jafar Panahi's It Was Just An Accident. This was really good.
November 27, 2025 at 4:49 AM
Amidst encomiums to Udo Kier over the past few days I've missed any for his turn in Brawl In Cell Block 99, as arresting a character turn as any in recent cinema - like lifting up a rock and finding something utterly alien and evil staring back at you.
November 26, 2025 at 5:04 PM
Rewatch: Irving Pichel and Ernest B Schoedsack's The Most Dangerous Game. "One passion builds upon another. Kill, then love!"
November 25, 2025 at 11:48 AM
Trump's attitude to Ukraine is so obviously the product of his view that the little dog resisting the big dog's attempts to fuck it is a violation of the natural order of things.
November 24, 2025 at 9:07 AM
...Vale Udo Kier, the overlord of cult cinema. In memoriam, my look at Walerian Borowczyk's Doctor Jekyll And His Women:
filmfreedonia.com/2010/03/17/d...
Docteur Jekyll et les Femmes (1981)
. aka Dr. Jekyll and his Women ; The Strange Case of Dr. Jekyll and Miss Osbourne ; The Blood of Dr. Jekyll ; Bloodlust Director / Screenwriter: Walerian Borowczyk By Roderick Heath Robert Louis St…
filmfreedonia.com
November 24, 2025 at 4:57 AM
Viewing: Ari Aster's Eddington. Umm, sure, I guess. Superficially captures some of the craziness of that moment, but also reaches a point where it won't, or can't, get any deeper and closer to its characters and their worldviews. Absurdly overlong.
November 23, 2025 at 12:19 PM
Viewing: Francis Lawrence's The Long Walk. Not a barrel of laughs, but not much else either; verbose script for a bunch of guys out of breath. Managed to be both distant in style and corny with its CGI gore. Good perfs but Hamill wrong.
November 22, 2025 at 12:12 PM
Viewing: Brian Kirk's Dead of Winter. Familiar kind of plot but very well-done, interesting character elements. More Emma Thompson suspense thrillers, thanks.
November 21, 2025 at 11:41 AM
Rewatch. Stone cold masterpiece.
November 20, 2025 at 12:22 PM
Admittedly I have this lament about 85% of modern cinema.
The '70s version would have had Sandy Dennis or someone in it and lots of zoom shots of dew-soaked leaves and had dialogue that sounded like things actual people would say.
November 19, 2025 at 1:07 PM
Viewing: Eva Victor's Sorry, Baby. Had strong moments, but overall felt very first year writing class - postures and strategies passed off as insight and human tragicomedy.
November 19, 2025 at 11:04 AM
Viewing: Nia DaCosta's Hedda. Cruella for art house crowds. Very well-made and Hoss is as great as usual, but turns a fine play into a lurid melodrama.
November 18, 2025 at 12:11 PM