⏰ * Tuesday 24 June, 6–7.30pm!

Plus! Please consider donating to our fundraiser to support dance practitioners and researchers: tinyurl.com/npuhf2j3

#GREED #TavazivaDance #ContemporaryDance #AfricanDance #BawrenTavaziva #DanceStudies
#WarwickArtsCentre #CoventryCulture #RoyalAcademyofDance

Dr ‘Funmi Adewole Elliott will frame Tavaziva’s work in the context of the performing arts sector in the UK and internationally.

We are delighted to partner once again with Kauma Arts for this event.

Offering a response is Akosua Boakye, BEM, who will draw on her decades-long experience transforming lives through dance and cultural heritage – and her long-lasting collaboration with Tavaziva Dance.

With us will be theologian Robert Beckford, Professor of Climate and Social Justice at @uniwinchester.bsky.social, who will touch on the topics of individual and collective responsibility, climate, and reparations.

If you’ve been one of the many lucky audience members attending this production as it tours around the UK, you already know that this will be an incredibly interesting event.

This is a fantastic – and free – chance to delve into a bold exploration of the ‘seven deadly sins’ and the interplay of money, power, and religion.

Registered participants will receive a link to a video recording of 𝘎𝘳𝘦𝘦𝘥 ahead of this event.

It’s almost time for … our next Choreographic Forum!

Join us online on 🗓️ Tuesday 24 June, 6–7pm for a discussion on 𝘎𝘳𝘦𝘦𝘥 by choreographer Bawren Tavaziva. Register here: tinyurl.com/greed-sdr

📷 Raluca Maria Polodeanu

Exploring the non-auditory dimensions of sound: Christine Sun Kim uses musical notation, infographics & language to share her Deaf lived experience in her survey show @whitney.org

New pub alert:
I wrote about De Keersmaeker's staging of Rilke's The Cornet, including her engagement with its afterlife in World War II. About how her choreography explores its powerful imagery and form, and her evocation of the Nazi salute.

doi.org/10.3366/drs....

With presentations by Dr Adesola Akinleye, Professor Ann R. David, Christina Fulcher and Ruth Anna Phillips on topics including the tools of neurodiversity in theatre and dance processes, transdisciplinarity, and image permissions for publication ⬇️ Do not miss it!

🎉 Join @sdanceresearch.bsky.social
to celebrate the Ivor Guest Award Recipients!

🗓️ Fri 30 May 2025 | 6–7:30pm | 📍Online

🎟️ Register for a Free ticket: us02web.zoom.us/meeting/regi...

💖 To Donate & Support future grants, if you can: justgiving.com/crowdfunding...

… plot twist. #Dance #TheNutcracker #MouseKing

The SDR is currently raising funds to ensure that future generations of dance scholars and practitioners can continue to explore and expand the field.

To directly support the continuation of this vital scheme, please visit tinyurl.com/npuhf2j3

Thank you for supporting dance researchers!

The importance of these grants—and the critical role they play in empowering individuals to pursue innovative research—has never been more apparent. Many dance researchers are facing challenges, with cuts to dance programs in Higher Education impacting their work.

Named after Ivor Guest (1929-2018), whose work on ballet history transformed the study of dance, these grants are open to all, with a special focus on encouraging applications from underrepresented groups.

Thanks to Ivor Guest’s bequest, we have supported 19 projects over four years.

The Society for Dance Research is dedicated to advancing the study, education, and appreciation of dance in all its forms. In line with our mission, we offer financial support to artist practitioners, and early-career and established researchers through our Ivor Guest Research Grants.

UK performing arts associations have written a public letter to the REF2029 director that complements the recent joint English associations' letter: dramahe.ac.uk/activity/joi...

— 🌀 www.youtube.com/watch?v=5J4i...

Take a peek inside the latest issue of our open access, peer-reviewed journal, published by @edinburghup.bsky.social (cover below) – a tribute to a profoundly original dancer and choreographer, the late Steve Paxton: www.euppublishing.com/toc/drs/curr...

Head to tinyurl.com/choreographi... to access deep dives and inspiring conversations on 𝘈𝘪𝘭𝘦𝘺 and 𝘔𝘢𝘣𝘰𝘶𝘯𝘨𝘰𝘶 at @cubecinema.com, @sekechim.bsky.social’s 𝘐𝘵 𝘉𝘦𝘨𝘪𝘯𝘴 𝘪𝘯 𝘋𝘢𝘳𝘬𝘯𝘦𝘴𝘴 at The Place, or the Black British Ballet project’s 𝘐𝘴𝘭𝘢𝘯𝘥 𝘔𝘰𝘷𝘦𝘮𝘦𝘯𝘵𝘴.

Hello Bluesky!

We are excited to be sharing the recordings from our past Choreographic Forums in case they are of interest to any practitioners or dance researchers ⬇️

a while ago in Istanbul learning a movement from Yeşim Coşkun’s ‘4Kapı 40Makam’ (2011) to create Kinetography Laban score of the choreography #movementnotation #kinetographylaban #labanotation #4kapi40makam @yesimcoskun