Sam Ritholtz
@sritholtz.bsky.social
Fellow of All Souls College, University of Oxford. Researching LGBT experiences of conflict, crisis, and displacement.
Considering Lucila Quieto’s Filiación (2013) and Doris Salcedo’s untitled sculpture (1992), we analyze how their artistic practices corrupt the intimate material of domestic life to display the fragments left after enforced disappearance, thereby confronting the stigma placed on grieving families.
December 19, 2025 at 12:51 PM
Considering Lucila Quieto’s Filiación (2013) and Doris Salcedo’s untitled sculpture (1992), we analyze how their artistic practices corrupt the intimate material of domestic life to display the fragments left after enforced disappearance, thereby confronting the stigma placed on grieving families.