Huge thanks to all our contributors for their thoughtful and innovative work – and special thanks to my co-editors and our editorial assistant Marion De Schepper for making this such a rewarding collaboration. (5/5)

This special issue grew out of conversations within the Slow Memory COST Action, whose support we gratefully acknowledge. Almost half of the articles, including the introduction, are Open Access. (4/5)

the contributions explore how environmental loss is registered, mediated, and remembered across human and more-than-human scales – from slow violence and deep time to ecological grief, material and aesthetic witnessing, and questions of responsibility and justice. (3/5)

The issue brings together scholars and artists working at the intersection of memory studies, the environmental humanities, and museum and media studies to rethink witnessing in the age of climate breakdown. Building on and extending trauma and testimony theory, (2/5)

It captures the atmosphere, meaning, and intent of the event far better than words alone ever could. Please watch – and feel free to share. 🌍💔🌱

More info: boekentoren.gent/nl/artikels/... 3/3

It was a moment of collective reflection, mourning, and care – for lives and worlds already lost, and for those currently under threat.

I'm very glad we now have this exquisite after-movie, created by Muriel Grégoire and narrated by Emilie Hermans and yours truly. 2/3

💡 Alle antwoorden op vraag van Beste-ID: www.beste-id.nl/jaarlijkse-v...
📰 NRC-selectie: www.stefcraps.com/wp-content/u...
👉 Mijn antwoord: www.beste-id.nl/jaarlijkse-v...
🦤 Remembrance Day for Lost Species event info: boekentoren.gent/nl/artikels/...
🌹 CJfR: www.climatejusticeforrosa.org (2/2)