Estampa
@tallerestampa.bsky.social
210 followers 400 following 66 posts
Arqueologia en tecnologies audiovisuals. Pedagogia crítica per a intel·ligències artificials https://tallerestampa.com/
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Reposted by Estampa
justinhendrix.bsky.social
Hadn't seen this "Cartography of Generative AI" before. From Estampa, a collective of programmers, filmmakers and researchers working in the fields of audiovisual media and digital environments: cartography-of-generative-ai.net
“Cartography of Generative AI (2024)” shows a sprawling, diagrammatic ecosystem of how generative AI is produced and maintained. The background is light pink with turquoise and yellow highlights. The left side has a turquoise vertical sidebar with labeled sections such as AI imaginaries, Critical expertise, Data sciences, Silicon Valley, and AI harms.

The main diagram maps the flow of generative AI development from top to bottom:

Top left: A globe icon with arrows represents global energy consumption, linked to servers and calculation power (chips, GPUs, and companies like TSMC).

Top center: Rows of red server racks show data centers, connected to big data platforms and pipelines of training data (shown as orange blocks).

Top right: Yellow stacks and schematic diagrams depict the supply chain of raw materials (e.g., cobalt, lithium) and scenes of mining.

Upper right corner: A vignette labeled digital colonialism shows resource extraction sites and cables crossing oceans.

Middle section:

Blue isometric office-like spaces labeled AI start-ups and Silicon Valley venture capital, with tiny illustrated workers at desks, computers, and whiteboards.

Orange and yellow arrows and blocks represent the movement of datasets, training, and alignment processes.

A section labeled human labour shows rows of workers annotating data.

Lower section:

Gridded platforms in orange and yellow depict data extraction from the internet—social media, images, sound, text—and web scraping from sources like Wikipedia, Reddit, Flickr, YouTube.

Groups of small figures interact with large wireframe cube models labeled generative AI engines.

Other vignettes show AI products (like chatbots), digital gig work, and consumer use.

Far right:

Layers of stacked chips show advanced chip production and global supply chains.

A blue network node diagram illustrates the infrastructure economy behind AI technologies.

Boxes at the bottom describe research and governance structures.
tallerestampa.bsky.social
“We look at the present through a rear-view mirror. We march backwards into the future”
Marshall McLuhan
Mujer mazahua de espaldas cargando niño con el rebozo
Reposted by Estampa
modernartoxford.bsky.social
Meet the Artist 💻 Estampa
Learn more about our new Ground Floor Gallery installation and Estampa, the artist collective behind the work - including how they'v...
https://modernartoxford.org.uk/blog/meet-the-artists-estampa?utm_campaign=coschedule&utm_source=bluesky&utm_medium=Modern%20Art%20Oxford
Modern Art Oxford
modernartoxford.org.uk
Reposted by Estampa
modernartoxford.bsky.social
Ahead of our upcoming exhibition Movements for Staying Alive, artist collective Estampa have been exploring our archive.
If you took part in a movement or dance project with the gallery, get in touch! Get in touch and share your memories with us at [email protected]
tallerestampa.bsky.social
The exhibition 'Le monde selon l'IA' at the Jeu de Paume in Paris, full of historic echoes. Curated by Antonio Somaini, Ada Ackerman, Alexandre Gefen and Pia Viewing.
Reposted by Estampa
jean-no.bsky.social
Vernissage de l'expo "Le monde selon l'IA" au musée du Jeu de paume.
Une jeune femme avec des couettes prend une photographie d'une œuvre représentant un réseau de neurones formel. Une personne visionne le film "Mechanical Kurd" Une personne consulte une énorme infographie murale représentant l'IA... Face à une IA qui détermine l'identité des personnes selon leur visage, ma meuf est identifiée comme "Insurance broker"
tallerestampa.bsky.social
El pròxim dijous s'inaugura l'exposició 'Le Monde selon l’IA', al Jeu de Paume Paris (curada per l'Antonio Somaini, Ada Ackerman, Alexandre Gefen i Pia Viewing)

jeudepaume.org/evenement/expo…

Des d'Estampa hem treballat en dues noves instal·lacions.
Visitable fins a mitjan setembre
Fotograma del film d'Estampa: Ekphrasis. Imatge original, Oftalmología por el profesor I. Barraquer de Barcelona (1917, Francesc Puigvert), col·lecció Institut Barraquer, cortesia de la Filmoteca de Catalunya. Instal·lació d'Estampa: Repetition penalty (render 3D)
tallerestampa.bsky.social
A digital culture focused not on filling schools with screens, but on providing tools that help us navigate today’s paradoxes: How is it that we feel more connected than ever, yet are increasingly disconnected? What futures are we shaping with every scroll on our mobile screens?