This isn’t a Thai film, but it cuts straight into one of Thailand’s deepest, most disavowed wounds: the unspoken caste system of Southeast Asia. Chakra, the 14-year-old boy at the center of this story...

You don’t expect a Thai family film from the ’90s to open such a wound — and yet, Once Upon a Time… This Morning quietly does. It doesn’t yell, it doesn’t moralize. But it cuts deep. Directed by Bhand...

There’s no denying the ambition here. By the Time It Gets Dark wants to rethink how we process memory, history, and the very act of filmmaking itself. It’s a film about stories that resist being told ...

There are films that shout, and then there are films that drift — through water, through jungle, through silence. Manta Ray is one of those. Phuttiphong Aroonpheng’s debut doesn’t offer exposition or ...

Discover the most essential Thai films through their trailers.This playlist is a curated selection of trailers from Thai movies you need to know — from cult ...

There’s something undeniably noble about the premise: invite four acclaimed Thai filmmakers to imagine the country ten years into a future shaped by its current political trajectory. But in practice, ...

At a time when Thai cinema was still figuring out how to talk about identity with nuance, Beautiful Boxer went straight into the ring — with eyeliner, heart, and fists raised. Based on the real-life s...

Let’s be honest — Ong-Bak isn’t “great cinema” in the traditional sense. But that’s not why it became a global phenomenon. It’s not here to win hearts with dialogue or subtle storytelling. It’s here t...

If I had stumbled into this film blind, I would’ve sworn it came out of Japan. And I mean that in the best way. Last Life in the Universe may be a Thai film, but it speaks fluent Japanese melancholy. ...

Now we’re talking. It’s been far too long since a Thai production delivered something this honest, this right. Not trying too hard, not trying to sell anything — just a film that quietly understands i...

Phuttiphong Aroonpheng’s Morrison reaches for something substantial — an excavation of historical trauma, national identity, and cultural residue in the wake of the Vietnam War. It attempts to approac...

Phuttipong Nakthong seems committed to building something — a cinematic universe, of sorts — rooted in Thailand’s underbelly. With In Youth We Trust, he steps further into the carceral spaces hinted a...