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🔹 Stephen Mangan (Nick) wears the role like a glove.
🔹 Nicola Walker (Polly) is both quietly affecting and deeply funny.
🔹 Erin Doherty (Kate) is the standout. A sledgehammer to the couple’s repression.
🔹 Stephen Mangan (Nick) wears the role like a glove.
🔹 Nicola Walker (Polly) is both quietly affecting and deeply funny.
🔹 Erin Doherty (Kate) is the standout. A sledgehammer to the couple’s repression.
Here, the British sex comedy is the Trojan horse; inside is a play about identity and repression. This isn’t just a play about sex. It’s a play about what we use sex to cover up.
Here, the British sex comedy is the Trojan horse; inside is a play about identity and repression. This isn’t just a play about sex. It’s a play about what we use sex to cover up.
What starts as a brisk, innuendo-laden romp quickly deepens into something unsettling and existential.
What starts as a brisk, innuendo-laden romp quickly deepens into something unsettling and existential.
In Mike Bartlett's newest play, you're lured in with the promise of a cheeky British sex comedy—but beneath the laughs, this play rips apart assumptions about love, power, and polyamory.
So how does Unicorn break the mould?
In Mike Bartlett's newest play, you're lured in with the promise of a cheeky British sex comedy—but beneath the laughs, this play rips apart assumptions about love, power, and polyamory.
So how does Unicorn break the mould?
🔹 Stephen Mangan (Nick) wears the role like a glove.
🔹 Nicola Walker (Polly) is both quietly affecting and deeply funny.
🔹 Erin Doherty (Kate) is the standout. A sledgehammer to the couple’s repression.
🔹 Stephen Mangan (Nick) wears the role like a glove.
🔹 Nicola Walker (Polly) is both quietly affecting and deeply funny.
🔹 Erin Doherty (Kate) is the standout. A sledgehammer to the couple’s repression.
Here, the British sex comedy is the Trojan horse; inside is a play about identity and repression. This isn’t just a play about sex. It’s a play about what we use sex to cover up.
Here, the British sex comedy is the Trojan horse; inside is a play about identity and repression. This isn’t just a play about sex. It’s a play about what we use sex to cover up.
What starts as a brisk, innuendo-laden romp quickly deepens into something unsettling and existential.
What starts as a brisk, innuendo-laden romp quickly deepens into something unsettling and existential.
🎤 Candace Furbert as Thalia
🎵 Sharlene Hector as Clio
🎶 Brianna Ogunbawo as Melpomene
🎼 Malinda Parris as Calliope
🎧 Robyn Rose-Li as Terpsichore
🌟 Kamilla Fernandes as Standby Muse
🎤 Candace Furbert as Thalia
🎵 Sharlene Hector as Clio
🎶 Brianna Ogunbawo as Melpomene
🎼 Malinda Parris as Calliope
🎧 Robyn Rose-Li as Terpsichore
🌟 Kamilla Fernandes as Standby Muse
💃 Mae Ann Jorolan as Meg
🐐 Trevor Dion Nicholas (Hamilton) as Phil
🔥 Stephen Carlile (The Lion King) as Hades
✨ Craig Gallivan and Lee Zarrett as Bob and Charles
💃 Mae Ann Jorolan as Meg
🐐 Trevor Dion Nicholas (Hamilton) as Phil
🔥 Stephen Carlile (The Lion King) as Hades
✨ Craig Gallivan and Lee Zarrett as Bob and Charles
📸 by Matt Crockett
📸 by Matt Crockett
First guest artists include: Ṣọpẹ́ Dìrísù, Michelle Terry, Luke Thompson, Russell Tovey, and Indira Varma. More to be announced!
First guest artists include: Ṣọpẹ́ Dìrísù, Michelle Terry, Luke Thompson, Russell Tovey, and Indira Varma. More to be announced!
The play critiques the hypocrisy of climate talks, from the carbon emissions of delegates to the entrenched power of oil companies. Did the Kyoto Protocol work? The cherry blossoms in Kyoto that fall earlier each year say otherwise.
The play critiques the hypocrisy of climate talks, from the carbon emissions of delegates to the entrenched power of oil companies. Did the Kyoto Protocol work? The cherry blossoms in Kyoto that fall earlier each year say otherwise.
Yet, like all great villains, Pearlman is disarmingly funny—adding an unsettling charisma to his cold-blooded calculations.
Yet, like all great villains, Pearlman is disarmingly funny—adding an unsettling charisma to his cold-blooded calculations.
Lanyards are handed out on arrival, blurring the line between spectator and participant. It’s as immersive as it is unsettling.
Lanyards are handed out on arrival, blurring the line between spectator and participant. It’s as immersive as it is unsettling.
In light of recent events, it plays less like a history lesson and more like a horror story. This is theatre at its most prescient.
In light of recent events, it plays less like a history lesson and more like a horror story. This is theatre at its most prescient.
This gripping new play dives into the origins of the climate crisis, blending history, politics, and Shakespearean drama into a hauntingly prescient warning.
Why is Kyoto a must-see?
This gripping new play dives into the origins of the climate crisis, blending history, politics, and Shakespearean drama into a hauntingly prescient warning.
Why is Kyoto a must-see?