Dyodon (pneumatic house), 1967
Dyodon (pneumatic house), 1967
The opening sequence of Rosencrantz and Guildenstern Are Dead (1990) is far from any effect possible on the stage: Two horsemen in a rocky wasteland (like a Bruegel?); then the camera, panning with the horses hooves, spots a coin on the path.
www.youtube.com/watch?v=-f6g...
The opening sequence of Rosencrantz and Guildenstern Are Dead (1990) is far from any effect possible on the stage: Two horsemen in a rocky wasteland (like a Bruegel?); then the camera, panning with the horses hooves, spots a coin on the path.
www.youtube.com/watch?v=-f6g...
The 2007 Jonathan Olley one was printed in Verona by (I believe) ebs-bortolazzi.com.
The 1962 Paul Strand book was printed by Druckhaus Einheit, Leipzig, East Germany(!).
The 2007 Jonathan Olley one was printed in Verona by (I believe) ebs-bortolazzi.com.
The 1962 Paul Strand book was printed by Druckhaus Einheit, Leipzig, East Germany(!).
Planetarium, the Principal Present Given to the Emperor of China, 1793
Watercolour, British Library, WD 961 f.42.
Planetarium, the Principal Present Given to the Emperor of China, 1793
Watercolour, British Library, WD 961 f.42.
tieranatomisches-theater.de/en/the-build...
tieranatomisches-theater.de/en/the-build...
"The separation of the fixed star sphere into two for the northern and southern sky and the division of the projectors for the sun, moon and planets into two frames results in the "dumbbell" shape still used today."
"The separation of the fixed star sphere into two for the northern and southern sky and the division of the projectors for the sun, moon and planets into two frames results in the "dumbbell" shape still used today."
Planetary motions were handled by a stack of projectors on the ecliptic axis, and the "star ball" was mounted on that axis too.
Planetary motions were handled by a stack of projectors on the ecliptic axis, and the "star ball" was mounted on that axis too.
Opposing the probable (boring, managerial, speculative) to the possible (exciting, artistic, creative) is something people do, but I haven't seen it theorized extensively.
Opposing the probable (boring, managerial, speculative) to the possible (exciting, artistic, creative) is something people do, but I haven't seen it theorized extensively.
articles.adsabs.harvard.edu/full/1883Sid...
articles.adsabs.harvard.edu/full/1883Sid...
www.dembrudders.com/history-and-...
www.dembrudders.com/history-and-...
On balance, Jack probably shouldn't have told this just-so story which oversimplifies the dynamics.
On balance, Jack probably shouldn't have told this just-so story which oversimplifies the dynamics.