The Tonearm
@thetonearm.com
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celebrating music journalism + putting a needle on the cultural wax an online journal of unexpected music + culture → thetonearm.com
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The Tonearm is an online journal of unexpected music and culture, a shared exploration of what it's like to create cool + meaningful things.

Check out our latest articles + podcasts: www.thetonearm.com/linkinbio/

and don't forget to subscribe to our weekly newsletter, Talk Of The Tonearm ✨
The Tonearm logo — it's a globe but it's also a turntable.
thetonearm.com
"Beyond the groovy sounds of Petty’s wail, 'American Girl' is an especially potent choice for Anderson’s latest epic, both because of the lyrics’ thematic power and because of the song’s own cinematic history."

How ‘American Girl’ Enhances a Scene in ‘One Battle After Another’ (gift link):
How ‘American Girl’ Enhances a Scene in ‘One Battle After Another’
The Tom Petty hit has a rich cinematic legacy that Paul Thomas Anderson draws on for the closing moments of his tale of radical revolutionaries.
www.nytimes.com
thetonearm.com
Stacey Hine + Neil Kleiner explain how their debut as Names On Tapes, 'We Weren't Programmed for This,' treats guitar as an interruption, electronic glitch as meditation, and degraded tape loops as a metaphor for fragile memory.

Guitar Riffs and Calm Glitch — The Dual Electronics of Names On Tapes:
Guitar Riffs and Calm Glitch — Names on Tapes Interview
Stacey Hine and Neil Kleiner explain how their debut 'We Weren't Programmed for This' treats guitar as a delicate interruption, electronic glitch as meditation, and degraded tape loops as the perfect metaphor for fragile memory.
www.thetonearm.com
thetonearm.com
"Guitar lessons from Jose Feliciano. A week-long slot opening for Jimi Hendrix. A musical and marital partnership with folk legend Karen Dalton. These were all bullet points in Richard, Cam & Bert’s biographies before they even got together to form a group."
Rediscovering ‘60s Folk Underdogs Richard, Cam & Bert
The contemporaries of CSN were nearly forgotten—until now.
daily.bandcamp.com
thetonearm.com
With a highly personal exploration of themes culminating in the album 'Starlight,' Julius Smack's multimedia approach reveals everyday technology as mundane yet otherworldly, mirroring our complex relationship with digital existence.

Julius Smack's Starlight as a Dystopian Reverie:
Dystopian Reveries & Digital Toxins: Julius Smack's 'Starlight'
With a highly personal exploration of themes culminating in the album 'Starlight,' Julius Smack's multimedia approach reveals everyday technology as mundane yet otherworldly, mirroring our complex relationship with digital existence.
www.thetonearm.com
thetonearm.com
"If you’re into jazz you’re to be mocked, because you’re either an old fart, a fervent hipster or a chin-stroking pseud. Or possibly all three. I’m none of those, arguably."

I may not understand jazz – but I know enough to know it’s wonderful:
I may not understand jazz – but I know enough to know it’s wonderful | Adrian Chiles
It’s one of the most baffling of all art forms, and the most mocked. Laugh all you like; these musicians are working miracles, writes Adrian Chiles
www.theguardian.com
thetonearm.com
"It’s a rock music chamber of secrets. When David Bowie died in 2016, he left an archive of about 90,000 items, carefully cataloged and boxed like a museum collection."

What Was Behind David Bowie’s Genius? His Archive Holds the Answers. (gift link):
What Was Behind David Bowie’s Genius? His Archive Holds the Answers.
The David Bowie Center in London is a new home for the singer’s 90,000-item archive. It holds the key to the pop star’s dramatic reinventions.
www.nytimes.com
thetonearm.com
That scrappy Knitting Factory on Houston Street planted seeds for two decades of tributes that have raised millions for music education. Michael Dorf's persistent courtship of Smith finally bore fruit as an inspiring lineup of performers assembled to reinterpret her revolutionary catalog:
Michael Dorf's 20-Year Path to Honoring Patti Smith
That scrappy Knitting Factory on Houston Street planted seeds for two decades of tribute concerts that have raised millions for music education. Dorf's persistent courtship of Smith finally bears fruit as an inspiring line-up of performers gather on March 26 to reinterpret her revolutionary catalog.
www.thetonearm.com
thetonearm.com
"'Una Velita' is a rallying call, a warning that Puerto Ricans will never forget the nearly 3,000 lives that were needlessly lost due to government neglect. It’s a reminder that it’s up to the community to save itself."

How Artists Are Reclaiming Heritage Through Sound: tidal.com/magazine/art...
Rauw Alejandro performing in front of a backdrop of a house on fire.
thetonearm.com
"Serving as rhythm guitarist behind such stars would seem to be [an anonymous] job … But Mr. Dreja was more than that … 'He provided an essential counterpoint to the big personalities of the Yardbirds’ lead guitarists.'"

Chris Dreja, Founding Member of the Yardbirds, Dies at 78 (gift link):
Chris Dreja, a Founding Member of the Yardbirds, Dies at 78
A rhythm guitarist and bassist, he was a “rock” for a band whose fiery lead players, Eric Clapton, Jeff Beck and Jimmy Page, had no shortage of ego.
www.nytimes.com
thetonearm.com
"In 1995, American musician and artist Laurie Anderson created a CD-ROM computer game called Puppet Motel in collaboration with artist Hsin-Chien Huang. Thirty years later, I bought a copy on eBay, along with a 1999 computer that could run it."

Laurie Anderson Isn’t Playing Games:
Laurie Anderson Isn’t Playing Games
In the artist’s studio, we played her 1995 Puppet Motel on a blue iBook G3 and talked about technology, cyberspace, and abstraction.
hyperallergic.com
thetonearm.com
It was fantastic discovering and learning about Davy — we loved publishing this! 🙏
thetonearm.com
The comedian born Richard Davy invented a Southern alter ego, landed a record deal with John Hammond, and played the Apollo Theatre before disappearing in 1968—his story nearly lost until archivist Jason Klamm uncovered his peculiar career.

The Archival Rescue of Dick Davy's Civil Rights Stand-Up:
The Archival Rescue of Dick Davy's Civil Rights Stand-Up
The comedian born Richard Davy invented a Southern alter ego, landed a Columbia Records deal with producer John Hammond, and played the Apollo Theatre before abandoning his act in 1968—his story nearly lost until archivist Jason Klamm recovered recordings from his brief, peculiar career.
www.thetonearm.com
thetonearm.com
"As we talked about his afternoon sipping whiskey with Keith Richards, what Barry Manilow taught him about criticism, and how chefs are more similar to rockstars than you might think, I learned that there’s much more to his story than meets the eye."

A Conversation with Wayne Robins:
The Life of a Critic: A Conversation with Wayne Robins
Critic Wayne Robins pops by for a chat about his long, varied career in the music business
www.cantgetmuchhigher.com
thetonearm.com
Chris O'Leary, author of 'Rebel Rebel', discusses his revised deep dive into David Bowie's formative years, the growth of his song-by-song blog, and why he fears the tools that supported his research may not exist for future music writers.

Chris O'Leary on Bowie, Blogging, + Music Writing's Future:
Chris O'Leary on Bowie, Blogging, and Music Writing's Future
The author of 'Rebel Rebel' discusses his revised deep dive into David Bowie's formative years, the organic growth of his song-by-song blog, and why he fears the resources that supported his research may not exist for future music writers.
www.thetonearm.com
thetonearm.com
"A new breed of French rock musicians were against what they considered fascist police-state apparatus and the Gaullist postwar regime. They were looking for new inspirations, free of American whitewashed pulp."

France’s lost rock revolution of 1968:
Street battles, invented languages and gigs in psychiatric hospitals: France’s lost rock revolution of 1968
Bands such as Magma and Art Zoyd provided a soundtrack for the student protests that shook the country. Little remembered now, a new book reveals their decisive influence on later successes such as Air and Daft Punk
www.theguardian.com
thetonearm.com
Mike Baggetta's trio mssv has perfected a unique creative process, road-testing new material across dozens of consecutive shows before capturing it on their third album, 'On and On.' The result is a musical trip that thrives on combustion, energy, and pressure.

mssv's Perpetual Motion Machine:
Making the Steamship Move — mssv's Perpetual Motion
Mike Baggetta's power trio mssv has perfected a unique creative process, road-testing new material across dozens of consecutive shows before capturing it on their latest album, 'On and On.' The result is a musical trip that thrives on combustion, energy, and pressure.
www.thetonearm.com
thetonearm.com
"By the end of the 1960s, jazz in Japan had absorbed and transmogrified sounds, timbres, and variations that kept one foot in the form's roots yet had a sound all its own."

The Uncanny Allure of Japanese Jazz (J-Jazz):
The Irresistible Allure of Japanese Jazz (J-Jazz)
The Art of War, War of Art, and Tekisei Ongaku (Enemy Music)
jazzandcoffee.substack.com
thetonearm.com
"Bassist, composer and Jazz Night in America host Christian McBride's latest album sees the bandleader get his Grammy Award-winning big band back together to breathe new life into some classics."

Christian McBride is shepherding the next generation of jazz musicians:
Christian McBride playing bass on NPR's World Cafe
thetonearm.com
Anupam Shobhakar's musical awakening began in the most unlikely circumstances — a metal kid in a Slayer t-shirt seated among India's musical elite. Now the Mumbai musician's double-neck guitar carries him from headbanging teen to microtonal master on his album 'Liquid Reality.':
Anupam Shobhakar: From Slayer Fan to Sarod Virtuoso
Shobhakar's musical awakening began in the most unlikely circumstances — a metal kid in a Slayer t-shirt seated among India's musical elite. Now the Mumbai musician's double-neck guitar carries him from headbanging teen to microtonal master on his new album 'Liquid Reality.'
www.thetonearm.com
thetonearm.com
"Severe Exposure is at times reminiscent of futurist punks such as Chrome, Tubeway Army and Devo, but the paranoid, claustrophobic future world it portrays has its own uniquely dank, disturbing flavour."

“We were comfortable with the discomfort” — Six Finger Satellite’s J Ryan:
“We were comfortable with the discomfort”: Six Finger Satellite’s J Ryan - The Wire
Six Finger Satellite frontman and synth player J Ryan talks to Joseph Stannard about the making of the Rhode Island group’s newly reissued 1995 Severe Exposure album
www.thewire.co.uk
thetonearm.com
"This time last year, the south London artist spiralled through a procession of evocative flexes, rasped through Auto-Tune over a mind-expanding loop of pitch-shifted wailing, then slung a black guitar over her shoulder to shred through a lacerating noise solo with a joyous smile."
‘I want to hear harmonica in the strip club!’: the bold ideas and bleak visions of British musician Klein
Drone albums, vampire plays, Charlotte Church duets … the Londoner has an inspiringly odd CV. She explains how the disrupted experience of Black daily life fills her work
www.theguardian.com
thetonearm.com
"Tweedy talks about what he looks for in great songwriting, the glories of losing trust in your ego, and the fascinating ways that an artist’s personal history can get tangled up in their music."

Jeff Tweedy on the Lyrics That Changed His Life:
Jeff Tweedy on the Lyrics That Changed His Life
One of America’s greatest living songwriters delves into his admiration for Bill Callahan, Lana Del Rey, Kim Deal, and more.
www.hearingthings.co