yuling
@tongyuling.bsky.social
200 followers 27 following 150 posts
I’m drawn to abstractions & absurdities • twt: https://x.com/tongyuling3 • i: @Soe_chimi, b: @svioress
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tongyuling.bsky.social
HAPPY BIRTHDAY!!! did you know? you will have a great birthday, now and forever
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centurialoverlord.bsky.social
yeah what the hell ill put him here too
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36201.bsky.social
his birthday was actually on the 6th. happy 42nd(?) (belated) birthday to my oc, link yang 🥹👴

#art
tongyuling.bsky.social
🥹🥹🥹🥹🥹🥹🥹🥹
tongyuling.bsky.social
very old art to help you maybe get their vibe
basically BGM is a sopping wet pou and XT is ... evil (no). she's basically the white-haired child of sasori & makima (but less genocidal) if that makes sense (it doesnt im sorry)
tongyuling.bsky.social
here are my daughtersons: xue tian (XT) & bao gengmi (BGM).
basically: they're toxic doomed childhood friends(?) to ??? forever haunted yuri
tongyuling.bsky.social
if i posted my ocs on here (this is technically my main and not an umamusume side) would you all run and never return
tongyuling.bsky.social
another point to make. earlier that day she told ayb to “face your troubles… as I face my reflection” (self-confrontation). her soliloquy, however, externalizes trouble into fate and dramaturgy. i think that contradiction implies that she needs performance to look in the mirror at all.
tongyuling.bsky.social
if ope loses the satsuki sho, she addresses the stars as “witnesses” of her failure. a soliloquy involves a speaker who is usually alone and typically reveals hidden emotions/motivations/internal struggles. even alone, she requires an audience, real or imagined, to make her existence feel meaningful
tongyuling.bsky.social
it can be an internal monologue spoken out loud so we can hear it or a speech from a character somehow aware of the audience. but in either case, it tends to bring the audience and the stage closer together, and they tend to be non-realist.
tongyuling.bsky.social
something i learned from class: A soliloquy is a speech that one character gives when no other character is present on the stage. you can interpret it in many different ways.
tongyuling.bsky.social
if ope loses the satsuki sho, she addresses the stars as “witnesses” of her failure. a soliloquy involves a speaker who is usually alone and typically reveals hidden emotions/motivations/internal struggles. even alone, she requires an audience, real or imagined, to make her existence feel meaningful
tongyuling.bsky.social
ope’s method of teaching the others to get into character for their play is by telling them not just to “act” their parts, but to immerse themselves in the characters (to speak, think, and practice as though they are those roles). hm, someone is projecting their own method here…
tongyuling.bsky.social
oh santa king. the sun king is lonely, and you, santa king, must shoulder his burden. but santa king, you’ll be the happiest to carry it, won’t you?
tongyuling.bsky.social
perhaps that’s why ope chose topro to say it to. she calls her the “axle” because she’s the steady center of their generation, the one who connects ayb, ope and doto, rivals who otherwise pull in different directions. opera o depends on topro’s presence to keep her from spinning into isolation.
tongyuling.bsky.social
that’s her paradox: she cannot reveal her heart without spectacle. which means even her most personal truths are trapped in performance. and yet, by saying them in front of topro (and the others), she creates the Possibility of being understood. to bridge the gap between the stage and the person.
tongyuling.bsky.social
when ope plays the Sun King but subtly admit how lonely her crown is, I think topro thought: “so even Opera O-chan feels that way…”
tongyuling.bsky.social
for me to enjoy opdt, i need them to both suffer. ope is too much for doto; doto is not enough for ope. ope thinks she’s giving doto a crown; doto feels like she’s been handed a guillotine. they adore each other as rivals but the way they express it makes them both miserable.
tongyuling.bsky.social
opera: the Sun
ayabe: the Moon
doto: the Hanged Man
topro: Justice (or the Chariot)
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