UntoldMag
@untoldmag.org
UntoldMag.org is a platform that challenges the established and amplifies the untold, bridging the gaps between rigorous analysis and accessible discourse and reimagining knowledge as a shared, dynamic, decentralized, and deeply situated experience.
Rather than framing online harm as a failure of moderation, this article conceptualises technoviolence as a structural condition: violence embedded in profiling, classification, visibility, and enforcement - long before it appears as spectacle.
https://f.mtr.cool/pczeforxct
https://f.mtr.cool/pczeforxct
January 30, 2026 at 3:37 PM
Rather than framing online harm as a failure of moderation, this article conceptualises technoviolence as a structural condition: violence embedded in profiling, classification, visibility, and enforcement - long before it appears as spectacle.
https://f.mtr.cool/pczeforxct
https://f.mtr.cool/pczeforxct
“Attention collapse”.
“Ideophobia”.
“Platform brutality”.
Terms Geert Lovink uses to describe the present moment: post-COVID, shaped by war, climate collapse, inflation, and deepening digital dependence.
https://f.mtr.cool/ekfqastvoj
@enricodeangelis.bsky.social
“Ideophobia”.
“Platform brutality”.
Terms Geert Lovink uses to describe the present moment: post-COVID, shaped by war, climate collapse, inflation, and deepening digital dependence.
https://f.mtr.cool/ekfqastvoj
@enricodeangelis.bsky.social
January 27, 2026 at 3:35 PM
“Attention collapse”.
“Ideophobia”.
“Platform brutality”.
Terms Geert Lovink uses to describe the present moment: post-COVID, shaped by war, climate collapse, inflation, and deepening digital dependence.
https://f.mtr.cool/ekfqastvoj
@enricodeangelis.bsky.social
“Ideophobia”.
“Platform brutality”.
Terms Geert Lovink uses to describe the present moment: post-COVID, shaped by war, climate collapse, inflation, and deepening digital dependence.
https://f.mtr.cool/ekfqastvoj
@enricodeangelis.bsky.social
In Elche, Spain, palmereros, palm climbers who have cared for Europe’s largest palm grove for centuries, are fighting for survival.
UNESCO protected the land in 2000, but not the craft.
https://f.mtr.cool/nnzbqffzta
UNESCO protected the land in 2000, but not the craft.
https://f.mtr.cool/nnzbqffzta
January 23, 2026 at 5:38 PM
In Elche, Spain, palmereros, palm climbers who have cared for Europe’s largest palm grove for centuries, are fighting for survival.
UNESCO protected the land in 2000, but not the craft.
https://f.mtr.cool/nnzbqffzta
UNESCO protected the land in 2000, but not the craft.
https://f.mtr.cool/nnzbqffzta
“Auschwitz was the scientific exercise of all techniques aimed at extermination”.
This is how Franco Berardi frames his reflection on Gaza in Thinking After Gaza.
https://f.mtr.cool/jisennxpow
This is how Franco Berardi frames his reflection on Gaza in Thinking After Gaza.
https://f.mtr.cool/jisennxpow
January 16, 2026 at 4:49 PM
“Auschwitz was the scientific exercise of all techniques aimed at extermination”.
This is how Franco Berardi frames his reflection on Gaza in Thinking After Gaza.
https://f.mtr.cool/jisennxpow
This is how Franco Berardi frames his reflection on Gaza in Thinking After Gaza.
https://f.mtr.cool/jisennxpow
Independent Kashmiri journalist Umer Beigh traces how demolitions, surveillance, and laws like AFSPA erase memory and deny justice, echoed in the haunting story of Mohammad Ashraf Mattoo, still seeking accountability for his son’s killing 15 years later.
https://f.mtr.cool/ixeldesvmw
https://f.mtr.cool/ixeldesvmw
January 15, 2026 at 4:04 PM
Independent Kashmiri journalist Umer Beigh traces how demolitions, surveillance, and laws like AFSPA erase memory and deny justice, echoed in the haunting story of Mohammad Ashraf Mattoo, still seeking accountability for his son’s killing 15 years later.
https://f.mtr.cool/ixeldesvmw
https://f.mtr.cool/ixeldesvmw
How do nostalgia, self-Orientalism, moral purity, and masculinity connect Bab al-Hara to the revived Umayyad dream in post-Assad Syria?
Read the full piece:
https://f.mtr.cool/ifzesukwok
Read the full piece:
https://f.mtr.cool/ifzesukwok
January 14, 2026 at 5:10 PM
How do nostalgia, self-Orientalism, moral purity, and masculinity connect Bab al-Hara to the revived Umayyad dream in post-Assad Syria?
Read the full piece:
https://f.mtr.cool/ifzesukwok
Read the full piece:
https://f.mtr.cool/ifzesukwok
Colonial erasure often works through language that speaks endlessly about land, culture, and strategy, while excluding the people who live there.
https://f.mtr.cool/wrfrxrajqv
https://f.mtr.cool/wrfrxrajqv
January 13, 2026 at 3:04 PM
Colonial erasure often works through language that speaks endlessly about land, culture, and strategy, while excluding the people who live there.
https://f.mtr.cool/wrfrxrajqv
https://f.mtr.cool/wrfrxrajqv
Rachid crossed borders to reach Spain, but found a system built to exploit him.
He now works under minimum wage, in suffocating heat, and lives lack water and sanitation.
Read Neal Haddaway’s report:
https://f.mtr.cool/gwleaujhlt
#UntoldMag
He now works under minimum wage, in suffocating heat, and lives lack water and sanitation.
Read Neal Haddaway’s report:
https://f.mtr.cool/gwleaujhlt
#UntoldMag
January 12, 2026 at 4:04 PM
Rachid crossed borders to reach Spain, but found a system built to exploit him.
He now works under minimum wage, in suffocating heat, and lives lack water and sanitation.
Read Neal Haddaway’s report:
https://f.mtr.cool/gwleaujhlt
#UntoldMag
He now works under minimum wage, in suffocating heat, and lives lack water and sanitation.
Read Neal Haddaway’s report:
https://f.mtr.cool/gwleaujhlt
#UntoldMag
📎 Read the full article by Elahe mohammadi: https://f.mtr.cool/thvmbusmxi
Originally published in Ham-Mihan (Farsi), translated with permission.
#UntoldMag #FeminismAgainstWar #DecolonizeFeminism #WomenResist
Originally published in Ham-Mihan (Farsi), translated with permission.
#UntoldMag #FeminismAgainstWar #DecolonizeFeminism #WomenResist
January 8, 2026 at 2:40 PM
📎 Read the full article by Elahe mohammadi: https://f.mtr.cool/thvmbusmxi
Originally published in Ham-Mihan (Farsi), translated with permission.
#UntoldMag #FeminismAgainstWar #DecolonizeFeminism #WomenResist
Originally published in Ham-Mihan (Farsi), translated with permission.
#UntoldMag #FeminismAgainstWar #DecolonizeFeminism #WomenResist
“No bomb ever brought us liberation.”
7 women, from Palestine, Iraq, Syria, Lebanon, and Afghanistan, share what it means to survive wars waged in the name of “saving” them.
7 women, from Palestine, Iraq, Syria, Lebanon, and Afghanistan, share what it means to survive wars waged in the name of “saving” them.
January 8, 2026 at 2:40 PM
“No bomb ever brought us liberation.”
7 women, from Palestine, Iraq, Syria, Lebanon, and Afghanistan, share what it means to survive wars waged in the name of “saving” them.
7 women, from Palestine, Iraq, Syria, Lebanon, and Afghanistan, share what it means to survive wars waged in the name of “saving” them.
In much Western coverage, Palestinian deaths appear in the passive voice: “were killed,” “were found under rubble”.
The actor of violence disappears from the sentence.
By: Majd Jawad
https://f.mtr.cool/ejbwkyulzb
The actor of violence disappears from the sentence.
By: Majd Jawad
https://f.mtr.cool/ejbwkyulzb
December 23, 2025 at 3:43 PM
In much Western coverage, Palestinian deaths appear in the passive voice: “were killed,” “were found under rubble”.
The actor of violence disappears from the sentence.
By: Majd Jawad
https://f.mtr.cool/ejbwkyulzb
The actor of violence disappears from the sentence.
By: Majd Jawad
https://f.mtr.cool/ejbwkyulzb
“If I Die. I Want a Loud Death”: Reclaiming The Palestinian Narrative Through Social Media
By: Dalia Alahmad
https://f.mtr.cool/layjmnmrca
By: Dalia Alahmad
https://f.mtr.cool/layjmnmrca
December 18, 2025 at 2:21 PM
“If I Die. I Want a Loud Death”: Reclaiming The Palestinian Narrative Through Social Media
By: Dalia Alahmad
https://f.mtr.cool/layjmnmrca
By: Dalia Alahmad
https://f.mtr.cool/layjmnmrca
For decades, Western mainstream media coverage of Palestine has relied on decontextualised language that strips violence of responsibility. Palestinians appear as numbers, while occupation, apartheid, and the Nakba remain largely absent.
December 18, 2025 at 2:21 PM
For decades, Western mainstream media coverage of Palestine has relied on decontextualised language that strips violence of responsibility. Palestinians appear as numbers, while occupation, apartheid, and the Nakba remain largely absent.
Symbols become sites of repression: the inverted red triangle was framed as a “Nazi reference,” and a doctoral student holding a “NEVER AGAIN” sign was arrested and had their poster confiscated.
December 16, 2025 at 2:49 PM
Symbols become sites of repression: the inverted red triangle was framed as a “Nazi reference,” and a doctoral student holding a “NEVER AGAIN” sign was arrested and had their poster confiscated.
These visual and textual acts function as “crucial diaries” of resistance and solidarity at a time when pro-Palestinian voices are underrepresented in German and Western European media and art spaces, and suppressed on social media.
December 16, 2025 at 2:49 PM
These visual and textual acts function as “crucial diaries” of resistance and solidarity at a time when pro-Palestinian voices are underrepresented in German and Western European media and art spaces, and suppressed on social media.
As the essay argues, “this process of removal, covering, editing, and commenting on each other… reflects broader issues of visibility and grievability,” particularly for Palestinians in Germany.
December 16, 2025 at 2:49 PM
As the essay argues, “this process of removal, covering, editing, and commenting on each other… reflects broader issues of visibility and grievability,” particularly for Palestinians in Germany.
In Berlin, this cycle of removal and counter-commentary is especially visible around Palestinian expression, whose presence in public space remains contested.
December 16, 2025 at 2:49 PM
In Berlin, this cycle of removal and counter-commentary is especially visible around Palestinian expression, whose presence in public space remains contested.
This removal does not come only from authorities.
“If not the authorities, then ‘ordinary people’” tear down, cover, cross out, or modify each other’s messages in public space.
“If not the authorities, then ‘ordinary people’” tear down, cover, cross out, or modify each other’s messages in public space.
December 16, 2025 at 2:49 PM
This removal does not come only from authorities.
“If not the authorities, then ‘ordinary people’” tear down, cover, cross out, or modify each other’s messages in public space.
“If not the authorities, then ‘ordinary people’” tear down, cover, cross out, or modify each other’s messages in public space.
Street art is “a game,” as graffiti writers describe it, what is written, pasted, or stencilled on a wall is always temporary, exposed to removal, alteration, or replacement.
December 16, 2025 at 2:49 PM
Street art is “a game,” as graffiti writers describe it, what is written, pasted, or stencilled on a wall is always temporary, exposed to removal, alteration, or replacement.
Because the voices of the oppressed - whether erased from archives, forests, or public space - do not disappear. They persist, despite every attempt to overwrite them.
Read: https://f.mtr.cool/farqwmdpnv
A part from the dossier ''What is to be done'' supported by Febrayer Network.
Read: https://f.mtr.cool/farqwmdpnv
A part from the dossier ''What is to be done'' supported by Febrayer Network.
December 12, 2025 at 2:15 PM
Because the voices of the oppressed - whether erased from archives, forests, or public space - do not disappear. They persist, despite every attempt to overwrite them.
Read: https://f.mtr.cool/farqwmdpnv
A part from the dossier ''What is to be done'' supported by Febrayer Network.
Read: https://f.mtr.cool/farqwmdpnv
A part from the dossier ''What is to be done'' supported by Febrayer Network.
The continuum becomes clear: colonial memory buried in forests and archives; political repression enacted in courtrooms and police stations; a state identity that renders solidarity suspicious.
December 12, 2025 at 2:15 PM
The continuum becomes clear: colonial memory buried in forests and archives; political repression enacted in courtrooms and police stations; a state identity that renders solidarity suspicious.
Meris links these forms of erasure to the systems she witnessed in the occupied West Bank: surveillance, intimidation, racial profiling. Different contexts, but logics that resonate, structures designed to control movement, visibility, and resistance.
December 12, 2025 at 2:14 PM
Meris links these forms of erasure to the systems she witnessed in the occupied West Bank: surveillance, intimidation, racial profiling. Different contexts, but logics that resonate, structures designed to control movement, visibility, and resistance.
In the family archive, Palestinian labour is everywhere but unnamed. Daily interactions before 1948 left no trace of the workers who built and sustained the settlements. Even the Nakba - when over 80% of Haifa’s Palestinians were displaced - was “never really thought about.”
December 12, 2025 at 2:14 PM
In the family archive, Palestinian labour is everywhere but unnamed. Daily interactions before 1948 left no trace of the workers who built and sustained the settlements. Even the Nakba - when over 80% of Haifa’s Palestinians were displaced - was “never really thought about.”
For M, a Syrian refugee arrested for the same reason, this criminalisation carries the threat of deportation. For Meris, it revived a much longer history, one embedded in their own Swiss-German family archive.
December 12, 2025 at 2:14 PM
For M, a Syrian refugee arrested for the same reason, this criminalisation carries the threat of deportation. For Meris, it revived a much longer history, one embedded in their own Swiss-German family archive.
In their visual essay for UntoldMag, Stellar Meris begins with a moment of police violence in Berlin: an arrest at an anti-colonial protest for carrying the Palestinian flag. Officers claimed “Palestine has nothing to do with colonialism” and likened the flag to the Swastika.
December 12, 2025 at 2:14 PM
In their visual essay for UntoldMag, Stellar Meris begins with a moment of police violence in Berlin: an arrest at an anti-colonial protest for carrying the Palestinian flag. Officers claimed “Palestine has nothing to do with colonialism” and likened the flag to the Swastika.