Pierre d’Alancaisez (is) Verdurin
@verdur.in
https://verdur.in - cultural project and event space, concept store, and soon publisher in London.
https://petitpoi.net - art criticism and writing by Pierre d'Alancaisez.
https://petitpoi.net - art criticism and writing by Pierre d'Alancaisez.
I, Internet
Making Art in the Machine
📅 31 January, 2-6pm
🎟️ buff.ly/KSqNMVo
With contributions by Helen Rollins, John-Robin Bold, and Tony D Sampson, plus screenings of works by Chris Boyd, Thomson & Craighead, Eva and Franco Mattes, Neue Deutsche Kunst, and others.
Making Art in the Machine
📅 31 January, 2-6pm
🎟️ buff.ly/KSqNMVo
With contributions by Helen Rollins, John-Robin Bold, and Tony D Sampson, plus screenings of works by Chris Boyd, Thomson & Craighead, Eva and Franco Mattes, Neue Deutsche Kunst, and others.
I, Internet » Verdurin
How does making art on and for the internet and AI shape our social and political subjectivity?
buff.ly
January 14, 2026 at 11:02 AM
I, Internet
Making Art in the Machine
📅 31 January, 2-6pm
🎟️ buff.ly/KSqNMVo
With contributions by Helen Rollins, John-Robin Bold, and Tony D Sampson, plus screenings of works by Chris Boyd, Thomson & Craighead, Eva and Franco Mattes, Neue Deutsche Kunst, and others.
Making Art in the Machine
📅 31 January, 2-6pm
🎟️ buff.ly/KSqNMVo
With contributions by Helen Rollins, John-Robin Bold, and Tony D Sampson, plus screenings of works by Chris Boyd, Thomson & Craighead, Eva and Franco Mattes, Neue Deutsche Kunst, and others.
Recent works by often anonymous, post-millennial artists appear to think on, as much as about, the internet. These works, and their emergent AI successors, share many apparent aesthetic features. Do they also impose an emotional, social, or political sensibility on their creators?
January 14, 2026 at 11:02 AM
Recent works by often anonymous, post-millennial artists appear to think on, as much as about, the internet. These works, and their emergent AI successors, share many apparent aesthetic features. Do they also impose an emotional, social, or political sensibility on their creators?
The Gagosian show: buff.ly/Wdmt5q3
Nan Goldin: The Ballad of Sexual Dependency, Davies Street, London, January 13–March 21, 2026
Find out more about the upcoming exhibition Nan Goldin: The Ballad of Sexual Dependency at Davies Street, London.
gagosian.com
January 13, 2026 at 4:02 PM
The Gagosian show: buff.ly/Wdmt5q3
With contributions by Helen Rollins, John-Robin Bold, and Tony D Sampson, plus screenings of works by Chris Boyd, Thomson & Craighead, Neue Deutsche Kunst, Eva and Franco Mattes, George Barber, and others.
📽️ Chris Boyd, uNo Disface A Thousand Frames.
📽️ Chris Boyd, uNo Disface A Thousand Frames.
January 12, 2026 at 12:06 PM
With contributions by Helen Rollins, John-Robin Bold, and Tony D Sampson, plus screenings of works by Chris Boyd, Thomson & Craighead, Neue Deutsche Kunst, Eva and Franco Mattes, George Barber, and others.
📽️ Chris Boyd, uNo Disface A Thousand Frames.
📽️ Chris Boyd, uNo Disface A Thousand Frames.
an emotional, social, or political sensibility on their creators?
I, Internet
Making Art in the Machine
📅 31 January, 2-6pm
🎟️ buff.ly/KSqNMVo
I, Internet
Making Art in the Machine
📅 31 January, 2-6pm
🎟️ buff.ly/KSqNMVo
I, Internet » Verdurin
How does making art on and for the internet and AI shape our social and political subjectivity?
buff.ly
January 12, 2026 at 12:06 PM
an emotional, social, or political sensibility on their creators?
I, Internet
Making Art in the Machine
📅 31 January, 2-6pm
🎟️ buff.ly/KSqNMVo
I, Internet
Making Art in the Machine
📅 31 January, 2-6pm
🎟️ buff.ly/KSqNMVo
his certainly holds true for the history of internet-inspired art itself.
Recent works by often anonymous, post-millennial artists appear to think on, as much as about, the internet. These works, and their emergent AI successors, share many apparent aesthetic features. Do they also impose /
Recent works by often anonymous, post-millennial artists appear to think on, as much as about, the internet. These works, and their emergent AI successors, share many apparent aesthetic features. Do they also impose /
January 12, 2026 at 12:06 PM
his certainly holds true for the history of internet-inspired art itself.
Recent works by often anonymous, post-millennial artists appear to think on, as much as about, the internet. These works, and their emergent AI successors, share many apparent aesthetic features. Do they also impose /
Recent works by often anonymous, post-millennial artists appear to think on, as much as about, the internet. These works, and their emergent AI successors, share many apparent aesthetic features. Do they also impose /
I reviewed 'Peter Hujar's Day' — the filmic reconstruction of a tape reconstruction of a day just like any other — for The Critic.
buff.ly/q6QEavV
buff.ly/q6QEavV
Day after day | Pierre d’Alancaisez | The Critic Magazine
When Andy Warhol suggested that “in the future, everyone would be famous for fifteen minutes”, he could not have predicted that this prognosis might apply to the past and that, therefore…
buff.ly
January 10, 2026 at 12:44 PM
I reviewed 'Peter Hujar's Day' — the filmic reconstruction of a tape reconstruction of a day just like any other — for The Critic.
buff.ly/q6QEavV
buff.ly/q6QEavV
📅 31 January, 2-6pm
📍 Verdurin, Hoxton
🎟️ buff.ly/GyVxX0g
With contributions by Helen Rollins, John-Robin Bold, and Tony D Sampson, plus screenings of works by Milo Creese, Chris Boyd, Thomson & Craighead, Eva and Franco Mattes, and others.
📍 Verdurin, Hoxton
🎟️ buff.ly/GyVxX0g
With contributions by Helen Rollins, John-Robin Bold, and Tony D Sampson, plus screenings of works by Milo Creese, Chris Boyd, Thomson & Craighead, Eva and Franco Mattes, and others.
I, Internet » Verdurin
How does making art on and for the internet and AI shape our social and political subjectivity?
buff.ly
December 29, 2025 at 1:15 PM
📅 31 January, 2-6pm
📍 Verdurin, Hoxton
🎟️ buff.ly/GyVxX0g
With contributions by Helen Rollins, John-Robin Bold, and Tony D Sampson, plus screenings of works by Milo Creese, Chris Boyd, Thomson & Craighead, Eva and Franco Mattes, and others.
📍 Verdurin, Hoxton
🎟️ buff.ly/GyVxX0g
With contributions by Helen Rollins, John-Robin Bold, and Tony D Sampson, plus screenings of works by Milo Creese, Chris Boyd, Thomson & Craighead, Eva and Franco Mattes, and others.
the internet. These works, and their emergent AI successors, share many apparent aesthetic features. Do they also impose an emotional, social, or political sensibility on their creators?
December 29, 2025 at 1:15 PM
the internet. These works, and their emergent AI successors, share many apparent aesthetic features. Do they also impose an emotional, social, or political sensibility on their creators?
Read Marcas’s essay in INVERSION, Gay Life After the Homosexual
Out now in paperback and eBook.
Order at buff.ly/MbsI3BS
Out now in paperback and eBook.
Order at buff.ly/MbsI3BS
December 22, 2025 at 4:41 PM
Read Marcas’s essay in INVERSION, Gay Life After the Homosexual
Out now in paperback and eBook.
Order at buff.ly/MbsI3BS
Out now in paperback and eBook.
Order at buff.ly/MbsI3BS
Marcas Lancaster is a writer, producer, and self-professed ‘failed gay’ based in London. He is writing his first and only novel for which he hopes to be martyred.
December 22, 2025 at 4:41 PM
Marcas Lancaster is a writer, producer, and self-professed ‘failed gay’ based in London. He is writing his first and only novel for which he hopes to be martyred.
