Virginia Quarterly Review
@vqr.bsky.social
6.6K followers 140 following 94 posts
An award-winning national magazine at the University of Virginia. Established in 1925. vqronline.org Weekly email newsletter: http://eepurl.com/hiepvn Weekly poetry newsletter: http://eepurl.com/ilfAh1
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Our centennial issue is online today, featuring essays from Joseph Earl Thomas, Leslie Jamison, and Tom Bissell; portfolios from Syria by George Butler & Columbia University by Nina Berman; fiction by Etgar Keret & Karan Mahajan, poetry by Victoria Chang, and more: www.vqronline.org/spring-2025
The number 100 in orange and blue, made of paper cut-out letters, decorated with figures representing VQR's past
vqr.bsky.social
VQR Editor at Large Leslie Jamison and her daughter go to the depths of Disneyland in “Dark Ride to the Source,” a new essay in our centennial issue: www.vqronline.org/spring-2025/...
Reposted by Virginia Quarterly Review
rebekkaelisabet.bsky.social
I love when I read a piece of poetry that resonatesso deeply and on such a personal level. Thank you Amanda Gunn, not only was this beautiful but so very real and raw. Diagnostic I www.vqronline.org/spring-2025/...
Diagnostic I
Where you are goingyou cannot takeyour things leavein this locker the rivetsat the corners of your bluejeans
www.vqronline.org
vqr.bsky.social
In “Seeing Political,” @LouiePalu.bsky.social’s political photography goes in search of the imperfect picture, deconstructing the photo op to perfect it. Read the rest of his #VQRTrueStory in partnership with the Pulitzer Center from our centennial issue: www.vqronline.org/spring-2025/...
vqr.bsky.social
Cyantown investigates a murder in the latest Open Letter, by Gambineri, from our centennial issue. Find out who did it: www.vqronline.org/spring-2025/...
Cyantown
www.vqronline.org
vqr.bsky.social
Nina Berman’s photographs of Columbia University are “haunting images of a locked-down campus… autocracy revealed in the form of a restive yet silence space under control,” Ellen Schrecker writes in her introduction to the portfolio, new in our centennial issue: www.vqronline.org/spring-2025/...
Black and white photo of person wearing a keffiyeh ripping up a Columbia diploma
vqr.bsky.social
“The second time I escaped a language was conscious and planned. In the summer of 1997, right after college, I left the suburbs of Madrid for New York City to learn English and the language of my body,” Javier Fuentes writes in our latest On Becoming column: www.vqronline.org/spring-2025/...
A Language for Reinvention, Javier Fuentes, On Becoming
vqr.bsky.social
Tom Bissell met William Goldman as a young writer in New York City, at first with the intent of profiling him. But their relationship became something more important than a single article, Bissell recalls in “Awe and Splendor,” a profile from our centennial issue: www.vqronline.org/spring-2025/...
Awe & Splendor, Tom Bissell, Profile. Art by Joe Gough Most screenwriters, even very good screenwriters, go to their graves without having imprinted a single line of dialogue onto the American cultural consciousness. Goldman did so multiple times. One of his most lasting and influential aperçus wasn't found in any script. It came, instead, from his book Adventures in the Screen Trade: Nobody knows anything.
Reposted by Virginia Quarterly Review
winwinirwin.bsky.social
This is one of those Rare Things: a piece about a game that's beautifully written and meaningful (+ readable) to those beyond its fandom.

Much applause to novelist/professor Joseph Earl Thomas, and to @longreads.com for pointing in its direction.

www.vqronline.org/spring-2025/...
The Game Is Played With Great Feeling
In the back of an Uber creeping down Decatur Street, my driver, Ursa, this short-haired Black woman a generation above me, is reminiscing about last week’s Frankie Beverly concert, slowing down to rep...
www.vqronline.org
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pulitzercenter.org
Grantee George Butler travels back to Syria, after 12 years, to portray a nation rebuilding itself.

These interviews for @vqr.bsky.social showcase how civil society—the bedrock of the Syrian humanitarian response—is flourishing across the country. bit.ly/4nUvbvF
In the Silences Between Caution and Hope
Portraits From a New Syria It’s easy to be cynical about Syria. Westerners have become largely inured to the bad news coming out of the country, where, under the brutal Baathist regimes of Bashar al.....
pulitzercenter.org
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longreads.com
4. "The Game Is Played With Great Feeling" (Joseph Earl Thomas)

"But this is no mere subculture story or travelogue. It’s a journey under the skin, an investigation of why the game has become such a specific kind of phenomenon."

www.vqronline.org/spring-2025/...
The Game Is Played With Great Feeling
In the back of an Uber creeping down Decatur Street, my driver, Ursa, this short-haired Black woman a generation above me, is reminiscing about last week’s Frankie Beverly concert, slowing down to rep...
www.vqronline.org
vqr.bsky.social
Executive editor Allison Wright and editorial assistant Julia Mathas peek behind the curtain of VQR’s formative years in this snapshot from the magazine’s archives, the first in a series that will unfold throughout the year. Tour the vault with them: www.vqronline.org/spring-2025/...
Touring the Vault, essay by Allison Wright & Julia Mathas
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pulitzercenter.org
Grantee @louiepalu.bsky.social is taking an alternative approach to political photography.

"What might be gained by revealing the architecture behind these constructed moments of political life?”

Learn more in this “visual column” for the @vqr.bsky.social.
👉 bit.ly/44w7TVt
Senator Cory Booker (D-N.J.) at a hearing of the U.S. Senate Committee on the Judiciary. Capitol Hill in Washington, D.C. Image by Louie Palu. United States, 2024.
vqr.bsky.social
Days after the fall of Bashar al-Assad’s regime, George Butler went to Syria. “In the Silences Between Caution and Hope” is a collection of portraits of a society reckoning with what it means to be free. In partnership with @pulitzercenter.bsky.social: www.vqronline.org/spring-2025/...
In the Silences Between Caution and Hope, portfolio by George Butler, with a hand-drawn portrait of a man surrounded by objects Text reads, "Abu Sham, caretaker, gravedigger, Homs. We are affected by all these dead because they are our sons, our people. And they were fighting for us, fighting the regime."
vqr.bsky.social
ICYMI:
vqr.bsky.social
Our centennial issue is online today, featuring essays from Joseph Earl Thomas, Leslie Jamison, and Tom Bissell; portfolios from Syria by George Butler & Columbia University by Nina Berman; fiction by Etgar Keret & Karan Mahajan, poetry by Victoria Chang, and more: www.vqronline.org/spring-2025
The number 100 in orange and blue, made of paper cut-out letters, decorated with figures representing VQR's past