Washington City Paper
@wcp.bsky.social
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Member-supported community newspaper with reporting on Washington, D.C. culture, food, arts, sports, and politics.
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“At its heart, this year’s Fall Arts Guide is an ode to hyperlocal creativity and the ways in which our scenes not only survive but thrive in the worst of times.”

Arts editor @sarahmarloff.bsky.social welcomes you to the 2025 guide:
How To Make a Scene: Welcome to City Paper’s 2025 Fall Arts Guide
This year’s guide is an ode to local creatives and the ways art not only survives but thrives in the worst of times.
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As he approaches 40 years with WCP, @darrow-m.bsky.social is digging into his archive. All of the photos predate his move to digital cameras and were shot, developed, and printed in the series of darkrooms he built over the years. Read about the project and catch up on the shots you missed:
Postcards From Home: Photographs From an Unpublished Book
As I approach 40 years of photographing D.C., I’m returning to my archive that shows Washington beyond the monuments.
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Guillermo del Toro isn’t the only one paying homage to Frankenstein this spooky season. In D.C., Bob Bartlett and Rorschach Theatre Company are staging Mary Shelley-themed shows that go beyond 200-year-old tale.

Critic Chris Klimek takes a closer look:
Unholy Resurrections Are Better in Pairs: A Tale of Two Frankensteins
This spooky season, it’s not just Guillermo del Toro who’s paying homage to the master. In D.C., Bob Bartlett and Rorschach Theatre Company are both producing Mary Shelley-themed productions.
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Four local productions confront America’s past oppressions, racial stereotypes, and immigrant stories with humor and heart.

“To choose to tell true history in this moment is an act of bravery, when it shouldn’t be,” says one director. Full story:
This Fall, Local Theaters Stage Forgotten Histories for Americans of Color
As the federal government attempts to whitewash U.S. history, four shows confront the country’s violent past and immigrant stories with humor and heart.
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There’s a 140-year-old farmhouse in Northeast D.C. known as the Sherwood Farmhouse. It’s been home to farmers, nuns, Jesuit radicals, and Howard theologians. Now vacant for a decade, its legacy is one of happy accidents, preservation efforts, and interracial activism. Tanya Paperny tells its story:
On Places: The Inhabitants of Sherwood Farmhouse Represent a Microcosm of D.C. History
Brookland’s Sherwood Farmhouse, built in 1885, has stood vacant since 2015, hidden from public view. It survives thanks to practical necessity, happy accidents, intentional preservation, and…
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In The Great Privation, two mother-daughter duos—one in 1832, one today—share ancestral trauma buried beneath their feet.

Nia Akilah Robinson’s ambitious drama explores intergenerational trauma with chilling historical details, magical realism, and note-perfect performances.
The Great Privation Honors the Dead—and the Living Left Behind
An ambitious play from Nia Akilah Robinson explores the echoes of ancestral trauma through a dual narrative with a touch of magical realism.
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The team of local creatives behind DIY nightclub 618 are packing up and moving into the former Rock & Roll Hotel space on H Street NE.

Transmission, a queer-owned, inclusive, multipurpose venue, opens Oct. 3 with a two-day grand opening party featuring local DJs and bands. More info:
Where the Rock & Roll Hotel Once Stood, Transmission Rises
618 Productions, the company behind the DIY nightclub 618, is opening a new venue in the space that formerly housed the H Street NE spot.
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One Battle After Another is Paul Thomas Anderson’s most mainstream film to date with car chases, shoot-outs, and star power.

“The premise and actors are a Trojan horse, allowing Anderson to make an intense, undeniably prescient movie.” Alan Zilberman reviews:
One Battle After Another Is a Thrilling Joint of Political Cinematic Energy
Paul Thomas Anderson’s latest uses action, star power, and film history to make something that speaks to our current moment.
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Since Trump took over the Kennedy Center, decades-long jazz programmers have been fired, performers heckled, and the only confirmed jazz booking is a WWII-era big band.

Columnist Michael J. West looks at the state of jazz at the KenCen:
Swing Beat: The Future Looks Bleak for Jazz at the Kennedy Center
The performing arts institution has let its music programmers go, and currently its jazz season is composed of one WWII-era big band.
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Arena Stage’s Damn Yankees revisal, directed by Sergio Trujillo, adds new layers, a modern timeline, and standout performances to the 1955 musical. But can you teach an old musical new tricks? D.R. Lewis reviews:
Damn Yankees at Arena Stage Tests a New Swing
Can you teach an old musical new tricks? This handsome revisal, directed by Sergio Trujillo, adds new layers and raises plenty of questions.
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Tenants in Columbia Heights were promised 20% ownership of their apartment community by two affordable housing developers. Three years later, they’re facing mold, rodents, disrepair, and drastically reduced equity. “He love-bombed us,” one resident says. Full story:
‘He Love-Bombed Us’: Urban Village Tenants Say They Were Duped By Affordable Housing Developers
Tenants believed they would own 20 percent of the apartment community. But the two developers are now accused of turning a community jewel into a neglected property where “mold allowed to grow like…
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For D.C. singer-songwriter Roba Djalleta, Virginia really is for lovers.

Her new EP Lover’s Virginia documents the pivot between her teens and 20s—a time when she established herself in the local music scene and came out as transgender.

Contributor Taylor Ruckle on Djalleta’s journey:
Mapping out a Lover’s Virginia with Roba Djalleta of Berra
From Florida to New Hampshire, the D.C. singer-songwriter’s latest EP is a travelogue of her early adulthood.
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Adapted from Manuel Puig’s 1976 novel, Kiss of the Spider Woman follows two cellmates in an Argentine prison who find love during a turbulent time.

GALA’s Spanish-language revival is “inspired theater that resonates anew,” writes critic Daniella Ignacio.
GALA Hispanic Theatre’s Intimate Kiss of the Spider Woman Bravely Reflects and Revolts
José Luis Arellano directs an inspired remount of GALA’s landmark 1994 Spanish-language production of Kiss of the Spider Woman.
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Columnist Hannah Grieco sits down with Chet’la Sebree and Susan Coll, two local writers whose latest releases “offer us the perfect snapshot of the beautiful complexity that the D.C. literary scene offers to readers.”

Plus more local reads for your TBR and upcoming lit events:
Spot LIT: Local Writers Chet’la Sebree and Susan Coll Discuss Their September Releases
Their books couldn’t be more different but they're equally compelling; plus more new releases on our radar and upcoming lit events.
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Merry Wives relocates William Shakespeare’s The Merry Wives of Windsor to present-day Harlem for an upbeat celebration of West African culture and community. Critic Chris Klimek calls STC’s production “a feast for the eyes.”
Merry Wives: From Windsor to 116th Street
Shakespeare Theatre Company’s West African-inflected Merry Wives turns an ancient farce into a celebration of 21st century community.
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The History of Sound follows the same trajectory as Brokeback Mountain, with Paul Mescal and Josh O’Connor as folk-obsessed ethnomusicologists instead of cowboys. But critic Alan Zilberman found it “dramatically inert.” His review:
Paul Mescal and Josh O’Connor Do Good Work, But They Can’t Save The History of Sound
The historical romance is like a pale imitation of Brokeback Mountain, with folk-obsessed ethnomusicologists replacing cowboys.
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The latest Postcards From Home, @darrow-m.bsky.social's unpublished book capturing two decades of D.C. life on film. The book never materialized, but Darrow’s revisiting the project with new eyes.
Postcards From Home: Photographs From an Unpublished Book
As I approach 40 years of photographing D.C., I’m returning to my archive that shows Washington beyond the monuments.
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Theater Alliance’s dark comedy is set in an unknown time and place where being a low-wage worker is even worse than it is here and now. “It’s a radical and red-hot reflection on the absurdity of needing to make a living or die trying,” writes critic Stephanie Rudig.
Theater Alliance’s fire work Laughs and Cries at Capitalism
The tragicomedy fire work offers a red-hot reflection on the absurdity of needing to make a living or die trying.
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From go-go in Anacostia to salsa in Mount Pleasant, Art All Night brought all eight wards together for a weekend of art, celebration, and resistance.

“You have to find joy in this moment,” says Free DC co-founder Kelsye Adams. And they did:
Art All Night: D.C. Remains Joyful and Resilient in the Face of Federal Overreach
The annual event looked (and felt) a little different this year, but D.C.’s artists continue to show up—first and foremost, for each other.
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Zines have always been central to D.C.’s punk and indie music scene, connecting fans and fueling movements. Now, they’re back.

Contributor Taylor Ruckle looks at the resurgence of zines—the “paper boom,” as one zine maker calls it.
Making a Zine: Keeping D.C. Music and Its Meaning in Print
In the hardcore punk scene and beyond, local zine makers build community and support movements through self-publication.
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A last-minute amendment to the RENTAL Act from At-Large Councilmember Anita Bonds exempts small buildings from TOPA. Opponents worry it opens a loophole for landlords. Full story:
Anita Bonds’ Eleventh-Hour Amendment Strips Tenant Rights From Thousands of Renters Without Warning or Much Debate
Opponents worry Bonds has provided a loophole for landlords.
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