Westeros
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Westeros.org, the premiere resource for all things A Song of Ice and Fire. Co-authors of NYT Bestsellers THE WORLD OF ICE AND FIRE and RISE OF THE DRAGON.
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Show Runner on Knight of the Seven Kingdoms, Upcoming NYCC Appearance
Entertainment Weekly has the first exclusive interview with Knight of the Seven Kingdoms show-runner Ira Parker, ahead of the first public preview of the show at New York Comic Con this coming Thursday during the panel, “HBO / HBO Max presents A Knight of the Seven Kingdoms – Journey into Westeros with Dunk and Egg”. In the interview, a few interesting points come up. Front and center is the fact that for thematic reasons, this show will not open with the expansive opening title of its predecessors, but a simple title card before launching right into the story. Parker states to EW: “All decisions came down to Dunk, trying to channel the type of person he is into every aspect of this show, even the title sequence… The title sequences on the original [Game of Thrones] and House of Dragon are big and epic and incredible. Ramin Djawadi’s score is orchestral and large and beautiful. That’s not really Dunk’s M.O. He’s plain and he’s simple and he’s to-the-point. He doesn’t have a lot of flash to him.” Parker then goes on to note that he promised George R.R. Martin that, per EW, “he would never shift to a perspective of anyone in the upper class. Viewers will always stick with Dunk, Egg, and this lower rim of Westeros society: the armorers, the performers, the barmaids, the whores, and the like.” And then he says some rather interesting things about the state of House Targaryen at the time of the tourney at Ashford. More on that below, plus how to watch the panel livestreamed courtesy of Popverse!   read on >>>
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westeros.org
Show Runner on Knight of the Seven Kingdoms, Upcoming NYCC Appearance
Entertainment Weekly has the first exclusive interview with Knight of the Seven Kingdoms show-runner Ira Parker, ahead of the first public preview of the show at New York Comic Con this coming Thursday during the panel, “HBO / HBO Max presents A Knight of the Seven Kingdoms – Journey into Westeros with Dunk and Egg”. In the interview, a few interesting points come up. Front and center is the fact that for thematic reasons, this show will not open with the expansive opening title of its predecessors, but a simple title card before launching right into the story. Parker states to EW: “All decisions came down to Dunk, trying to channel the type of person he is into every aspect of this show, even the title sequence… The title sequences on the original [Game of Thrones] and House of Dragon are big and epic and incredible. Ramin Djawadi’s score is orchestral and large and beautiful. That’s not really Dunk’s M.O. He’s plain and he’s simple and he’s to-the-point. He doesn’t have a lot of flash to him.” Parker then goes on to note that he promised George R.R. Martin that, per EW, “he would never shift to a perspective of anyone in the upper class. Viewers will always stick with Dunk, Egg, and this lower rim of Westeros society: the armorers, the performers, the barmaids, the whores, and the like.” And then he says some rather interesting things about the state of House Targaryen at the time of the tourney at Ashford. More on that below, plus how to watch the panel livestreamed courtesy of Popverse!   read on >>>
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westeros.org
Stephen Colbert shared with Jimmy Kimmel that GRRM was among the many who reached out and wished him well after the news broke that his show was being ended next year. "He sent me THE WINDS OF WINTER", he joked.

youtu.be/A2BztkCRoEc?...
Jimmy Kimmel Shares The Minute-By-Minute Details Of Finding Out ABC Was Taking Him Off The Air
YouTube video by The Late Show with Stephen Colbert
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westeros.org
Just wanted to say that I stumbled across this old post of yours while searching for something. I'm glad you found some fellowship and kindness on the forum, and hope you're doing well!
westeros.org
From yesterday,
House of the Dragon Makeup Artist on His Career, Season 3
The latest episode of The Stuff Dreams Are Made Of podcast, co-hosted by House of the Dragon show runner Ryan Condal and his friend and fellow prop collector David Mandel—whose credits include Seinfeld, Veep, and White House Plumbers—features prosthetics artist Waldo Mason, who joins them to discuss his career, creative process, and some behind-the-scenes teases from House of the Dragon Season 3 where he works as the lead makeup special effects artist. Waldo Mason is a legendary figure in prosthetics, with a career spanning over thirty years. His work has brought creatures, wounds, and faces to life in films like Saving Private Ryan, Band of Brothers, the Harry Potter series, Game of Thrones, and Rogue One. He’s also a worked on a number of Ridley Scott productions going back to Gladiator (he has some frank remarks to make about a certain star’s behavior on set at the time), as well as Kingdom of Heaven and Prometheus. In the episode, there’s a fun moment where Ryan hints there’s something in Season 3 he’d like to “liberate” for his own collection—prompting Waldo to laugh and ask, “Well, is it large?” Apparently not, but Ryan and he would confer about there maybe needing to be two of what object he was interested in. Waldo also shares that he was particularly eager to sculpt two specific heads this season. One didn’t appear in the initial brief, to his disappointment—but it sounds like it made it into the revised plan after all. See below for our guess, and beware spoilers drawn from Fire and Blood!   read on >>>
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