The Yale Review
@yalereview.bsky.social
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“A great contrast to the usual magazine.” —Virginia Woolf Quarterly in print, weekly online. Join a conversation 200 years in the making. Read the latest: https://yalereview.org/ Subscribe: https://shop.yalereview.org/
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Our Fall 2025 issue is here! Read new work from this year’s Windham–Campbell Prize winners, including Anne Enright, Sigrid Nunez, and Tongo Eisen-Martin, plus work from previous prize recipients, and much more. yalereview.org/issues/fall-...
yalereview.bsky.social
"I broke
into a house
I thought
abandoned
& wrote
my first poem
on its walls"

— Aldo Amparán, "In My Terrible Years"
yalereview.org
yalereview.bsky.social
"I stoned
all the windows
in my brother’s
elementary
ditched my classes
daily leaking
into the streets”

From "In My Terrible Years" by Aldo Amparán, TYR's Poem of the Week:
Aldo Amparán: “In My Terrible Years”
A poem by Aldo Amparán: “I stoned / all the windows / in my brother’s / elementary”
yalereview.org
Reposted by The Yale Review
yalereview.bsky.social
"For all of Dorothy Parker’s quips about cocktails and Bukowski’s bromides about beer, Fitzgerald’s prose alcohol content remains unmatched." Amid a cultural turn to sobriety, Sloane Crosley rereads the original “poet inebriate.”
Sloane Crosley: “How Sober Should a Writer Be?”
Sloane Crosley on F. Scott Fitzgerald’s On Booze and the state of American drinking culture.
yalereview.org
yalereview.bsky.social
With alcohol consumption in America at historic lows, is the boozy-author archetype a thing of the past? For our Essay of the Week, Sloane Crosley traces how Fitzgerald endures as its brightest—and bleakest—example.
Sloane Crosley: “How Sober Should a Writer Be?”
Sloane Crosley on F. Scott Fitzgerald’s On Booze and the state of American drinking culture.
yalereview.org
yalereview.bsky.social
"Is there even such a thing as land? Fragmentation is our anthem."

— Robin Coste Lewis, “’She Held A Dove Whose Tail Survives’: Self-Portrait as the Acropolis"
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yalereview.bsky.social
"I wanted the form, the sentences, the paragraphs to take the form of spirals, never reaching closure."

Neige Sinno on SAD TIGER, which was recently long listed for the National Book Award.
A Shakespeare and Company Interview: Neige Sinno on her memoir Sad…
Shakespeare and Company’s Adam Biles discusses form, memory, childhood sexual abuse, and the paradoxes of testimony with novelist and memoirist Neige…
yalereview.org
yalereview.bsky.social
"I am red. Eros pulls me by the hand. More birds. Who is the sacrifice, my body or my mind?"

— Robin Coste Lewis, “’She Held A Dove Whose Tail Survives’: Self-Portrait as the Acropolis"
yalereview.org
yalereview.bsky.social
The best new writing here—and there.

We've partnered with @grantamag.bsky.social to bring you a joint subscription deal. One year of the best writing from the U.K. and the U.S. for a special price.

Subscribe: subscribe.granta.com/store/produc...
yalereview.bsky.social
"Is there even such a thing as land? Fragmentation is our anthem."

From “’She Held A Dove Whose Tail Survives’: Self-Portrait as the Acropolis,” by Robin Coste Lewis, TYR's Poem of the Week:
yalereview.org
yalereview.bsky.social
"It is still very mysterious to me how someone crosses the threshold into evil."

From our new collaboration with Shakespeare and Company: an interview with Neige Sinno on her book SAD TIGER.
A Shakespeare and Company Interview: Neige Sinno on her memoir Sad…
Shakespeare and Company’s Adam Biles discusses form, memory, childhood sexual abuse, and the paradoxes of testimony with novelist and memoirist Neige…
yalereview.org
yalereview.bsky.social
Final hours! Submissions close tonight at 11:59 PM ET.
yalereview.bsky.social
Last call for submissions! 🚨 Send us your work by Tuesday, September 30 at 11:59 PM ET.

theyalereview.submittable.com/submit
Reposted by The Yale Review
Reposted by The Yale Review
shakespeareandcompany.com
We’re so happy to be teaming up with The Yale Review to make some of our best in-store conversations available to read. The first instalment is with the brilliant Neige Sinno whose SAD TIGER is currently shortlisted for the National Book Award.
yalereview.bsky.social
We’re thrilled to announce a new partnership with @shakespeareandcompany.com, the legendary Paris bookshop. TYR will publish select transcripts from the shop’s author events. The inaugural installment features Neige Sinno on SAD TIGER—and the paradoxes of story and memory.
A Shakespeare and Company Interview: Neige Sinno on her memoir Sad…
Shakespeare and Company’s Adam Biles discusses form, memory, childhood sexual abuse, and the paradoxes of testimony with novelist and memoirist Neige…
yalereview.org
yalereview.bsky.social
We’re thrilled to announce a new partnership with @shakespeareandcompany.com, the legendary Paris bookshop. TYR will publish select transcripts from the shop’s author events. The inaugural installment features Neige Sinno on SAD TIGER—and the paradoxes of story and memory.
A Shakespeare and Company Interview: Neige Sinno on her memoir Sad…
Shakespeare and Company’s Adam Biles discusses form, memory, childhood sexual abuse, and the paradoxes of testimony with novelist and memoirist Neige…
yalereview.org
yalereview.bsky.social
Last call for submissions! 🚨 Send us your work by Tuesday, September 30 at 11:59 PM ET.

theyalereview.submittable.com/submit
yalereview.bsky.social
"I stood though
dumbstruck, not knowing, not knowing yet
that I am a hand and my sex
is a hand."

— Sophia Dahlin, "Glove Money":
yalereview.org
Reposted by The Yale Review
sophiadahlin.bsky.social
Title poem from Glove Money is @yalereview.bsky.social poem of the week!
yalereview.bsky.social
"I thought how erotic,
how could it be so erotic, how secret
that her necklace touches her, she wears the touch
in public."

— Sophia Dahlin, "Glove Money":
yalereview.org
yalereview.bsky.social
"I stood though
dumbstruck, not knowing, not knowing yet
that I am a hand and my sex
is a hand."

— Sophia Dahlin, "Glove Money":
yalereview.org
yalereview.bsky.social
We’re thrilled to see two TYR contributors—Susan Choi and Katie Kitamura—on the @thebookerprizes shortlist! 🎉

Read their latest work in our Summer 2025 issue: yalereview.org/issues/summe...
thebookerprizes.com
Presenting the #BookerPrize2025 shortlist.

Find out more about the books and authors: thebookerprizes.com/bp2025
yalereview.bsky.social
Submissions close one week from today! Send us your poems, stories, essays, and translations by September 30. theyalereview.submittable.com/submit
yalereview.bsky.social
The best new writing here—and there.

This autumn, we've partnered with @grantamag.bsky.social to bring you a joint subscription deal. One year of the best writing from the U.K. and the U.S. for a special price.

Subscribe: subscribe.granta.com/store/produc...
Text reading "The best new writing here" with a hand pointing right to three covers of The Yale Review, and beneath, on a darker blue background "And there" with a hand pointing to three covers of Granta Magazine. Text beneath reads "Two magazines. One special price."
Reposted by The Yale Review
gillywhite8.bsky.social
Took me a min to read Maggie Millner’s gr8 piece in @yalereview.bsky.social, but I’d noted the defensive IG comments when it appeared, which show the lightning speed w which lyric shame circulates. So chuffed she used my work so subtly!! yalereview.org/article/mill... “Is Mary Oliver Embarrassing?”
Maggie Millner: “Is Mary Oliver Embarrassing?”
A reckoning with Mary Oliver’s reputation as an unserious poet explores how her best work has been misunderstood.
yalereview.org