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The LAB, Dublin 1
Siobhán McDonald: Passage
Open from Fri 16 Jan
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Image: photo, probably taken from a drone a hundred metres or so above the beach that we see; we see shallow water and in it there seems to be the remains of a wrecked boat – just an outline from which plantlife, possibly, is sprouting upwards • “Curated by Margarita Cappock  Passage charts a two-hundred-year arc of Dublin’s watery history, shaped by the wetlands. At its heart, the project traces Dublin’s layered identities, exploring water through cultural, historical, and anthropological perspectives. It reimagines the history of Dublin’s waterways, the relationship between submerged sites, shipwrecks, and Dublin’s history as a wetland. The show comprises new video, sculpture, drawing, and sound works, as well as a performance by acclaimed composer Mel Mercier on 16th January 2026. The work calls to mind ancient  myths surrounding the rivers and seas as well their raw and fragile beauty. The presentation of Passage at The Lab is the culmination of a major series of international…”
January 13, 2026 at 1:01 PM
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Temple Bar Gallery + Studios, Dublin 2
Dragana Jurišić: The Last Balkan Cowboy
Opening Thu 15 Jan
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Image: photograph, taken by a lake, probably; sunny – we see a sun reflection in the water, bottom left; a right arm, clad in plaid to mid-forearm, extends in from the left side of the image; it is holding a cowboy hat which appears, more or less, to be on the head of the central figure in the photo; that figure is turned towards the left side of the image, bare left shoulder towards us, long dark hair; blurry trees in the background ¨“The Last Balkan Cowboy is the outcome of Dragana Jurišić’s long-term research project following the footsteps of cult Yugoslavian film director, Hari Džekson. Renowned for his interpretation of Wild West genre archetypes, Džekson lived a cowboy fantasy inspired by the rugged landscapes of Bosnia Herzegovina, and the conflicts across borders and race that led to the fragmentation of a nation. Jurišić mythologises Džekson’s legacy in the aftermath of the Balkan war. She is drawn to the symbolism of a wandering outsider roaming the landscape for…”
January 13, 2026 at 9:30 AM
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Shows etc. opening / closing this week

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January 12, 2026 at 10:01 PM
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Wexford Arts Centre, Wexford
Ann McCafferty: Wexford’s Wonderful Coastline
Closing Thu 15 Jan
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Image: Ann McCafferty: Left: Peat Ponds, 2025, digital print on photographic paper; Right: Seaweed Cakes, 2025, digital print on photographic paper | two photos side by side; the left photo shows an unusual combination of islands of stones among islands of raw peat among pools of water; subdued colours on a bright day; the second photo is of clumps of seaweed in shallow water, possibly at a sandy beach; filaments coming from the clumps are a strong orange • “A solo photography exhibition by Ann McCafferty During the lovely summer of 2025, I spent many days by the sea, in particular at a special beach from my childhood days - Ballytrent. On one of my many walks when the tide was out, I noticed what I thought was a sandbank in the distance. When I explored further I was presented with a wonderful array of golden seaweed (not sand). This was surrounded by rocks covered in vivid lime green sea grasses lazing in amazing shapes over rocks. Close to all this wonder were large knotty…”
January 12, 2026 at 4:18 PM
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Atypical Gallery, Belfast
twixt – group exhibition
Open from Wed 14 Jan
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Image: photo a figure of whom we just see head and bare shoulders with white top; the head, though, is a bright yellow funky house with a shape for a nose and a hole for the mouth, in which we see lips making an O; there are trees / bushes behind and a blue sky • “Edel Murphy, CEO and Artistic Director says that the group exhibition ‘twixt takes its name from the notion of being in between, at an interval and interweaving. Recipients of our d/Deaf and Disabled Support Fund grant programme have used the funding to deliver new pathways towards their own goals, some artists pursuing experimental directions or new ambitions - each at their own stage of development and discovery between concept and realisation. ‘twixt showcases the work of some of our twenty d/Deaf and Disabled Artists Support Fund 2025 (DDASF) awardees, including Darlene Corry, Elly Makem, Emma Brennan, Eve Belle, Finn Nichol, Hana Abri Smith, Indigo Azidahaka, Jamie Baker, Jayne Cherry, Kate Guelke, Brian McAvera…’
January 12, 2026 at 9:03 AM
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Limerick City Gallery, Limerick
Director’s Cut
Closing Sun 11 Jan
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Image: installation shot at LCGA – five artworks on three walls, parquet floor, doorway into another exhibition room, ‘LCGA Permanent Collection 2015 – 2025’ in black letters on the wall facing us; walls white • “Selected works from the Permanent Collections running to end of November 2025"
January 8, 2026 at 2:45 PM
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GOMA Gallery of Modern Art, Waterford
Lunatraktors: Our Deepest Apologies
Open from Sat 10 Jan
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Image credit: Joe Lang | photo of (presumably) two figures outside on a slightly wet cobbled street; each figure is entirely draped with strips of traffic / warning / safety tape of different colours • “In Our Deepest Apologies, Carli Jefferson and Clair Le Couteur bring together nine years of Lunatraktors practice, moving between costume, video, audio, sculpture, performance and installation. The root of ‘apology’ is apologia-a formal defense of ideas, beliefs, or actions, rather than an expression of regret. At the heart of Lunatraktors’ work is a similar tension: how do we grapple with the past? How do we connect to heritages so tainted with imperial violence and misrepresentation? Who have we been, who are we now, and who might we become? Please join us at GOMA Waterford on Saturday 10th January 2026 from 6-8pm for the official launch of Our Deepest Apologies, with an opening night reception and performance by Lunatraktors. Entry is free and all are welcome!…”
January 8, 2026 at 10:22 AM
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SIRIUS, Co. Cork
Artem Trofimenko: FXILE
Exploration Sat 10 Jan
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Image: Artem Trofimenko: FXILE | this appears to be a double-exposed black-and-white photo; it appears to show two people standing at some railings looking out to sea Artem Trofimenko is a Ukrainian Irish artist based in Cork City. His practice encompasses moving image, performance, photography, and sound, employing the body through endurance and spirituality. He experiments with analogue film, darkroom processes, found light, and sound design. Artem has a background in theatre and dance, including Butoh, which informs his engagement with various media and investigations of themes of displacement. He explores how memory and perception inhabit the body, as well as how the act of seeing constitutes a form of exile. FXILE is a somatic exploration of the SIRIUS building and its surroundings. It features audio-visual elements and live outputs that examine the relationships among self and architecture, stillness and movement, and land and water. The works elicit moments of communion…”
January 7, 2026 at 1:01 PM
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Royal Hibernian Academy, Dublin 2
Eimearjean McCormack: Survey Series
Opening Thu 8 Jan
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Image: Eimearjean McCormack, Survey series, Silkscreen on Somerset paper, Image courtesy of the artist | against a dark cyan background we see leaves of a plant, maybe a thistle? on the left side of the image, and a single large leaf, possibly, of a tree, possibly; the coloration of these leaves is pale cyan; the leaves on the left also have a pale grid behind them; the effect is somewhat that of a cyaotype • “McCormack’s exhibition captures fleeting beauty and memory, inviting reflection on the delicate world around us. McCormack’s show will address a variety of themes, from intimate moments of reflection to broader glimpses of fleeting beauty, weaving a unified narrative that encourages viewers to contemplate the delicate nature of our environment and delve into the subtle complexities of the world we live in. She is interested in how repetition can evoke the dissolution of memory and how art can function as a record of both the process and the mind’s reflection. Eimearjean…”
January 7, 2026 at 9:02 AM
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The LAB, Dublin 1
Missy Brinkmeyer: Seen
Closing Sat 10 Jan
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Image: photo; head and upper body of a figure sitting in what may be a pub window; smiling somewhat; lower-lip and nose rings, long hair, long lashes, leopard-print furry coat • “Curated by Margarita Cappock Missy Brinkmeyer’s practice is grounded in how we navigate each other in public—inhabiting space together while remaining separate. The resulting photographs feel like encounters with empathy itself: driven by instinct and emotional intelligence, a form of quiet contact. As the artist herself says "separation is just an illusion, we are all connected". We are seen. For Seen, curator Margarita Cappock focuses mainly on images from central Dublin, including the area around the gallery. It is not intended as a conclusive statement on Brinkmeyer’s practice, but as one way to slice through her prolific image-making and reveal something about how she works. – Neva Elliott Missy Brinkmeyer has shown internationally in the US, EU, and UAE, as well as, and prominently in, Ireland…”
January 6, 2026 at 3:37 PM
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Kevin Kavanagh, Dublin 8
Urban Myth
Opening Thu 8 Jan
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Image: the words URBAN MYTH in capitalised serif sky-blue font against a grey background; a horizontal sky-blue line comes in from the left to the base of the U and a line departs from the right bottom of the H to the right edge of the image; the words are one above the other but displaced horizontally such that the M is just left of the N • “Urban Myth: Michael Boran | Elaine Byrne | Gary Coyle | Dragana Jurišić | Sean Lynch | Scott Nokia | Adrian O’Carroll | Izabela Szczutkowska Kevin Kavanagh presents 'Urban Myth', a group exhibition of photography by gallery and invited artists. These artists demonstrate the changing role of photographs in our digital world. No longer just records of the real or of a moment in time, they have become the basis of our modern folklore. Where once we gathered round the fire to share stories, now we pass images from screen to screen. For all the solidity of the phone in our hand, these images flow by in a turbulent stream. As urban myths, this…”
January 6, 2026 at 11:15 AM
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Solomon Fine Art, Dublin 2
Tim Morris: Boxcars
Opening Thu 8 Jan
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Image: Tim Morris: Boxcar 8, bronze, unique 12 x 25 x 12cm | photo of a bronze object – a boxcar viewed from the side, only the patterning of the surfaces if very much like you would see with cardboard, where parts of the surface have been torn away to reveal the rilling; the view is from the side; the wheels look almost like biscuits; the background is a photo-studio white with soft shadows • "Solomon Fine Art is delighted to present an exhibition of sculpture by artist Tim Morris. Boxcars is an installation of over 200 unique bronze structures which the artist has been creating since 2020. Conjuring images of transport, trade and travel these Boxcars sit in wait, stationary yet charged with history, intrigue and anticipation. Constructed of discarded corrugated cardboard and cast in bronze, Morris began building boxcars during lock-down. The project, initiated to occupy the artist and to express a sense of ‘waiting’ during that prohibitive time has continued, with some boxcars…”
January 5, 2026 at 1:52 PM
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Triskel Arts Centre, Cork City
Conor O’Brien
Closing Wed 7 Jan
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Image: organic shapes, a bit like cells, spotted, pinks against a white background • “Exploring the relationship between transgender bodies and the alien-other of science fiction & horror, Conor’s paintings act as a gateway to a dimension occupied by divine queer bodies. With Trans & Genderqueer bodies being weaponised politically by right wing movements worldwide, the discussion around trans identity in media, which largely seems to ignore or underrepresent trans voices, has reduced the issue to ‘us’ and ‘them’. This dehumanises and alienates trans people, who instead become a scapegoat to be feared, rather than individuals to be understood.” Abjection as termed by Julie Kristeva in her book Powers of Horror refers to that which does not “respect borders, positions, rules,” instead “disturbs identity, system, order”. Conor’s work looks to utilise this concept of Abjection as a liberatory field to explore ways of being that challenges paternal law. The bodies that appear in these …
January 5, 2026 at 10:30 AM
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Molesworth Gallery, Dublin 2
Winter Group Show
Closing Tue 23 Dec
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Ronnie Hughes: Blooshown, 2024, acrylic co-polymer on plywood, 54.5 x 52cm | a solid strong blue swirls around the canvas against a background of strong yellow – think Ukrainian or Swedish flag. bit very swirly • “We’re delighted to present a group exhibition of work by gallery artists. Gabhann Dunne's solo show continues on the ground floor.”
December 23, 2025 at 1:00 PM
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Taylor Galleries, Dublin 2
Banbha McCann
Closing Wed 24 Dec
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Image: Banbha McCann: Floating Pair II, oil on linen, 24 x 30cm2024 | by the looks of it, very competent rendering, with minimal number of marks, two ducks; raw canvas; ducks are viewed somewhat from above; they are close, black, white beaks; they appear to be circling each other in the water • More information to follow.
December 23, 2025 at 9:00 AM
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Solomon Fine Art, Dublin 2
Winter Group Show: Gallery & Invited Artists
Closing Tue 23 Dec
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Image: Stephanie Hess, Polaris, bronze, edition of 9, 30 x 35 x 18cm | photo, side view of a polar bear (probably) with its cub, which is in front of it body faced away but head turned up to look at its mother who is sitting behind the cub; patinated (?) – swirls of pale colours, it would look like the surface of ice if it were not covering the shape of a bear; grey ‘photo studio background’ background • "Solomon Fine Art is delighted to host its annual Winter Group Exhibition showcasing painting, sculpture and print by a range of renowned and celebrated Irish artists. Exhibiting artists include Margo Banks, Jean Bardon, John Behan, Leah Beggs, Comhghall Casey, Julie Cusack, Serena Caulfield, Tom Climent, Clifford Collie, Eamon Colman, Julie Cusack, Orla de Brí, Ana Duncan, Margaret Egan, Bridget Flinn, Stephanie Hess, Carol Hodder, Kate MacDonagh, Bernadette Madden, Maggie Morrisson, Manar Mervat Al Shouha, Eilis O'Connell, Johnanna O'Connor, Helen O'Connor, Helen O'Sulliovan…”
December 22, 2025 at 3:20 PM
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Molesworth Gallery, Dublin 2
Gabhann Dunne: Among the Small Trees
Closing Tue 23 Dec
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Image: Gabhann Dunne, 'Through the tannin', oil on gesso panel, 18 x 24cm | close-up of the head of a swimmer who is facing towards the right side of the canvas; we see reflections in the water – strong coloration on face and in the reflections; vigorous execution of the paintwork, some scratching into the paint in parts; grey suggested-in background • "The limpid colour palette in Dunne's work gives it a visionary, almost poetic quality. Topographical features, figures, buildings and animals emerge from a richly-opaque ground, conjuring a hauntingly-beautiful parallel world. He uses this romantic landscape to critique humanity's annexation of the natural world and our displacement of other species, often appropriating and re-working found imagery to complement his invented narratives. Dunne is a former winner of the RDS Taylor Art Award and the Hennessy Craig Scholarship at the Royal Hibernian Academy. He was described by Cristín Leach - writing in The Sunday Times - as 'one of…”
December 22, 2025 at 1:00 PM
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Kerlin Gallery, Dublin 2
Winter Warmer 25
Closing Tue 23 Dec
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Image: Elizabeth Magill: Startime, 2021, oil on canvas, 41 x 51 cm / 16.1 x 20.1 in | dark-blue moonless sky studded with simple stars; against this a few trees are black silhouettes, in particular one (or maybe more) towards centre-right of the painting, filling most of the right side of the image • “Featuring a selection of unique pieces, editions and small artworks by: Phillip Allen, Gerard Byrne, Dorothy Cross, Willie Doherty, Aleana Egan, Mark Francis, Richard Gorman, Guggi, Callum Innes, Jaki Irvine, Merlin James, Sam Keogh, Samuel Laurence Cunnane, Elizabeth Magill, Brian Maguire, Eoin Mc Hugh, Stephen McKenna, Ailbhe Ní Bhriain, Isabel Nolan, Hazel O’Sullivan, Kathy Prendergast, Daniel Rios Rodriguez, Sean Scully and Marcel Vidal. On display at Kerlin Gallery until 23 December.”
December 22, 2025 at 11:00 AM
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Uillinn: West Cork Arts Centre, Co Cork
Vicki Davis: Out of the Darkness, There Comes Light
Closing Mon 22 Dec
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Image: photo in which we see a figure, presumably the artist, in what seems to be a cross between a music-performance space and a studio; musical equipment, especially possibly a cello lying on its side towards the back wall; the figure seems to be weaving / unwinding / dunno wool or threads, arms wide, in front of a projection onto a sheet or similar on the back wall; the photo is shot from a low angle, almost on the floor; the figure is towards the middle of the image, facing to our right, eyes shut; green sleeveless top and bare arms, purple tracksuit bottom (?), black trainers; and more • “ I will open my studio up to the public daily and will live stream inside the studio on Youtube from 11am - 2pm each day on weekdays. Vicki’s research residency, titled “Out of the Darkness, There Comes Light,” aims to confront and process personal trauma through performance art and painting. This project is an introspective exploration of using the body to release traumatic echoes resulting…”
December 22, 2025 at 9:30 AM
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Royal Hibernian Academy, Dublin 2
Alex de Roeck: Debt Wish
Closing Sun 21 Dec
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Image: Alex de Roeck, Messenger, 2025, Polycaprolactone (PCL), steel, chain, Image courtesy of the artist | photo of what looks like a locker door on a very green wall; square door, open (it just takes a key), and inside we see a strange cross in white foam between a frog / duck / ? and a human, judging by the hands; we just see a head and hands, partially, as though pressed up against glass; there is a strange vertical bar towards the right of the opened space; door and frame around it are metallic black; there is a sticker of some sort on the door • "Alex de Roeck’s 'Debt Wish' examines an indulgence in wellness and self-optimisation in a culture where lifestyle, value and identity are endlessly renewed, quantified and consumed. The neoliberal imperative of self-optimization serves only to promote perfect functioning within the system. Inhibitions, points of weakness and mistakes are to be therapeutically eliminated in order to enhance efficiency and performance. In turn, every…”
December 19, 2025 at 1:19 PM
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Royal Hibernian Academy, Dublin 2
Lelia Henry: Conversations with Trees
Closing Sun 21 Dec
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Image: Lelia Henry. Sadhbh. 2025. Charcoal on paper. 300x140cm. Photograph Dickon Whitehead | drawing of a pretty wasted looking tree, hopefully mid-winter as there are no leaves, just many broken limbs and general tatteredness; all against a white background • "This exhibition presents a series of charcoal drawings by Lelia Henry that explore the intelligence, memory, and emotional presence of trees, inspired by the groundbreaking research of forest ecologist Suzanne Simard. This exhibition presents a series of charcoal drawings of trees influenced by the research of Canadian forest ecologist Suzanne Simard. Simard’s discoveries about the intelligence and social behaviour of trees - their ability to communicate, support one another, and even recognise kin - provide the foundation for this series. Simard’s work reveals that trees communicate, share nutrients, and cooperate - behaviours once thought to belong only to humans - through underground networks of fungi. Her research…”
December 19, 2025 at 10:08 AM
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Royal Hibernian Academy, Dublin 2
A R C H I P E L A G O
Closing Sun 21 Dec
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Image: Agata Stoinska, from the series Echoes of a Dream, 2024; courtesy the artist | a figure is in a what may be a fairly rustic space – rough-bricked high walls, roof rafters sloping upwards, large-ish arch windows on the left, letting in daylight; the figure, in grey top and grey slacks, sandals or bare feet, is holding a large grey pot in which there is a large 'rubber plant' (possibly the wrong name); the leaves of the plant hide the figure’s face, though we do see the hands • “During September and October this year, the RHA will present A R C H I P E L A G O, a major exhibition of Irish photography in its main gallery, featuring seventeen artists, whose practice spans the myriad of themes that concern lens-based culture in Ireland today. Curated by Davey Moor Artists: Conor Horgan*, Jialin Long, Shane Lynam*, Eimear Lynch, Fionn McCann*, Jan McCullough, Malcolm McGettigan*, Yvette Monahan*, Kate Nolan*, Clodagh O’Leary, Ciara Richardson, Daragh Soden, Brían Sparks*…”
December 18, 2025 at 1:57 PM
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Uillinn: West Cork Arts Centre, Co Cork
Vicki Davis: Out of the Darkness, There Comes Light
Closing Mon 22 Dec
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Image: photo in which we see a figure, presumably the artist, in what seems to be a cross between a music-performance space and a studio; musical equipment, especially possibly a cello lying on its side towards the back wall; the figure seems to be weaving / unwinding / dunno wool or threads, arms wide, in front of a projection onto a sheet or similar on the back wall; the photo is shot from a low angle, almost on the floor; the figure is towards the middle of the image, facing to our right, eyes shut; green sleeveless top and bare arms, purple tracksuit bottom (?), black trainers; and more • “ I will open my studio up to the public daily and will live stream inside the studio on Youtube from 11am - 2pm each day on weekdays. Vicki’s research residency, titled “Out of the Darkness, There Comes Light,” aims to confront and process personal trauma through performance art and painting. This project is an introspective exploration of using the body to release traumatic echoes resulting…”
December 18, 2025 at 11:08 AM
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Uillinn: West Cork Arts Centre, Co Cork
Kai Fiáin
Closing Sat 20 Dec
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Image: Jackie Hudson Lalor: A Chronic Pain | it is hard to be certain whether this is a painting or a photo; we see the upper two-thirds of a body lightly clad in a ‘blouse’ that consists of doilies of a few sizes sewn together with gaps; many of the doilies redden from white towards their middle, presumably depicting pain; behind the figure is a wall of ivy • “Selected by Patrick Murphy  With artists living in or from County Meath or County Louth invited to submit works of all disciplines, Solstice Arts Centre, in collaboration with North East Network, is delighted to present the fourteenth SURVEYOR open exhibition. Supporting, valuing, and encouraging artists in the development of their practices and creative careers, the exhibition showcases an overview of contemporary visual arts practice throughout the two counties. This year, Solstice Arts Centre partners with fellow North East Network members, Droichead Arts Centre, Drogheda and An Táin Arts Centre, Dundalk, in a unique…”
December 18, 2025 at 11:01 AM
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Shows etc. continuing this week

#Art #ArtIreland #ArtNorthernIreland #Ireland #NorthernIreland
December 17, 2025 at 3:59 PM