#GirolamodiBenvenuto
LightNews LightNews
mdstamper.bsky.social
“Ritratto di giovane donna (Portrait of a Young Woman)” by Girolamo di Benvenuto (Italian) - Oil on poplar panel / c. 1508 - National Gallery of Art (Washington, DC) #WomenInArt #NationalGalleryofArt #GirolamodiBenvenuto #Benvenuto #ItalianRenaissance #art #artText #arte #RenaissanceArt #ItalianArt
Painted by Italian artist Girolamo di Benvenuto in Siena, Italy around 1508, this portrait turns luxury into biography via a transparent veil, pearls, and jewel-bright pendant that signal wealth, against an empty black backdrop that keeps attention on her steadiness. A young adult woman with very light skin is shown from the chest up. Her body turns slightly while her head tips back toward our right, so she meets us sideways, looking from the corners of brown eyes under faint arched brows. Her features are delicate including a long narrow nose, softly rounded cheeks, and pale pink lips with a hint of dimples and a small cleft chin. Blond hair is drawn back beneath a sheer, gauzy veil that drapes over her shoulders in translucent folds, held by a narrow band around the crown. She wears an asparagus-green gown with a tightly laced bodice over a white chemise. White fabric is pulled through at the shoulders where sleeves would be tied on. The neckline and edges shimmer with gold bands patterned in tiny floral and geometric motifs, echoed by a gold belt at her waist. She wears necklace strand of pearls with a gem-set pendant of red and blue stones ending in three hanging pearls and a second star-linked chain tucked into her bodice. One hand is lifted and lightly cupped near her chest, as if pausing mid-gesture. A painted gold border with knot-like geometry frames the panel. The lifted, lightly cupped hand feels like a practiced pause or an embodied kind of “voice” in a world where many women’s public speech and movement were constrained. Details of her dress like tight lacing and the suggestion of detachable sleeves show fashion as identity and family investment, often linked to portraits made at the threshold of adulthood, even though this woman’s name is unknown. Some painting owners called her “Petrarch’s Laura,” but the painting itself resists any certainty. Instead, it balances ornament with privacy to leave her dignified, present, and intentionally enigmatic.
February 5, 2026 at 4:17 AM
juliusgranstrom.bsky.social
Girolamo di Benvenuto #girolamodibenvenuto
May 3, 2025 at 4:42 PM
juliusgranstrom.bsky.social
Girolamo di Benvenuto #girolamodibenvenuto
March 19, 2025 at 2:58 PM