#Jean-BaptisteGreuze
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“Voluptuousness (Сладострастие)” by Jean-Baptiste Greuze (French) - Oil on canvas / 1789–1790 - Pushkin State Museum of Fine Arts (Moscow, Russia) #WomenInArt #Greuze #18thCenturyArt #Rococo #Neoclassicism #PushkinMuseum #Jean-BaptisteGreuze #artText #arte #EuropeanArt #BlueskyArt #PortraitofaWoman
A young woman turns her bare shoulder toward us, her light skin softly illuminated against a dark, indistinct background. Her auburn curls are loosely gathered with a dark blue ribbon with stars, framing a face that hovers between innocence and allure. She cradles a white dove tightly against her breast, her fingers gently enclosing its body as its head nestles into the curve of her skin while looking up at the young woman. Her lips are parted, her gaze heavy-lidded and turned slightly away, suggesting an absorbed, private reverie. The tight framing, lack of narrative setting, and skyward gaze draw us into an intimate encounter with a singular figure who is both posed and palpably alive, inviting contemplation of her interior state as much as her exposed beauty. French artist Jean-Baptiste Greuze titles this figure not as a named sitter but as an allegory of “Voluptuousness” to make desire itself the subject. The painting belongs to his late career, when changing taste, the rise of Neoclassicism, and the upheavals of the French Revolution had eroded the acclaim he enjoyed in the 1760s for moralizing domestic dramas. Once championed by French philosopher and art critic Denis Diderot as a painter of virtue and feeling, Greuze increasingly relied on smaller, sensual heads and bust-length figures for private collectors. Here, the lingering softness of Rococo sentiment fuses with a more pointed erotic charge: the exposed shoulder, moist eyes, and ambiguous half-smile stage the tension between modesty and seduction that had always haunted his work. Painted around 1789–1790, as the old regime collapsed and his own fortunes declined, this image can be read as both a consummation and an endpoint of an artist turning inward to a perfected type he knew well, presenting sensual pleasure as fragile, intimate, and curiously isolated at the threshold of a new political and artistic age.
November 11, 2025 at 8:27 PM