#OHMPCSneakPeek
In “Playing and Listening: Phenomenological Hermeneutics and Improvisation,” Sharp considers improvisation as central to the relationship between musical experience and social life, arguing that it confronts us with both our finitude and our potential for change.
In “Playing and Listening: Phenomenological Hermeneutics and Improvisation,” Sharp considers improvisation as central to the relationship between musical experience and social life, arguing that it confronts us with both our finitude and our potential for change.
April 24, 2025 at 12:56 PM
#OHMPCSneakPeek
In “Playing and Listening: Phenomenological Hermeneutics and Improvisation,” Sharp considers improvisation as central to the relationship between musical experience and social life, arguing that it confronts us with both our finitude and our potential for change.
In “Playing and Listening: Phenomenological Hermeneutics and Improvisation,” Sharp considers improvisation as central to the relationship between musical experience and social life, arguing that it confronts us with both our finitude and our potential for change.
#OHMPCSneakPeek!
In “Facing the Musical Other,” Esther Clinton and Jeremy Wallach suggests new ways of understanding fieldwork in ethnomusicology as an ethical practice of encounter between researchers and research participants.
In “Facing the Musical Other,” Esther Clinton and Jeremy Wallach suggests new ways of understanding fieldwork in ethnomusicology as an ethical practice of encounter between researchers and research participants.
April 9, 2025 at 2:25 PM
#OHMPCSneakPeek!
In “Facing the Musical Other,” Esther Clinton and Jeremy Wallach suggests new ways of understanding fieldwork in ethnomusicology as an ethical practice of encounter between researchers and research participants.
In “Facing the Musical Other,” Esther Clinton and Jeremy Wallach suggests new ways of understanding fieldwork in ethnomusicology as an ethical practice of encounter between researchers and research participants.
#OHMPCSneakPeek
Drawing on rich ethnographic fieldwork and ideas from the philosopher Martin Heidegger, Helena Simonett’s chapter, “Intuitive Sensory Presentation and Recollection: A Phenomenological Interpretation of the Deer Dance,” examines the deer dance ritual of the Yoreme of Northern Mexico.
Drawing on rich ethnographic fieldwork and ideas from the philosopher Martin Heidegger, Helena Simonett’s chapter, “Intuitive Sensory Presentation and Recollection: A Phenomenological Interpretation of the Deer Dance,” examines the deer dance ritual of the Yoreme of Northern Mexico.
November 13, 2024 at 5:34 PM
#OHMPCSneakPeek
Drawing on rich ethnographic fieldwork and ideas from the philosopher Martin Heidegger, Helena Simonett’s chapter, “Intuitive Sensory Presentation and Recollection: A Phenomenological Interpretation of the Deer Dance,” examines the deer dance ritual of the Yoreme of Northern Mexico.
Drawing on rich ethnographic fieldwork and ideas from the philosopher Martin Heidegger, Helena Simonett’s chapter, “Intuitive Sensory Presentation and Recollection: A Phenomenological Interpretation of the Deer Dance,” examines the deer dance ritual of the Yoreme of Northern Mexico.