#OHPMCSneakPeek!
In "Towards a Phenomenology of Rasa: Theorizing from Ras in Sikh Sabad Kīrtan Practice,"Inderjit N. Kaur analyses the notion of ras (flavour/essence) in performance, exploring the Sabad Kīrtan practice from historical documentation to present-day California's continuous tradition.
In "Towards a Phenomenology of Rasa: Theorizing from Ras in Sikh Sabad Kīrtan Practice,"Inderjit N. Kaur analyses the notion of ras (flavour/essence) in performance, exploring the Sabad Kīrtan practice from historical documentation to present-day California's continuous tradition.
July 16, 2025 at 2:19 PM
#OHPMCSneakPeek!
In "Towards a Phenomenology of Rasa: Theorizing from Ras in Sikh Sabad Kīrtan Practice,"Inderjit N. Kaur analyses the notion of ras (flavour/essence) in performance, exploring the Sabad Kīrtan practice from historical documentation to present-day California's continuous tradition.
In "Towards a Phenomenology of Rasa: Theorizing from Ras in Sikh Sabad Kīrtan Practice,"Inderjit N. Kaur analyses the notion of ras (flavour/essence) in performance, exploring the Sabad Kīrtan practice from historical documentation to present-day California's continuous tradition.
#OHPMCSneakPeek
In “Scrape, Brush, Flick: The Phenomenology of Sound,” Katherine Young analyzes the nature of auditory encounters and their impact on our understanding of both the world and ourselves, examining the distinctive ways space appears in perceptual modes of listening and seeing.
In “Scrape, Brush, Flick: The Phenomenology of Sound,” Katherine Young analyzes the nature of auditory encounters and their impact on our understanding of both the world and ourselves, examining the distinctive ways space appears in perceptual modes of listening and seeing.
July 9, 2025 at 5:53 PM
#OHPMCSneakPeek
In “Scrape, Brush, Flick: The Phenomenology of Sound,” Katherine Young analyzes the nature of auditory encounters and their impact on our understanding of both the world and ourselves, examining the distinctive ways space appears in perceptual modes of listening and seeing.
In “Scrape, Brush, Flick: The Phenomenology of Sound,” Katherine Young analyzes the nature of auditory encounters and their impact on our understanding of both the world and ourselves, examining the distinctive ways space appears in perceptual modes of listening and seeing.
#OHPMCSneakPeek!
In their chapter, authors Dotan Nitzberg (a concert pianist on the autism spectrum) and Michael Bakan (a neurotypical ethnomusicologist) challenge the objectification and dehumanization of autistic individuals, particularly musicians.
In their chapter, authors Dotan Nitzberg (a concert pianist on the autism spectrum) and Michael Bakan (a neurotypical ethnomusicologist) challenge the objectification and dehumanization of autistic individuals, particularly musicians.
December 11, 2024 at 5:38 PM
#OHPMCSneakPeek!
In their chapter, authors Dotan Nitzberg (a concert pianist on the autism spectrum) and Michael Bakan (a neurotypical ethnomusicologist) challenge the objectification and dehumanization of autistic individuals, particularly musicians.
In their chapter, authors Dotan Nitzberg (a concert pianist on the autism spectrum) and Michael Bakan (a neurotypical ethnomusicologist) challenge the objectification and dehumanization of autistic individuals, particularly musicians.
#OHPMCSneakpeek!
In “Carl Stumpf and the Phenomenology of Musical Utterances,” Julia Kursell examines this noted thinker’s contributions to the phenomenology of music cultures, underscoring his influential role in the emergence of ethnomusicology.
In “Carl Stumpf and the Phenomenology of Musical Utterances,” Julia Kursell examines this noted thinker’s contributions to the phenomenology of music cultures, underscoring his influential role in the emergence of ethnomusicology.
November 27, 2024 at 5:53 PM
#OHPMCSneakpeek!
In “Carl Stumpf and the Phenomenology of Musical Utterances,” Julia Kursell examines this noted thinker’s contributions to the phenomenology of music cultures, underscoring his influential role in the emergence of ethnomusicology.
In “Carl Stumpf and the Phenomenology of Musical Utterances,” Julia Kursell examines this noted thinker’s contributions to the phenomenology of music cultures, underscoring his influential role in the emergence of ethnomusicology.
#OHPMCSneakPeek!
In "Staging Karma: Cultural Techniques of Transformation in Burmese Musical Drama," @friedlind.bsky.social explores concrete dramatic techniques of transformation on stage and in ritual performances of Burmese musical drama.
In "Staging Karma: Cultural Techniques of Transformation in Burmese Musical Drama," @friedlind.bsky.social explores concrete dramatic techniques of transformation on stage and in ritual performances of Burmese musical drama.
October 16, 2024 at 12:23 PM
#OHPMCSneakPeek!
In "Staging Karma: Cultural Techniques of Transformation in Burmese Musical Drama," @friedlind.bsky.social explores concrete dramatic techniques of transformation on stage and in ritual performances of Burmese musical drama.
In "Staging Karma: Cultural Techniques of Transformation in Burmese Musical Drama," @friedlind.bsky.social explores concrete dramatic techniques of transformation on stage and in ritual performances of Burmese musical drama.
#OHPMCsneakpeek!
In “Aesthetic Experience, Social Interfaces, and the Phenomenology of Music,” Roger Savage draws on John Blacking’s distinction between music that serves a social purpose and music that enhances consciousness to explore fundamental questions about the nature of musical experience.
In “Aesthetic Experience, Social Interfaces, and the Phenomenology of Music,” Roger Savage draws on John Blacking’s distinction between music that serves a social purpose and music that enhances consciousness to explore fundamental questions about the nature of musical experience.
August 15, 2024 at 1:51 PM
#OHPMCsneakpeek!
In “Aesthetic Experience, Social Interfaces, and the Phenomenology of Music,” Roger Savage draws on John Blacking’s distinction between music that serves a social purpose and music that enhances consciousness to explore fundamental questions about the nature of musical experience.
In “Aesthetic Experience, Social Interfaces, and the Phenomenology of Music,” Roger Savage draws on John Blacking’s distinction between music that serves a social purpose and music that enhances consciousness to explore fundamental questions about the nature of musical experience.
#OHPMCSneakPeek
In this chapter, Ruth Herbert explores the evolving dynamics of music listening among UK teens. Employing a mixed-method approach that encompasses interviews, diary entries, and listening studies, Herbert delves into the psychological aspects of musical engagement.
In this chapter, Ruth Herbert explores the evolving dynamics of music listening among UK teens. Employing a mixed-method approach that encompasses interviews, diary entries, and listening studies, Herbert delves into the psychological aspects of musical engagement.
May 29, 2024 at 6:16 PM
#OHPMCSneakPeek
In this chapter, Ruth Herbert explores the evolving dynamics of music listening among UK teens. Employing a mixed-method approach that encompasses interviews, diary entries, and listening studies, Herbert delves into the psychological aspects of musical engagement.
In this chapter, Ruth Herbert explores the evolving dynamics of music listening among UK teens. Employing a mixed-method approach that encompasses interviews, diary entries, and listening studies, Herbert delves into the psychological aspects of musical engagement.
#OHPMCSneakPeek!
In his chapter "Phenomenological Displacements: Voice, Atmospheric Disturbance, and Mediatized Grief" Daniel Fisher discusses the death of a renowned Yolngu singer in Australia's Northern Territory and the subsequent silencing and revival of his recorded voice.
In his chapter "Phenomenological Displacements: Voice, Atmospheric Disturbance, and Mediatized Grief" Daniel Fisher discusses the death of a renowned Yolngu singer in Australia's Northern Territory and the subsequent silencing and revival of his recorded voice.
May 17, 2024 at 1:41 PM
#OHPMCSneakPeek!
In his chapter "Phenomenological Displacements: Voice, Atmospheric Disturbance, and Mediatized Grief" Daniel Fisher discusses the death of a renowned Yolngu singer in Australia's Northern Territory and the subsequent silencing and revival of his recorded voice.
In his chapter "Phenomenological Displacements: Voice, Atmospheric Disturbance, and Mediatized Grief" Daniel Fisher discusses the death of a renowned Yolngu singer in Australia's Northern Territory and the subsequent silencing and revival of his recorded voice.
#OHPMCsneakpeek!
In their chapter “Jazz Etiquette: Between Aesthetics and Ethics,” Alessandro Duranti, Jason Throop, and Matthew McCoy examine how jazz musicians interact with each other, arguing that jazz sets itself part not only through improvisation but also by embracing vulnerability.
In their chapter “Jazz Etiquette: Between Aesthetics and Ethics,” Alessandro Duranti, Jason Throop, and Matthew McCoy examine how jazz musicians interact with each other, arguing that jazz sets itself part not only through improvisation but also by embracing vulnerability.
April 24, 2024 at 5:34 PM
#OHPMCsneakpeek!
In their chapter “Jazz Etiquette: Between Aesthetics and Ethics,” Alessandro Duranti, Jason Throop, and Matthew McCoy examine how jazz musicians interact with each other, arguing that jazz sets itself part not only through improvisation but also by embracing vulnerability.
In their chapter “Jazz Etiquette: Between Aesthetics and Ethics,” Alessandro Duranti, Jason Throop, and Matthew McCoy examine how jazz musicians interact with each other, arguing that jazz sets itself part not only through improvisation but also by embracing vulnerability.
#OHPMCsneakpeek
In “Listening Beyond Sound and Life,” J. Martin Daughtry explores the distinctive qualities of imaged sounds, offering new insights into the workings of our imagination and providing a framework for understanding how imagined music shapes our bodily experiences.
In “Listening Beyond Sound and Life,” J. Martin Daughtry explores the distinctive qualities of imaged sounds, offering new insights into the workings of our imagination and providing a framework for understanding how imagined music shapes our bodily experiences.
April 10, 2024 at 1:08 PM
#OHPMCsneakpeek
In “Listening Beyond Sound and Life,” J. Martin Daughtry explores the distinctive qualities of imaged sounds, offering new insights into the workings of our imagination and providing a framework for understanding how imagined music shapes our bodily experiences.
In “Listening Beyond Sound and Life,” J. Martin Daughtry explores the distinctive qualities of imaged sounds, offering new insights into the workings of our imagination and providing a framework for understanding how imagined music shapes our bodily experiences.