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mdstamper.bsky.social
“Self Portrait” by Mary Adshead (British) - Oil on canvas / 1931 - Graves Gallery, Sheffield Museums (Sheffield, England) #WomenInArt #art #artText #artwork #MaryAdshead #Adshead #SheffieldMuseums #GravesGallery #selfportrait #WomanArtist #WomensArt #WomenArtists #BritishArtist #BlueskyArt #1930sArt
A female artist sits close to us in a cramped studio, body turned toward an unseen canvas while her face swivels directly to meet our gaze. She is a light-skinned woman in her late twenties, with dark hair tucked under a white woven hat banded in glossy black. A slim red cord necklace circles her neck above a ruffled white blouse and spotted grey dress, wrapped in a black coat trimmed with a sharp white fur collar. One hand steadies the edge of the easel, the other holds a fine brush mid-stroke, poised between decisions. Behind her, a red mural study glows on the wall, echoed by a red curtain on the right that presses in on the scene. A wooden chair, paintbox, books, and a metal canister cluster at her side, quiet evidence of sustained work. Smooth light, crisp edges and her unblinking dark eyes convey a composed, unsentimental self-scrutiny. Painted in 1931, the year of her first child, this self-portrait shows Mary Adshead claiming space as a modern professional artist at a moment when family life and public commissions were pulling equally on her time. Trained at London’s Slade School under Henry Tonks, Adshead had already made her name with ambitious murals, from a boys’ club in Wapping and “A Tropical Fantasy” island to satirical racing scenes for Lord Beaverbrook and panels for the British Empire Exhibition. Here, the theatricality of those schemes is pared back with a stylish hat and fur collar signaling metropolitan confidence, yet the tight framing forces us to confront the alert, slightly guarded woman who controls how she is seen. Adshead would go on to design posters and stamps, create wartime murals for canteens and British Restaurants, and champion women’s work through groups such as the Women’s International Art Club. Now in the Graves Gallery collection in Sheffield and included in later retrospectives of her art, this self portrait painting helps restore Adshead as a key figure in interwar British mural and portrait painting.
December 2, 2025 at 3:14 PM
sheffieldhoney.bsky.social
Did top of frame (no lifting) inspections on the 18 colonies on the roof top of Weston Park Museum, 1 dead out, 3 failed queens but full of bees, and 14 very strong colonies laying well - happy with that result, it’s a hard site to pamper, supers added above crownboards SheffieldMuseums
March 23, 2025 at 3:47 PM
sheffieldforum.bsky.social
⚽ Sheffield Museums have voiced concerns over a proposed football sculpture, but a compromise may be found...

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#Sheffield #SheffieldForum #SheffieldMuseums #MillenniumGallery #SHOF #HomeOfFootball #HeadsOrTails #Sculpture #PublicArt
February 3, 2025 at 7:30 PM