Aji story taller than cane for Renuka Anandjit

𝐖𝐞 𝐃𝐢𝐝𝐧’𝐭 𝐋𝐨𝐬𝐞 𝐭𝐡𝐞 𝐓𝐨𝐨𝐥𝐬 — 𝐖𝐞 𝐋𝐨𝐬𝐭 𝐄𝐚𝐜𝐡 𝐎𝐭𝐡𝐞𝐫 There is a recurring idea that the pyramids must have been built with some kind of hidden or “lost” technology — sound levitation, advanced machines, or ...

Are We Failing Class or Just Brilliant at Improvisation?

Hidden Treasures of the National Trust 2025 episode 5 reveals the extraordinary lives of three visionary men whose radical ideas fundamentally transformed British society, culture, and architecture du...

Weaponizing Nostalgia in Western Political and Commercial Narratives

She arrived on the knife’s edge of a summer storm, the sea crashing against the rocks like it remembered her. The mountain cottage stood quiet, holding its breath. Inside, only dust and memory stirred—until she found it: the conch, waiting on the table where her grandmother once sat. And when it spoke, it did not speak in words alone, but in whispers layered with voices, salt, and time. Now, Ilayda walks through the ruins of tradition and tourism, past the shouts and spilled beer, her grandmother’s voice pulsing faintly from the shell. “Kulak değil, kalp gerek.” Not the ear, but the heart is needed.

Heaven Shall Burn’s “Ten Days in May” is ostensibly about the 1980 Gwangju Uprising — we know this because the final verse declares: “Gwangju we carry on your name/Ten days in May, too much is stil…