#vietnameseartist
LightNews LightNews
mdstamper.bsky.social
Michael
@mdstamper.bsky.social
“Méditation (Meditation)” by Vũ Cao Đàm (Vietnamese-French) – Oil on canvas / c. 1960s–1970s – Musée Cernuschi (Paris, France) #WomenInArt #symbolism #art #artText #artwork #VũCaoĐàm #VuCaoDam #VietnameseArt #VietnameseArtist #BlueskyArt #arte #peinture #meditation #MuséeCernuschi #Modernism
A young Vietnamese woman with warm light-beige skin sits cross-legged, her long dark hair swept into a loose bun that crowns her head. She wears a flowing, pale blue-white áo dài whose wide sleeves open like wings. The silk-like garment is rendered in layered, textured strokes that catch light. Her oval face is calm, eyes softly downcast, lips a muted rose. Centered at her chest bloom strokes of coral-red and orange suggest clustered blossoms cradled by her hands while the surrounding field dissolves into deep and misty blues. Plant silhouettes and petal-like marks drift across the surface while lighter flecks resemble reflections on water. The paint is visibly scumbled, incised, and mottled so the woman seems to emerge from a lotus pond, held in a hush between breath and thought. Created during the artist’s mature oil-painting years in southern France, “Méditation” belongs to a group of contemplative female figures that merge Vietnamese spirituality with European modernist color and texture. Vũ Cao Đàm trained at the École des Beaux-Arts de l’Indochine and later settled near Vence, where a brighter, dream-like palette and dissolving backdrops entered his work. The blue, aqueous background and bouquet-like reds echo the serenity and life-force of the lotus (Buddhist shorthand for awakening) while the sitter’s cupped, aligned hands recall mudrā-like gestures of inward focus. The sculptor’s touch remains: palette-knife striations and incisions model the face and robe with tender restraint, a hallmark that links his early training to his later canvases. The hovering blossoms place “mind” at the heart, turning the body into a shrine of quiet illumination. Shown in the French retrospective dedicated to Lê Phô, Mai-Thu, and Vũ Cao Đàm, the painting embodies his lifelong synthesis of modern color harmonies and atmospheric backgrounds carrying Vietnamese values of contemplation, grace, and the endurance of cultural memory into a timeless present.
October 18, 2025 at 3:17 AM Everybody can reply
15 reposts 65 likes
2 15 65
mdstamper.bsky.social
Michael
@mdstamper.bsky.social
“Thiếu nữ Huế (Hue Girl)” aka “Lady” by Mai Trung Thứ (Mai Trung Thu) (Vietnamese) – Oil on canvas / 1934 – Singapore Art Museum #WomenInArt #art #artText #artwork #PortraitofaLady #MaiTrungThứ #MaiTrungThu #BlueskyArt #SingaporeArtMuseum #VietnameseArtist #VietnameseArt #1930s #PortraitofaWoman
Painted in 1934, Thiếu nữ Huế (Hue Girl) — sometimes titled Lady — embodies Vietnamese artist Mai Trung Thứ’s refined synthesis of French academic training and Vietnamese poetics. A graduate of the École des Beaux-Arts de l’Indochine in Hanoi, Thứ moved to France, joining a generation of artists who navigated identity amid colonial modernity. His women, clothed in flowing áo dài and framed in muted tones, became emblems of cultural continuity in a rapidly changing world. Seated on a low reddish wooden bench, a young Vietnamese woman wears a high-collared, long-sleeved áo dài in pale grey. Her head tilts slightly to our left, eyes turned softly to the same side rather than toward us. Her warm light-brown skin is modeled gently; dark hair is swept up in a neat chignon (not loose on the shoulders). Her right hand rests across her lap as the left arm extends back with the hand relaxed over the bench edge, fingers loose. Her long tunic drapes over a layered skirt, its hem pooling at the seat. Behind her is a flat, textured ochre field with no drapery or furniture other than the bench. The mood is quiet and inward for a poised, thoughtful, and reserved portrait. The flattened ochre ground and restrained palette frame the unidentified sitter as a self-contained presence, while the delicate modeling and dignified pose express a tenderness central to his portraits. Through subtle elegance rather than overt resistance, Thứ bridged East and West, giving modern Vietnamese painting its lyrical voice. As art historian T.K. Sabapathy observed, Thứ’s portraits are “poised between nostalgia and renewal.” In “Hue Girl,” that balance endures like a serene vision of womanhood and homeland, distilled into light, fabric, and memory.
October 11, 2025 at 1:58 PM Everybody can reply
4 reposts 1 quotes 47 likes
4 47
mdstamper.bsky.social
Michael
@mdstamper.bsky.social
Nữ y tá (The Nurse) by Dương Bích Liên (Vietnamese) - Gouache on paper / 1968-1972 - Quang San Art Museum (Hồ Chí Minh, Vietnam) #WomenInArt #gouache #art #artText #artwork #nurse #PortraitofaWoman #GouacheArt #BlueskyArt #VietnameseArt #VietnameseArtist #DươngBíchLiên #bskyart #QuangSanArtMuseum
This 3/4-length portrait of a young unidentified nurse in a traditional white cap and gown is by Vietnamese artist Dương Bích Liên. She holds a dark old-school lantern by its metal handle at chest height, her bent forearm emerging from the sleeve. Soft shoulder-length black hair frames her oval face; dark eyes look off to the left with a calm, alert expression and a small closed smile. The background is a mist of gray, mauve, and taupe washes, with loose, sketchy outlines defining the figure. The palette is restrained, the light subdued, conveying quiet vigilance. Rendered in strokes, paint pools, and gentle fades at edges. Liên was born in 1924 in Hanoi, into a family steeped in scholarly tradition and traditional medicine. He trained at the École des Beaux-Arts de l’Indochine, in its final cohort (1944-45), stepping into adulthood as Vietnam was in upheaval under colonial rule, then war, then division. Yet despite the turbulence of public life around him, Liên remained a contemplative, almost solitary painter; his works are not loud declarations, but intimate diaries in gouache or oil, portraits of women and small city scenes, reflections of both memory and quiet moments. “The Nurse (Nữ y tá )” was made between 1968-1972. This period was one of intense conflict in Vietnam as war was at its height, especially in the South, but in the North and Hanoi life carried on, constrained yet continuing, everyday human stories threaded through the larger tragedy. For Liên, those years seem to have been ones of inward reflection: to capture, with immediacy and sensitivity, the human cost, the quiet dignity, the unseen caretakers in war and illness. Liên often painted women he encountered, not as abstractions or symbols, but as persons in the life around him. “The Nurse” stands as a testament to Liên’s artistry blending humanism, gentle melancholy, and the abiding belief that even in war, the simplest gestures of care are worthy of remembrance.
September 14, 2025 at 7:05 PM Everybody can reply
10 reposts 66 likes
1 10 66
bellarocca3.bsky.social
bellarocca3
@bellarocca3.bsky.social
Porträt einer Frau von Tran Van Can (Vietnamesisch) – Tinte und Gouache auf Seide / 1941 – Quang San Art Museum (Ho-Chi-Minh-Stadt, Vietnam) #WomenInArt #art #PortraitofaWoman #VietnameseArt #QSAM #artText #TranVanCan #TranVanCan #VietnameseArtist #artwork #BlueskyArt #QuangSanArtMuseum
mdstamper.bsky.social Michael @mdstamper.bsky.social · Aug 16
Chân dung thiếu nữ (Portrait of a Woman) by Trần Văn Cẩn (Vietnamese) - Ink & gouache on silk / 1941 - Quang San Art Museum (Hồ Chí Minh City, Vietnam) #WomenInArt #art #PortraitofaWoman #VietnameseArt #QSAM #artText #TrầnVănCẩn #TranVanCan #VietnameseArtist #artwork #BlueskyArt #QuangSanArtMuseum
This portrait by Vietnamese artist Trần Văn Cẩn (aka Tran Van Can) depicts a young Asian woman with dark black hair pulled back from her face, sitting in a wooden chair. She is wearing a pale pink, long-sleeved áo dài, a traditional Vietnamese tunic dress, over white pants. Her posture is slumped, with her head resting on her arm, which is draped across the back of the chair. Her expression is one of quiet sadness, introspection, or possibly boredom with her eyes downcast, and her mouth slightly downturned. The chair is a simple wooden one with a rounded back, and it's painted in muted browns and dark reds. Behind her, a table is partially visible; on it sits a pale teal bowl and a terracotta-colored vase holding a stylized arrangement of flowers. The background is muted grayish tones with hints of pale color of a nondescript room. The colors throughout the painting are muted and harmonious, emphasizing the contemplative mood. From lacquer to oil painting, Trần Văn Cẩn left his mark on many mediums with masterful artistic skills. As a member of the quartet “Tri, Lan, Van, Can", he is remembered not only for his outstanding talent across mediums, but also for his central role in paving the way for painting in Vietnam during tumultuous historical eras. During the anti-French resistance, he taught at the Viet Bac Fine Arts School. After To Ngoc Van’s passing in 1954, Trần Văn Cẩn succeeded him as the head of the Vietnam University of Fine Arts, holding this position until 1969. He also served as the General Secretary of the Vietnam Fine Arts Association (1958–1983) and as an art advisor for several major cultural projects. As an artist and educator, Trần Văn Cẩn profoundly impacted many generations of artists. In 1996, he was posthumously awarded the prestigious “Ho Chi Minh Prize for Literature and the Arts” in recognition of his lifelong contributions. He passed away in 1994 in Hanoi, leaving behind a profound artistic legacy both in quantity and quality.
August 16, 2025 at 8:48 AM Everybody can reply
7 likes
7
mdstamper.bsky.social
Michael
@mdstamper.bsky.social
Chân dung thiếu nữ (Portrait of a Woman) by Trần Văn Cẩn (Vietnamese) - Ink & gouache on silk / 1941 - Quang San Art Museum (Hồ Chí Minh City, Vietnam) #WomenInArt #art #PortraitofaWoman #VietnameseArt #QSAM #artText #TrầnVănCẩn #TranVanCan #VietnameseArtist #artwork #BlueskyArt #QuangSanArtMuseum
This portrait by Vietnamese artist Trần Văn Cẩn (aka Tran Van Can) depicts a young Asian woman with dark black hair pulled back from her face, sitting in a wooden chair. She is wearing a pale pink, long-sleeved áo dài, a traditional Vietnamese tunic dress, over white pants. Her posture is slumped, with her head resting on her arm, which is draped across the back of the chair. Her expression is one of quiet sadness, introspection, or possibly boredom with her eyes downcast, and her mouth slightly downturned. The chair is a simple wooden one with a rounded back, and it's painted in muted browns and dark reds. Behind her, a table is partially visible; on it sits a pale teal bowl and a terracotta-colored vase holding a stylized arrangement of flowers. The background is muted grayish tones with hints of pale color of a nondescript room. The colors throughout the painting are muted and harmonious, emphasizing the contemplative mood. From lacquer to oil painting, Trần Văn Cẩn left his mark on many mediums with masterful artistic skills. As a member of the quartet “Tri, Lan, Van, Can", he is remembered not only for his outstanding talent across mediums, but also for his central role in paving the way for painting in Vietnam during tumultuous historical eras. During the anti-French resistance, he taught at the Viet Bac Fine Arts School. After To Ngoc Van’s passing in 1954, Trần Văn Cẩn succeeded him as the head of the Vietnam University of Fine Arts, holding this position until 1969. He also served as the General Secretary of the Vietnam Fine Arts Association (1958–1983) and as an art advisor for several major cultural projects. As an artist and educator, Trần Văn Cẩn profoundly impacted many generations of artists. In 1996, he was posthumously awarded the prestigious “Ho Chi Minh Prize for Literature and the Arts” in recognition of his lifelong contributions. He passed away in 1994 in Hanoi, leaving behind a profound artistic legacy both in quantity and quality.
August 16, 2025 at 7:02 AM Everybody can reply
7 reposts 1 quotes 81 likes
3 7 81
mdstamper.bsky.social
Michael
@mdstamper.bsky.social
Jeune fille en blanc (Young Girl in White) by Lê Phổ (Vietnamese) - Oil on canvas / 1931 - National Gallery Singapore #WomenInArt #ArtText #art #oilpainting #NationalGallerySingapore #VietnameseArtist #LêPhổ #LePho #VietnameseArt #womensart #poetry #artwork #portraitofagirl #áodài #aodai #bskyart
Jeune fille en blanc (Young Girl in White) is a rare and important example from Vietnamese-French artist Lê Phổ’s early artistic period, and marks an important juncture in the artist’s career, during his first trip to Paris, France between 1930-1932. The painting’s colophon is extracted from an 18th Century poem written from the perspective of a soldier’s wife lamenting the suffering of war. The young Vietnamese woman with her long black hair in a bun and dressed in an austere white áo dài quietly gazes introspectively at a white pot of delicate white and dark flowers that have been cultivated with care. The blooming flowers are in direct contrast to the sparse interior and bleak outdoors that is her backdrop, and Lê Phổ presents us with an allegory of longing, loyalty, duty, and perseverance. Lê Phổ is regarded as a key figure within the discussion of modern art in Vietnam. Alongside contemporaries Mai Trung Thứ and Vũ Cao Đàm, Lê Phổ is representative of the generation of artists trained within the French academic style at the Ecole des Beaux-Arts of Hanoi, who then traveled to France to further their careers. Lê Phổ arrived in Paris in 1930, and enrolled at the École Nationale des Beaux-Arts. During this time, he also participated in the Prima Mostra Internazionale d’arte Coloniale in Rome, Italy, 1931, where “Jeune fille en blanc,” was likely to have been first exhibited. “Jeune fille en blanc” presents a study of a particular individual: the background plain, her body composed of nothing but the white fabric of her traditional Vietnamese dress, her hair tied back demurely, leaving all our attention on the particularities of her face. While works of this type were frequently sold to French collectors or exhibited in colonial exhibitions, this painting is not defined by the colonial gaze. She remains a subject with a sense of self-definition rather than a colonial object.
June 22, 2025 at 1:25 AM Everybody can reply
3 reposts 49 likes
3 49
hoanphanart.bsky.social
Hoan Phan
@hoanphanart.bsky.social
Cheap marker + Pilot Pen M nib + Digital Coloring using @affinity @xppen

#illustration #artofillustration #posterart #illustrationartists #vietnameseartist #coverart
May 21, 2025 at 10:37 AM Everybody can reply
4 likes
1 4
hoanphanart.bsky.social
Hoan Phan
@hoanphanart.bsky.social
Zakkyo Building #vietnameseartist #japan #tokyo #citylandscape #posterart #artofillustration
April 23, 2025 at 8:45 AM Everybody can reply
4 likes
4
hoanphanart.bsky.social
Hoan Phan
@hoanphanart.bsky.social
Dip Pen & Digital coloring

#dippen #dippenart #inkartwork #inking #illustration #artofinstagram #artofillustration #vietnameseartist #lips #posterart #posterartist #artofvisual #mixedmedia
April 22, 2025 at 2:27 AM Everybody can reply
8 likes
8
jennyyart.bsky.social
Jennyy art 🩵
@jennyyart.bsky.social
Joined the #starterpacknoai trend with my own twist ft. My mascot Haru in a figure box packed w/ my daily essentials :3

#digitalartlove #chibiartstyle #comiccreators #2025artvibes #vietnameseartist #cutecoreaesthetic #starterpackchallenge #artistsoninstagram
April 21, 2025 at 2:53 PM Everybody can reply
2 reposts 10 likes
1 2 10
hoanphanart.bsky.social
Hoan Phan
@hoanphanart.bsky.social
In The Making
#vietnameseartist #illustration #illustrator #posterart
April 18, 2025 at 3:19 PM Everybody can reply
6 likes
6
hoanphanart.bsky.social
Hoan Phan
@hoanphanart.bsky.social
Some fresh giclee prints for the pop up tonight @berlinpartytokyo @the_den_koenji
#giclée #fineartprintsforsale #vietnameseartist #illustration #posterart #illustrator #illustrationartists #artofillustration #vietnameseillustrator #gilceeprint #gicleeprint
April 13, 2025 at 1:52 AM Everybody can reply
5 likes
5
mdstamper.bsky.social
Michael
@mdstamper.bsky.social
A Reading Girl by Lương Xuân Nhị (Vietnamese) - Oil on canvas / 1940 - Fukuoka Asian Art Museum (Japan) #womeninart #oilpainting #art #Vietnameseartist #reading #LuongXuanNhi #LươngXuânNhị #artwork #VietnameseArt #FukuokaAsianArtMuseum #福岡アジア美術館 #beauty #fineart #womensart #AsianArt #AsianArtist
Luong Xuan Nhi (Lương Xuân Nhị) was an artist known as 'the master of the color green.' Being singled out as such meant that his sense of color must have been highly regarded because Vietnam was a country where pastoral landscapes were popular and green was, understandably, the major color of numerous paintings. The color green, used abundantly in this painting of an unidentified Vietnamese woman in a white dress sitting on a couch and reading a book, varies in subtle gradations, reflecting the shadow and the light emanating from outside; while the elegant white ao dai (áo dài) dress was chosen to create a fresh picturesque effect. The artist seemed to be interested in using color variations and soft brushwork to depict subjects in a realistic, and yet, romantic way. The image of graceful young women in a traditional Vietnamese gown (áo dài) as the "symbol of Vietnam" was a popular theme among the artists of the Ecole des Beaux-Arts de l'Indocine, the alma mater of Luong Xuan Nhi. The school later became the Vietnam Secondary Art School where the artist, a greatly respected educator, taught from 1955 to 1981.
March 20, 2025 at 6:55 AM Everybody can reply
4 reposts 51 likes
4 51
hoanphanart.bsky.social
Hoan Phan
@hoanphanart.bsky.social
some bts linework #linework #artofillustration #illustrator #hireme #vietnameseartist #illustration #posterart #coverart #crane #illustrator #drawing
March 3, 2025 at 4:30 PM Everybody can reply
8 likes
8
hoanphanart.bsky.social
Hoan Phan
@hoanphanart.bsky.social
My calling was heard, thank you for like&share. I hope my works will reach to more and more art lovers, art directors, publishers out there. Please hire me if you have a project that you think I am a good match for it, portfolio link in bio, #hireme #illustrator #vietnameseartist #ineedjob
March 3, 2025 at 7:18 AM Everybody can reply
5 likes
5
hoanphanart.bsky.social
Hoan Phan
@hoanphanart.bsky.social
Practicing anatomy with ballerina poses. Im sure ballerina dancers knowing how to express through body/poses

#ballerinas #illustration #vietnameseartist #illustrator #anatomypracticing
March 3, 2025 at 6:12 AM Everybody can reply
7 likes
7
mdstamper.bsky.social
Michael
@mdstamper.bsky.social
Mélancolie (Melancholy) by Mai Trung Thứ (Vietnamese) - Ink and gouache on silk / 1970 - Almine Rech Gallery (Paris, France) #womeninart #art #portrait #MaiThu #VietnameseArt #InkArt #SilkArt #portraitofawoman #womensart #MaiThứ #melancholy #artwork #AlmineRechGallery #VietnameseArtist #mélancolie
Mai Thứ captures the concept of femininity from various perspectives throughout his work to celebrate Vietnamese traditions and folk culture through depictions of women. He favored painting in gouache and ink on silk to delineate women in various states such as Mélancolie, which through a fine treatment of details, depicts the beauty and tenderness of a young Vietnamese woman sitting on a wooden stool holding an open hand fan. Her restrained emotions, with their lustrous straight long dark hair complemented with soft-hued light green top and darker green pants—all come together as manifestations of beauty in accordance to traditional Vietnamese aesthetics. With an empty red sandal on the floor, she has raised her bare foot onto the stool to put her right elbow on her knee and rest her head in her right hand that completely conveys the sense of a melancholic moment in her life. The artist is one of the pioneers of modern Vietnamese painting. Born in Indochina during the French Colonization, Mai Thứ studied at the Fine Arts College of Indochina in Hanoi, graduating in its first class in 1930. In addition to mastering classical Western techniques of drawing and oil painting, he was skilled in figurative painting on silk and in various styles of Chinese painting. Seeking a new artistic expression that would be specifically Vietnamese, he gradually perfected a visual language after permanently settling in France in 1937. Through encounters with master painters of the European tradition, particularly Renaissance painters, Mai Thứ performed a subtle synthesis between Western and Vietnamese motifs. His pared-down images respond to a stylized ideal of gentleness and balance that led him to be considered among the most traditional of Vietnamese artists; however, in actuality, this universe, constructed from various references, is unique to Mai Thứ.
February 21, 2025 at 8:57 PM Everybody can reply
2 reposts 43 likes
2 43
hoanphanart.bsky.social
Hoan Phan
@hoanphanart.bsky.social
Year of the Snake
#illustration #yearofthesnake #artofillustration #vietnameseartist
February 5, 2025 at 4:27 AM Everybody can reply
5 likes
5
mdstamper.bsky.social
Michael
@mdstamper.bsky.social
Jeune fille à la rose (Young girl with a rose) by Lê Phô (Vietnamese) - Pigment and Ink on silk / 1942 - Musée Cernuschi (Paris, France) #womeninart #art #lepho #artwork #vietnameseart #silkart #painting #womensart #MuséeCernuschi #LêPhô #vietnameseartist #fineart #paintingofawoman #vietnamese #rose
Lê Phô was one of the first Vietnamese artists to graduate from the École des Beaux Arts de l’Indochine (Indochina School of Fine Arts) in Hanoi, and his work represents the ambitious artistic experiments of his generation. In Jeune fille à la rose (1942), Phô depicts a young woman with a serene expression, dressed in traditional attire, set against a backdrop of a stylized garden and buildings. It is a moody painting utilizing a muted color palette of grays, beiges, and greens. The brushstrokes are visible, giving the painting a textured quality that is soft and evocative. The Vietnamese woman is presented with soft and rounded features with her eyes almost closed looking down with a calm and peaceful expression. Her red lips stand out from the light beige-gray, loose-fitting traditional clothing that harmonizes well with the background subtly rendered, suggesting a courtyard, with light and shadow plus buildings at a distance used to create depth and a sense of space. The soft colors and brushstrokes create a sense of tranquility. Her pose is slightly turned towards her right, and her gaze is directed downward, creating a sense of introspection although she seems quite relaxed.
January 31, 2025 at 9:22 PM Everybody can reply
6 reposts 47 likes
6 47
brihoangdraws.bsky.social
Brian Hoàng Art
@brihoangdraws.bsky.social
Chúc mừng năm mới! 2025 is the year of the Wood Snake so here's a snake wrapped around some wood. Wishing you all a happy Lunar New Year!

#vietnameseart #vietnameseartist #yearofthesnake #lunarnewyear2025 #lunarnewyear #tet #tết #chucmungnammoi #chúcmừngnămmới #snakeart
January 28, 2025 at 1:14 PM Everybody can reply
4 likes
4
hoanphanart.bsky.social
Hoan Phan
@hoanphanart.bsky.social
🗡️ 👠 👯‍♀️

#illustration #illustrator #illustrationartists #illustration_daily #artofillustration #artofvisuals #visualart #fashion #fencing #blackdress #scenery #slayqueen #color #love #hate #vietnameseartist
January 14, 2025 at 4:56 AM Everybody can reply
2 reposts 2 quotes 170 likes
4 2 170
hoanphanart.bsky.social
Hoan Phan
@hoanphanart.bsky.social
The 3 color ways I did for Harper Collins & Fairy Loot. Please treat me well 2025, last year was a roller coaster I hope to do more book related projects this year.

#bookcover #bookcoverartist #illustration #illustrationartists #worldofillustration #artofillustration #vietnameseartist #illustrator
January 2, 2025 at 10:50 PM Everybody can reply
3 likes
3
hoanphanart.bsky.social
Hoan Phan
@hoanphanart.bsky.social
Happy New Year Everyone. Please connect me to the art community. Please be good 2025 #vietnameseartist #illustration #artofillustration #illustrator #bookcoverartist #posterart #posterartist #bookcoverart #asianartist #visualart #illustrationart #illustrationartist #bookcover #lineart #artonbluesky
January 2, 2025 at 10:42 PM Everybody can reply
5 likes
5
hoanphanart.bsky.social
Hoan Phan
@hoanphanart.bsky.social
Happy New Year Everyone. Please connect me to the art community, have more book cover projects (my favorite thing to draw) expanding into music, editorials...maybe and hopefully a picture book. Please be good 2025 #vietnameseartist #illustration #artofillustration #illustrator #bookcoverartist
January 2, 2025 at 10:42 PM Everybody can reply
4 likes
1 4
mdstamper.bsky.social
Michael
@mdstamper.bsky.social
Musicienne à la guitare by Mai Trung Thu (Vietnamese) - Ink and colors on silk / 1972 - Almine Rech (Matignon, Paris) #womeninart #art #vietnameseartist #artwork #painting #silkart #bsky.art #artoftheday #bskyart #vietnamese #vietnameseart #artbsky #maitrungthu #maithu
A woman sits cross-legged playing a đàn nguyệt (moon-shaped lute) with a large round body and long thin neck. She wears an ao dai light green silk tunic with dark green pants plus an orange headband. The bemused look on her face conveys attentive skill and joy together.
December 28, 2024 at 5:51 PM Everybody can reply
6 reposts 43 likes
1 6 43