Portrait of George James Welbore Agar-Ellis, later 1st Lord Dover. Sir Thomas Lawrence (British; 1769–1830). Oil on canvas, ca. 1823–24. Yale Center for British Art, New Haven, Connecticut.

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The English poet and satirist Alexander Pope (1688–1744), at the Yale Center for British Art

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French-born sculptor Louis-François Roubiliac 1741.

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“HewLocke: Passages,” on view thru Jan. 11 at #YaleCenterForBritishArt #New HavenCT, is a comprehensive survey of the British Guyanese artist's career spanning over 30 years. Lexi Gondek reviews the show in our latest issue: artscopemagazine.com/2025/11/the-... #Art #InternationalArt #NewEnglandArt

“The Song of the Shirt” (aka “For Only One Short Hour”) by Anna Elizabeth Blunden (English) - Oil on canvas / 1854 - Yale Center for British Art (New Haven, Connecticut) #womeninart #ArtText #art #womanartist #femaleartist #AnnaElizabethBlunden #AnnaBlunden #womensart #YCBA #YaleCenterforBritishArt

After two years of renovation, The Center for British Art at Yale has reopened.
Tracey Emin: I Loved You until the morning. Her first exhibit in US
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“Bathers in a Landscape.” Thomas Rowlandson (British; 1756–1827). Watercolor with pen & brown and gray ink, over graphite, on moderately thick, slightly textured, cream, wove paper. Yale Center for British Art, New Haven, Conn.

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“Rough-Coated Collie.” James Ward (British; 1769–1859). Oil on board, 1809. Yale Center for British Art, New Haven, Connecticut.

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“Seashore and Cliffs, with a Horse and Cart and a Beached Boat on Shore.” James Ward (British; 1769–1859), attributed to. Watercolor on moderately thick, rough, cream, wove paper, n.d. Yale Center for British Art, New Haven, Connecticut.

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“Man of War Rocks, Coast of Dorset.” John Brett (British; 1831–1902). Oil on canvas, 1884. Yale Center for British Art, New Haven, Connecticut.

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“The Coast at Brighton: Stormy Evening.” John Constable (British; 1776–1837). Oil on paper laid on canvas, ca. 1828. Yale Center for British Art, New Haven, Connecticut.

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“Coast Scene.” Peter DeWint (British; 1784–1849). Watercolor over graphite with scraping out on thick, cream, moderately textured wove paper laid onto card, undated. Yale Center for British Art, New Haven, Connecticut.

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“The Low Lighthouse, North Shields.” Robert Salmon (British; 1775–ca. 1845). Oil on panel, 1828. Yale Center for British Art, New Haven, Connecticut.

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“Sandown Bay, from near Shanklin Chine, Isle of Wight.” John Glover (British; 1767–1849). Oil on canvas, ca. 1827. Yale Center for British Art, New Haven, Connecticut.

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“Man of War Rocks, Coast of Dorset.” John Brett (British; 1831–1902). Oil on canvas, 1884. Yale Center for British Art, New Haven, Connecticut.

#JohnBrett
#Dorset
#yalecenterforbritishart
#manofwarrocks
@yalebritishart

“Man of War Rocks, Coast of Dorset” (or, “Distant Thunder”). John Brett (British; 1831–1902). Oil on canvas, 1884. Yale Center for British Art, New Haven, Connecticut.

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#manofwarrocks
@yalebritishart