Animus Magazine
@animusmagazine.bsky.social
410 followers 38 following 150 posts
☁️ Film criticism for the future ☁️ online film magazine • screenings • events • cinephile advice column • cine club linktr.ee/Animus_mag
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animusmagazine.bsky.social
Anand Sudha (@anandsudha.bsky.social) considers his own experience – as film fan and Indian viewer – with Blake Edwards’ controversial, revered comedy THE PARTY (1968), engaging with his own hopes and expectations for the film's acerbic critique of Hollywood: animus-magazine.ghost.io/whos-invited...
Who's invited to The Party?
On The Party and the politics of who’s looking at problematic art
animus-magazine.ghost.io
animusmagazine.bsky.social
The Animus long-form essays continue!
animusmagazine.bsky.social
Elena and Manuela leave no stones unturned as they discuss these three films by way of Severance, the manosphere, and the corporate girlies.
And for the first time, the episode can be watched as a video, for free on Spotify: open.spotify.com/episode/0jmE...
Jukebox; or, You’re Not the Only One With Problems
Spotify video
open.spotify.com
animusmagazine.bsky.social
Finally in Darren Aronofsky’s CAUGHT STEALING (2025), Austin Butler’s aimless bartender confronts past trauma via a whole new bunch of trauma.

Artwork by Ise Ananphada.
animusmagazine.bsky.social
Milton Moses Ginsberg’s underseen, Rip Torn-starring indie gem COMING APART (1969) charts the psychological unravelling of a New York psychiatrist who takes to recording his clients’ appointments without their knowledge.
animusmagazine.bsky.social
Among the films discussed is Sidney Lumet’s THE OFFENCE (1973), in which Sean Connery plays a detective-sergeant who has seen too much.
Poster for The Offence
animusmagazine.bsky.social
In this new episode of Hard Truths - the 10th! - @manilazic.bsky.social and @elazic.bsky.social discuss three recent watches, and accidentally land on a theme: male trauma, and a certain sense of entitlement. animus-magazine.ghost.io/jukebox-or-y...
animusmagazine.bsky.social
In the latest edition of Psycho., the Animus advice column for cinephiles, Caspar Salmon answers a reader’s question by looking at the duo of actors headlining the new Netflix show Hostage: Suranne Jones and Julie Delpy. 💌: animus-magazine.ghost.io/psycho-58/
Reposted by Animus Magazine
animusmagazine.bsky.social
From the ultraviolence of RAW to the OTT silliness of TITANE and the emo intensity of ALPHA: in this ep of Hard Truths, @elazic.bsky.social & @manilazic.bsky.social talk about the ideas lurking behind the infamous shock value of Julia Ducournau's cinema. animus-magazine.ghost.io/julia-ducour...
animusmagazine.bsky.social
Thank you Robert for sharing!
Reposted by Animus Magazine
rwstinner.bsky.social
Happy to see essays back at @animusmagazine.bsky.social, which always features thoughtful and engaging work. Loved reading this piece on how Hollywood films portray, distort, and avoid climate change
animusmagazine.bsky.social
After a long hiatus… Animus long-form essays are back!

John Kidwell writes about cinema’s response to the unfolding climate crisis over the last 30 years: animus-magazine.ghost.io/be-scientifi...
Be Scientific, Douchebag
On the last 30 years of climate change cinema 
by John Kidwell 
still: Mark Whalberg looking bewildered by a green plant in M. Night Shyamalan's THE HAPPENING (2008)
Reposted by Animus Magazine
elazic.bsky.social
ICYMI long-form essays are back on Animus 💙 starting with this thoroughly researched, rip-roaring look at climate change cinema by John Kidwell
animusmagazine.bsky.social
After a long hiatus… Animus long-form essays are back!

John Kidwell writes about cinema’s response to the unfolding climate crisis over the last 30 years: animus-magazine.ghost.io/be-scientifi...
Be Scientific, Douchebag
On the last 30 years of climate change cinema 
by John Kidwell 
still: Mark Whalberg looking bewildered by a green plant in M. Night Shyamalan's THE HAPPENING (2008)
Reposted by Animus Magazine
bharathan.bsky.social
A breathless read reflecting our breathless times. Had a lot of fun!!
animusmagazine.bsky.social
After a long hiatus… Animus long-form essays are back!

John Kidwell writes about cinema’s response to the unfolding climate crisis over the last 30 years: animus-magazine.ghost.io/be-scientifi...
Be Scientific, Douchebag
On the last 30 years of climate change cinema 
by John Kidwell 
still: Mark Whalberg looking bewildered by a green plant in M. Night Shyamalan's THE HAPPENING (2008)
Reposted by Animus Magazine
elazic.bsky.social
🚨 🚨 🚨
animusmagazine.bsky.social
After a long hiatus… Animus long-form essays are back!

John Kidwell writes about cinema’s response to the unfolding climate crisis over the last 30 years: animus-magazine.ghost.io/be-scientifi...
Be Scientific, Douchebag
On the last 30 years of climate change cinema 
by John Kidwell 
still: Mark Whalberg looking bewildered by a green plant in M. Night Shyamalan's THE HAPPENING (2008)
animusmagazine.bsky.social
After a long hiatus… Animus long-form essays are back!

John Kidwell writes about cinema’s response to the unfolding climate crisis over the last 30 years: animus-magazine.ghost.io/be-scientifi...
Be Scientific, Douchebag
On the last 30 years of climate change cinema 
by John Kidwell 
still: Mark Whalberg looking bewildered by a green plant in M. Night Shyamalan's THE HAPPENING (2008)
Reposted by Animus Magazine
jakecole.bsky.social
Rewatching this a few weeks ago as part of a piece (up next week, I think?) was revelatory, which is a bit odd bc I already considered it one of the Great American Movies
Reposted by Animus Magazine
animusmagazine.bsky.social
As the Hard Truths podcast takes a short summer break, @manilazic.bsky.social writes about some of the most striking and “brave” performances she saw at this year’s edition of Il Cinema Ritrovato: animus-magazine.ghost.io/brave-acting...
Brave Acting at Il Cinema Ritrovato
Manuela reports on some striking performances seen in Bologna.
animus-magazine.ghost.io
animusmagazine.bsky.social
As the Hard Truths podcast takes a short summer break, @manilazic.bsky.social writes about some of the most striking and “brave” performances she saw at this year’s edition of Il Cinema Ritrovato: animus-magazine.ghost.io/brave-acting...
Brave Acting at Il Cinema Ritrovato
Manuela reports on some striking performances seen in Bologna.
animus-magazine.ghost.io
Reposted by Animus Magazine
elazic.bsky.social
Caspar on Michelle Williams’ character in Kelly Reichardt’s SHOWING UP (2022) ♥️ animus-magazine.ghost.io/psycho-57/
Reposted by Animus Magazine
elazic.bsky.social
Had so much fun recording this episode with @manilazic.bsky.social 💙
animusmagazine.bsky.social
With just 4 feature films, Ari Aster has established himself as one of the foremost voices of our phone-addicted, psychically damaged, paranoid generation. HEREDITARY, MIDSOMMAR, BEAU IS AFRAID, & EDDINGTON (without spoilers): all in this new ep of Hard Truths 🎧 animus-magazine.ghost.io/ari-aster/
animusmagazine.bsky.social
In the latest edition of Psycho. — now free to read for all — Caspar discusses some of his favourite and some of the worst fictional artists in film. 💌: animus-magazine.ghost.io/psycho-57/
Psycho. #57
Real art.
animus-magazine.ghost.io
Reposted by Animus Magazine
animusmagazine.bsky.social
With just 4 feature films, Ari Aster has established himself as one of the foremost voices of our phone-addicted, psychically damaged, paranoid generation. HEREDITARY, MIDSOMMAR, BEAU IS AFRAID, & EDDINGTON (without spoilers): all in this new ep of Hard Truths 🎧 animus-magazine.ghost.io/ari-aster/