Caroline Potter
@carolinefrmus.bsky.social
820 followers 320 following 550 posts

Award-winning author of books on Boulez, Satie, Boulanger and Dutilleux/ Visiting Reader in French Music, Royal Birmingham Conservatoire/ Contributing writer at I Care If You Listen/ https://linktr.ee/carolinepotter

Art 61%
History 8%
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carolinefrmus.bsky.social
The International Marching Song of the Revolutionary Proletariat. One of those random discoveries in a bound volume from the @britishlibrary.bsky.social

carolinefrmus.bsky.social
Of course I was at the @rcmlondon.bsky.social for their #Boulez100 celebration with the Paris Conservatoire - wonderfully vivid performance of Dérive, loved the new piece by Hanze Liu

carolinefrmus.bsky.social
Haha! Fantastic if crazy idea that would never happen nowadays...

carolinefrmus.bsky.social
My copy just arrived @amwilson.bsky.social Look forward to reading it!

carolinefrmus.bsky.social
I had a fantastic time at the Berwick Literary Festival: lovely audience, very interesting questions & lots of enthusiasm for Satie!
Thanks to Cian (pictured) for chairing. @boydellandbrewer.bsky.social

carolinefrmus.bsky.social
Glorious day in Berwick: walk along the town wall to the coast AND my #Satie book in the local bookshop ahead of my talk tonight @boydellandbrewer.bsky.social

carolinefrmus.bsky.social
Satie thought that he and his comrades could do the job just as well.'

carolinefrmus.bsky.social
Re the current French political turmoil, this is from my book on #Satie: 'The Third Republic (1870–1940) was a politically unstable period of French history with constantly shifting coalitions and no fewer than 87 prime ministers, some of whom were in office for only a few weeks.

carolinefrmus.bsky.social
Curtain call after #Boulez explosante-fixe with London Sinfonietta & George Benjamin - scintillating sound projection & triple flute incantations

carolinefrmus.bsky.social
Typically adventurous programme from @apartment-house.bsky.social , especially liked Luc Ferrari, a welcome blast of funky craziness in the @wigmore-hall.org.uk
(And I didn’t know that Ferrari studied piano with Cortot)

carolinefrmus.bsky.social
Wordle 1,568 2/6. On a roll...

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carolinefrmus.bsky.social
Hans Abrahamsen, Jennifer France, Edward Gardner and the LPO after let me tell you - gorgeous moments

carolinefrmus.bsky.social
Ooh! Very sorry to miss this one

carolinefrmus.bsky.social
Yup, I suspect because it’s a German publication. I like the translation credits to Paul Claudel and Martin Luther

carolinefrmus.bsky.social
Definitely two voices with (mostly) very distinct parts!

carolinefrmus.bsky.social
#Milhaud De profundis for organ and 2 voices was always going to be a sight-reading challenge at the piano - the worst bit by far is the mezzo being BELOW the baritone in the score 🙃

carolinefrmus.bsky.social
Also I’ve never knowingly used ‘finely wrought’, not least because I’m unsure what it means
rcmlondon.bsky.social
Join us next Wednesday for an exciting collaborative concert celebrating the centenary of legendary French composer, Pierre Boulez. Musicians from the RCM and Conservatoire de Paris are busy rehearsing for this special project in Paris! 🇫🇷

Learn more and book: www.rcm.ac.uk/events/detai...

carolinefrmus.bsky.social
Programme for #Satie 2025 conference now online: I'll be speaking in Turin on 6 December and attending the Honfleur half-day. Especially happy to be involved in a genuinely trilingual event (English/French/Italian): www.satie2025.unito.it/home-page/pr...
Programme
Honfleur (31 Octobre)
www.satie2025.unito.it

carolinefrmus.bsky.social
#Satie Verset laïque & somptueux (1900). Weird, gorgeous calligraphy - very Satie

carolinefrmus.bsky.social
Wordle 1,565 2/6 😲

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carolinefrmus.bsky.social
One week until my talk on #Satie at Berwick Literary Festival! 6 October, 7.30 pm in the Straw Yard, booking link here: www.maltingsberwick.co.uk/whats-on/blf...
BLF ’25: Erik Satie: 100 years since his death – The Maltings
www.maltingsberwick.co.uk

carolinefrmus.bsky.social
He says this piece is 'in C major' but it's a C major almost always inflected with A flat/G sharp