Lightnews — Scholar-powered news

Reposted by Alexandra E. LaGrand

Points Like A Man @pointslikeaman.bsky.social · 1d

This batch also helped us grow our number of records for performances in Philadelphia, while also helping us expand into St. Louis. You can see this growth on our interactive map of historic theatres. ✨🎩

1

Reposted by Alexandra E. LaGrand

Points Like A Man @pointslikeaman.bsky.social · 1d

In this performance, Ellen and Kate Bateman played Richard and Richmond, respectively, while Julia Jones played Prince Edward and Miss Schoolcraft played the Duke of York. The Bateman sisters were famous for playing these roles as young girls, with prints like these capturing their performances.

1 1

Reposted by Alexandra E. LaGrand

Points Like A Man @pointslikeaman.bsky.social · 1d

This batch included our first performances in St. Louis, Missouri, with one production even having four performances of genderfluidity at once! On October 15, 1850, the St. Louis Theatre had a production of Richard III, with Richard, Richmond, and the two princes all being played by girls or women.

1 1

Reposted by Alexandra E. LaGrand

Points Like A Man @pointslikeaman.bsky.social · 1d

Today, 93 records were added for performances of As You Like It, Coriolanus, Henry IV Part I, Julius Caesar, King John, Macbeth, The Merchant of Venice, Richard III, Romeo and Juliet, and Twelfth Night in Philadelphia and St. Louis from 1822-1878 to bring the record total to 8,265. ✨🎩

1 1

Reposted by Alexandra E. LaGrand

Points Like A Man @pointslikeaman.bsky.social · 2d

In this batch of records were our first breeches performances in Othello. In February 1863, an actress by the name of Miss Miller played a page in Othello at the Chestnut Street Theatre in Philadelphia. While other tragedies have often seen breeches performances, Othello almost never has.

2 1

Reposted by Alexandra E. LaGrand

Points Like A Man @pointslikeaman.bsky.social · 2d

Today, 88 records were added for performances of Coriolanus, Henry IV Part I, Julius Caesar, King Lear, Macbeth, The Merchant of Venice, Othello, Richard III, and The Taming of the Shrew in Philadelphia from 1863-1865 to bring the record total to 8,172. ✨🎩

1 2

Reposted by Alexandra E. LaGrand

Points Like A Man @pointslikeaman.bsky.social · 4d

Among these performances was our first record for a performance in Love's Labor's Lost! ✨ On January 6, 1862, Mrs. Charles Henri played Moth (also known as Mote) in Love's Labor's Lost at the Arch Street Theatre in Philadelphia. 🎩

1 1

Reposted by Alexandra E. LaGrand

Points Like A Man @pointslikeaman.bsky.social · 4d

Today, 34 records were added for performances of As You Like It, Henry IV Part I, Julius Caesar, King Lear, Love’s Labor’s Lost, Macbeth, The Merchant of Venice, Richard III, Romeo and Juliet, and The Taming of the Shrew in Philadelphia from 1854-1864 to bring the record total to 8,084! ✨🎩

1 1

Reposted by Alexandra E. LaGrand

Points Like A Man @pointslikeaman.bsky.social · 6d

From this trip, she has been able to gather 237 records for performances in Philadelphia, and another 31 records for performances in Boston, Chicago, and Washington, DC! ✨

She is now in the process of cleaning up these records and getting them ready to add to our database site! 🎩

1 2

Reposted by Alexandra E. LaGrand

Points Like A Man @pointslikeaman.bsky.social · 6d

This summer, @aelagrand.bsky.social visited the Library Company of Philadelphia and UPenn's Kislak Center to consult playbills and collect records of women's breeches performances in Philadelphia! ✨🎩

1 1 2

Reposted by Alexandra E. LaGrand

Points Like A Man @pointslikeaman.bsky.social · 6d

Check it out! Our project director, @aelagrand.bsky.social won the @honeyandwaxbks.bsky.social Book Collecting Prize for her collection of materials related to Shakespearean breeches actresses! ✨🎩 Points Like A Man even gets a shout-out!

Fine Books & Collections @finebooks.bsky.social · 16d

Alexandra E. LaGrand Wins 2025 Honey & Wax Book Collecting Prize
www.finebooksmagazine.com/fine-books-n...

Alexandra E. LaGrand Wins 2025 Honey & Wax Book Collecting Prize

Alexandra E. LaGrand has won the 2025 Honey & Wax Book Collecting Prize for her archive documenting Shakespearean breeches actresses over the long 19th century.The annual prize, which rewards American...

www.finebooksmagazine.com

5 8

Reposted by Alexandra E. LaGrand

SHARP News @sharpnews.bsky.social · Aug 28

Call for Applications: SHARP News Bibliographers

As @bibliowingate.bsky.social's term comes to an end, we're looking to shake things up & establish a bibliography team of 2+ people.

Applications due October 1 2025.

The full call for applications and how to apply:
sharpweb.org/sharpnews/20...

Call for Applicants: SHARP News Bibliographers – SHARP NEWS

sharpweb.org

1 10 7

Reposted by Alexandra E. LaGrand

Alex Wingate @bibliowingate.bsky.social · Aug 23

The full LGBTQIA+ Book History Bibliography is here 🏳️‍🌈!!! 650+ items of LGBTQIA+ #BookHistory!!
Check out the intro to see how we made it, the primary bibliography, the article appendix, and the absolutely magnificent zine!!! From monographs to zines, you'll find it here!
sharpweb.org/sharpnews/20...

6 62 110

Reposted by Alexandra E. LaGrand

Restoration: Studies in Literature and Culture, 1660-1700 @restorationjournal.bsky.social · Aug 21

📢 Restoration: Studies in Literature and Culture, 1660-1700 is looking for an Associate Editor to join our editorial team. 📢

Deadline is Sept. 5 and more info is linked below. Academic friends please share widely. DM @drerinnerung.bsky.social with questions.

docs.google.com/document/d/1...

Associate Editor Opening at Restoration: Studies in Literature and Culture, 1660-1700

Associate Editor Opening at Restoration: Studies in Literature and Culture, 1660-1700 Restoration is looking for an Associate Editor to join Editors Dr. Laura Rosenthal and Dr. Erin Keating and Book ...

docs.google.com

1 3 5

Reposted by Alexandra E. LaGrand

Dot Porter @leoba.bsky.social · Aug 13

Opening at Penn for a Special Collections Accessions Librarian, responsible for acquiring and accessioning all special collections materials for the Kislak Center. The salary range for this position is $66,000 - $89,039. Come work with meeeee!

wd1.myworkdaysite.com/recruiting/u...

Special Collections Accessions Librarian

University Overview The University of Pennsylvania, the largest private employer in Philadelphia, is a world-renowned leader in education, research, and innovation. This historic, Ivy League school co...

wd1.myworkdaysite.com

1 36 31

Reposted by Alexandra E. LaGrand

Dr McInnes’s Monster @drbeard79.bsky.social · Aug 11

Jumping on the Jane Austen bandwagon and offering a short course from Halloween to her birthday (approx!) - join me! Or help me spread the word! Please and thank you!!

Jane Austen: Reading, Romance, Revolution - Edge Hill University

Celebrate Jane Austen’s 250th anniversary with Jane Austen: Reading, Romance, Revolution—a course for book lovers exploring her novels through fresh historical and critical lenses, from the French Rev...

www.edgehill.ac.uk

3 14 27

Reposted by Alexandra E. LaGrand

Cambridge Digital Humanities @camdighum.bsky.social · Aug 4

We're looking for an Associate Professor/Professor who can
contribute to research and teaching at Cambridge Digital Humanities from January 2026 or as soon as possible thereafter.

This is a permanent role with a closing date of 21 September.

Apply now: www.cdh.cam.ac.uk/about/news/n...

Two University of Cambridge students are walking on the streets of central Cambridge. Copyright: University of Cambridge (June 2024)

32 37

Reposted by Alexandra E. LaGrand

Tom Freeman @tomfreeman.bsky.social · Jul 30

Happy 15th anniversary of the peak achievement of literary criticism, to all who celebrate

Amazon review of Pride and Prejudice, left by carlton p morgan on 30 July 2010: "Just a bunch of people going to each other's houses"

110 4K 15K

Reposted by Alexandra E. LaGrand

British Association for Romantic Studies @bars.bsky.social · Jul 25

Taking place TODAY:
BARS Digital Symposium: Expanding Queer Romanticisms, 25th July 2025, 3pm-6.15 BST.

Members should have received an email containing Zoom links to attend!
www.bars.ac.uk/blog/?p=6045

Programme: BARS Digital Symposium: Expanding Queer Romanticisms – BARS Blog

www.bars.ac.uk

4 6

Reposted by Alexandra E. LaGrand

The Arden Shakespeare @ardenpublisher.bsky.social · Jul 21

Save on plays📚

For 1 week only, until Sun 27th July, enjoy up to 30% off the whole of The Arden Shakespeare Third Series!

Browse the Third Series: bit.ly/4o03Bxf

Browse all sale highlights: bit.ly/40vQoCl

2 1

Reposted by Alexandra E. LaGrand

Anthony Binns @anthonybinns.bsky.social · Jul 17

For those interested in theatre, circus & music hall history, Part 2 of my blog on early 19th century comedian 'Joe Cowell in America' is now online 👉
bit.ly/4eWBhrF
@musichallsociety.bsky.social @youngalison.bsky.social @billyrough.bsky.social @roadsw9.bsky.social @victorianlondon.bsky.social

A Dynasty on Stage:Part Two: Joseph Cowell in America (1821-43) - Anthony Binns

Chapter 1 (Continued): The Life of Joe Cowell (1792-1863) Part Two: Joe Cowell in America (1821-43) The Park Theatre, New York 1821 Joseph Cowell and his young wife sailed the Atlantic for approximate...

bit.ly

1 3 10

Reposted by Alexandra E. LaGrand

Dr Rough, FSAScot @billyrough.bsky.social · Jul 9

How’s this for a theatre poster? 1849, Theatre Royal, #Dundee. A bit of a curiosity as it looks like a budding poster designer has sketched out ideas on the back. Always welcome for some thoughts on #Alexander and #Woodward!

#History #Theatre #Pantomime #Turpin #TomKing #Punch

1 3 11

Reposted by Alexandra E. LaGrand

Sarah Werner @wynkenhimself.bsky.social · Jul 8

Exciting news, Bluesky! I’m editing a new book series for Bloomsbury with Tom Mole and Lisa Gitelman: Book History for the Future! Do you focus on material textual artifacts and innovative methodologies? We’re actively soliciting proposals, so give us a shout! www.bloomsbury.com/media/cecjzl...

BLOOMSBURY ACADEMIC
NEW SERIES
Book History for the Future
SERIES EDITORS:
Lisa Gitelman, New York University, USA
Tom Mole, Durham University, UK
Sarah Werner, Independent Researcher, USA
Book History for the Future aims to define the cutting edge for a new generation of book historians, as book history enters a new chapter of its evolution. Books sit at a densely trafficked intersection of social relations, status negotiations, emotional investments, material possibilities, desires, aspirations, and dreams.
They require an intellectual approach grounded in attention to physical artefacts and material conditions while also engaged in theoretical reflection, attentive to historical contexts while attuned to contemporary resonances. This series publishes books that eschew academic parochialism in favour of adventurous engagements with new theoretical developments, innovative methodologies, digital tools, and global
contexts.

12 110 230

Reposted by Alexandra E. LaGrand

Points Like A Man @pointslikeaman.bsky.social · Jul 5

After a bit of a break, we are back to bring you some more records! ✨ Today, 17 records were added for performances of Romeo and Juliet in Dublin, Leeds, Liverpool, London, and Torquay from 1809-1830 to bring the record total to 8,050. 🎩

1

Reposted by Alexandra E. LaGrand

Katie MacLean @katiemaclean.bsky.social · Jul 1

My first article, "Becoming Jane on stage: queerness in early twentieth-century Austen bioplays," has been published and it is open access 🥳🥳

Huge thanks to the editors at Adaptation Journal and peer reviewers who have been a pleasure to work with

doi.org/10.1093/adap...

Becoming Jane on stage: queerness in early twentieth-century Austen bioplays

Abstract. Bioadaptation has become a recent trend in Austen media, from Becoming Jane (2007) and Miss Austen Regrets (2008) to the BBC series Miss Austen (

doi.org

2 7 21